Agent Monday: THE Hottest Trend

Businesswoman standing on a ladder looking through binocularsHappy Agent Monday, everyone! This past Friday I was excited to sit on the industry experts panel at the YARWA (Young Adult Chapter of Romance Writers of America) event held at the RWA annual conference in NYC. The panel included a mix of literary agents and editors and we were asked in a number of ways to share what was in…what were the hottest trends in YA lit right now…what was selling…what were we looking for most of all. So, since many of you didn’t get to hear what the hottest trend in YA lit is right now, I thought I go ahead and reveal it right now in this post.

The biggest trend in YA literature right now is…

DRUM ROLL PLEASE!

PLUS CYMBAL CRASH!

…A great fresh story well told.

Wait, what? What about selkies? Or dystopians? Or vampires? Or fantasy? Or sick-lit ala Fault in our Stars? Or contemporary? Or diverse fiction? Or, or, or…

A great fresh story well told. This is what editors and agents are looking for. That’s what folks on the panel said – every one of them.

So what’s that mean for you writers? That means be authentic and write what really matters to you. Make it original and perfect your craft so that it is the absolute best writing you can possibly create.

Send us THAT and YOU will be the trend.

Now you know!

*Marie is an Associate Agent at The Jennifer De Chiara Literary Agency in New York City. To keep up with all her Agent Monday posts, subscribe to her site by clicking on the Follow link located on her page on the upper left margin.

Agent Monday: The “Your book’s too quiet” Rejection

Childhood GirlsHappy hot and steamy Agent Monday, everyone! Ever received the following rejection and wonder what it might mean?: “I have to pass because I found your book too quiet.” Too quiet? What’s that mean? And how do you get it to make some noise? Let’s take a look… (Thanks again to client Caroline Noonan and her writer’s group for this great post idea!)

To me, too quiet means that while the book may be written in a lovely manner and the manuscript clean and the plot interesting, overall the book lacks characteristics that would make it stand out in the commercial marketplace.

Remember, an agent’s job is to sell your book to commercial publishers, and an editor’s job is to purchase books that will become stand outs on the shelf and sell.

So what can you do if your book is consistently rejected as “too quiet?” Well, first of all look hard at the type of book you are writing – what distinguishes that sort of book? Have you elevated those elements in your manuscript?

For example, if you are writing a literary novel, is your language and imagery more than adequate? Does it stand out? Are the observations and revelations unique and transforming?

If you are writing for the YA market, is your book different from what’s already out there? Can you come up with a one-liner about the book that’ll get everyone’s attention because your story has a unique approach? Is there a hook that’ll make it stand out – and if so, have you put that unique part of your story front and center in your plotting?

If you are writing for the thriller audience, is your story truly gripping, your plotting original and does your character command the page?

And if you are writing romance, does your hero truly break your heart and does the passion sizzle?

In the historical realm, are the characters riveting and are we fully caught up not only in the lovely and accurate details of the time but also the true drama and personalities and stakes you present?

What are your strengths as a writer? Characterization? Scenery? Plotting? Imagery?  Have you heightened these so they are truly stand out?

Another thing to look at is how you are labeling and targeting your manuscript submissions. If you are calling your book a thriller but it’s really a cerebral mystery, you’ll be missing the mark. If you are directing your submissions to a commercial press, when your book is really a lovely lyrical literary novel, then your piece won’t be judged within the context that you want it to.

So next time you get a “too quiet” comment in a rejection, give your manuscript a hard look. Make sure you’ve really made its most important elements unique and stand out fab, and that you are labeling it correctly.  Then send it back out there and go make some noise!

*Marie is an Associate Agent at The Jennifer De Chiara Literary Agency in New York City. To keep up with all her Agent Monday posts, subscribe to her site by clicking on the Follow link located on her page on the upper left margin.

Agent Monday: Top 5 Must-Knows for Writers Sending Queries

Little Girl Drawing in ClassHappy Agent Monday, everyone! Remember me? Yeah, it’s been a while since I’ve posted here simply because I’ve been SO VERY BUSY. With only so many hours afforded us, we agents have to use our time very wisely. That’s why, if you are a writer querying agents, you’ll want your query to be ultra effective. So, in the spirit of being succinct, I offer up The Top 5 Things Every Writer Must Know BEFORE Querying… (Thanks to client Caroline Noonan’s writer’s group for this blog post idea!)

1. Pay Attention to Submission Guidelines!

If an agent says they don’t represent category romance and that’s what you write, cross them off your list. If they ask you to start your email message line with QUERY – do so. It’ll help them spot your query, plus keep you out of their spam file. My submission guidelines allow you to paste in (NOT ATTACH!…See #2) the first 20 pages of your manuscript below your query. Folks that haven’t seen my guidelines and just send me a query letter really miss an opportunity when they submit. Follow specifications and it’ll improve your chances all around!

2. Attachments are a No No

Unless an agent specifically says send an attachment, just don’t! Attachments bring along a host of possible viruses, and won’t be opened. My own submission guidelines are very clear (find them here), yet I get entire manuscripts attached to queries. Or even the query letter only in the form of an attachment. Do this, and chances are high your query letters to agents will be deleted and you’ll never get a response.

3. Research is Your Friend

Back in the day, there was little info available on what agents wanted and who represented which author, etc. But today? You can spend just a bit of time researching and end up with a truly targeted list of agents. There is no reason to waste your time sending to zillions of agents at once. Get your list right, and spend that extra time working on your craft and on your next book instead! Find your list of agents using resources like the market listings put out annually through Writer’s Digest. DEFINITELY subscribe to publishersmarketplace.com to take your research to the next level…it’s $25 per month, but you can sign up for a month, research all you want, and then drop the subscription if you like. In this site you can quickly find out who represents which authors, which agents have done deals involving your sort of book, and then when you query those agents, you can really let them know why you’ve chosen to approach them. Smart, right?

4. Be Specific

Because agents have so little time to linger over query letters, get right to it! Quickly let us know the title of your work, the genre/age group it’s for, and the word (not page) count. Then give us, ideally in one line, an engaging description of its plot. I can quickly tell from this if it’s the type of project I’m interested in and if I want to read more. Hit this right (you’ve targeted the submission to me, so you’ll know I’m interested in this type of book, true?), and I’ll settle in happily to see what else you’ve got to say. Include a brief paragraph about your book, then a brief bio…keep on topic!

5. This is NOT a Drill

A query is your one shot to connect with an agent, so be sure you’ve got everything right. That means not only have you followed guidelines, but your letter is grammatically correct and interesting. If not, you’ll rack up those rejections quickly. Your novel must be complete, and completely polished. Don’t start querying agents until this is true. When it comes to fiction, we aren’t interested in merely an idea, and we don’t want to see a rough draft. You can’t come back to us and be all like, hey, remember when I sent that to you two weeks ago? Yeah, well, here’s a different version of it – do you like THIS ONE?  Nope. You are querying because your book is as ready as you can make it. If it’s not? Then wait until it is.

Okay, I know I said there would be 5 on this list, but I’d like to add just one more item…

6. Agents really DO want to find great talent

This is a biggie to keep in mind. We are busy. We do have our clients. But we accept queries for one reason only: we are looking for the next great talent to add to our list of authors. Follow these “must knows” and we just might find you!

*Marie is an Associate Agent at The Jennifer De Chiara Literary Agency in New York City. To keep up with all her Agent Monday posts, subscribe to her site by clicking on the Follow link located on her page on the upper left margin.

Agent Monday: The BEA 411

BEA 2015Happy Agent Monday, everyone!  Remember me? Yeah, it’s been a very busy few weeks, so Agent Monday posts have given way to Agent Monday action. Last week was all about BEA – that’s the big book expo held each year in NYC. It’s jammed with publishers and editors and librarians and book sellers and authors and, of course, agents. So today I thought I’d give you the BEA 411.

BEA is many different things to different people. If you’re a publisher, it’s the place to highlight your upcoming line of books, hype your newest authors, and to interact with book sellers and readers and rights agents and anyone else who connects with your business. For authors, it’s the place to have your own new title on display, perhaps do a signing at your publisher’s booth and build buzz. For readers, it’s where you can hear some of your favorite authors speak, where you can grab a ton of free books, and where you can nab some autographs.

But what do agents do there? Well, my day started off with a meeting in the rights department with an audio publisher. There they shared what they’re looking for, and I clued them in on some of my clients’ upcoming projects. Next? I zipped down to the conference rooms and caught a panel of editors buzzing their upcoming young adult titles. I love hearing these panels because the editors share what drew them into the books. I take notes – and when one of my clients has a book that touches on something that one of these editors specifically noted loving – well, that makes them the perfect editor to pitch to.

After the panel is done, I talk to the many other editors in the audience that I spot. Some I’ve met before, and some I’ve spoken to on the phone before.  Lots of chatting and biz card sharing ensues.

I meet up with fellow agency mate Linda Epstein, and together we “walk the floor” – not as spicy as it sounds. Actually it just means we walk through the zillions of publisher’s exhibits on the main floor. It’s so instructive to see what each publisher is highlighting. Plenty of editors are manning the booths, and this leads to many conversations with these good folk. Business cards are swapped, and info exchanged. What are they looking for now? Would they like such and such? I’m building up my editor info file, taking copious notes, and I’m also pitching various client manuscripts I’m about to go out on submission with.

Folks, this takes a lot of organization. Since I represent picture books and chapter books and middle grades and YA’s, and adult fiction and memoir, you can bet I have a wide range of projects almost ready to go. As an agent, I need to keep in mind which publishers would truly be a fit for a project, and which wouldn’t. No point in pitching a memoir to a house that doesn’t handle those, right? And I have to be ready at the right moment to pitch each book well. PLUS I have to do all of this while not being pushy – so, yeah, you have to know when to pitch, and when to just chat. I gauge an editor’s particular interest while speaking with them. If they express a particular interest, then I can pursue that saying something along the lines of, “I think I have something you’ll really like. Would you be interested in…”  They are! I make a note of it, and this week I’ll be sending out a range of submissions to a range of editors as a result.

So Linda and I walk the floor together for about an hour, and then I head off on my own to grab some food and rest my feet… Looking through my conference brochure I see that my dad’s favorite author is signing RIGHT NOW. Crap!  I gobble down the rest of my food and scramble back to the exhibit floor. Eeek!  There’s a huge line, but I’m not too late.  I nab a copy of Nelson DeMille’s latest novel, and get in line – I’m #140, and the cut off is #150. I patiently wait on line, and 40 minutes later I get his signature.  Father’s Day gift – check!

Dennis signing at BEA 2015

Author buddy Dennis Tafoya (far right) signing his fab crime novel THE POOR BOY’S GAME

Okay, the next 3 hours are spent with more walking the floor action, plus a few appointments with editors where we sit down and talk business. I also see authors I know, agents I’ve met over the years, and book sellers I’ve worked with as an author. It really is an amazing community out there full of some seriously cool and fun people.

Still, I’m fried. It’s 4 p.m. and I’ve been going since 5 a.m. But I’m not done yet. Now I head out of the convention center and walk uptown to do something I’ve been looking forward to all day – meeting my author Harmony Verna and her husband Jay! We meet at a pub and hoist a cold one, toasting Harmony and her upcoming debut DAUGHTER OF AUSTRALIA. If you’ve loved THE THORNBIRDS, then this novel will take your breath away. Actually, it’ll take EVERYONE’S breath away – it’s that spectacular. And we have lots to celebrate. Just the day before, Kensington Publishers sold translation rights for her book to a publisher in Germany. Huzzah!

Marie and Harmony at BEA15

Meeting up with my client, fab author Harmony Verna! (right)

NEXT, the three of us head over to the BEA cocktail party hosted by Kensington Publishers. More celebrating!  We meet her fab editor and foreign rights team and publicist and other authors. So fun.

And now? Now I’m done.  But wait!  There’s just one more thing I have to do.  As I head back to the train station to go home, I step over a gushing subway grate and zip! My skirt does a full Marilyn Monroe.

Yup. THAT’S BEA.

Resting up till next year, but first I must jot down one more note: NEXT TIME WEAR PANTS.

*Marie is an Associate Agent at The Jennifer De Chiara Literary Agency in New York City. To keep up with all her Agent Monday posts, subscribe to her site by clicking on the Follow link located on her page on the upper left margin.

Agent Monday: About Those Form Rejections

Office Worker with Mountain of PaperworkHappy Agent Monday, everyone! It’s been a VERY busy time for me, filled with deadlines and travel and pitching and meetings. Yet I have been able to weigh in on plenty of queries that have pinged into my inbox. And I couldn’t have done that without the help of my form rejection letter. Writers don’t exactly love these, of course, but I thought I’d share a bit of perspective on why these aren’t SUCH a bad thing.

First of all, here’s my form rejection letter:

Thanks so much for sending me your query. I’m going to pass on this one because I found it didn’t spark my interest.

I wish you the best in finding a home for your work.

Sincerely,
Marie

Here’s the good thing about an agent using a form rejection letter: it enables her to respond more quickly to queries. By using this, I can zoom through a number of queries at a time and let writers know as quickly as I can that I am not the right agent for them. That way the writer can move on.

I’m a writer myself, and have received more than my fair share of rejection letters. I know rejection can sting, but I also know that it is part of this business. There is nothing I as an agent can say in a rejection letter that will truly take away that sting. All I can do is let you know that I’ve seen your piece, that it’s not for me, and to wish you well. I do make the effort to address the writer personally in my reply, and take care that I spell the name correctly, but beyond that I generally don’t personalize the letter.

Why the “didn’t spark my interest” line? Because that’s what it’s all about. And if my interest isn’t sparked by your query and pasted-in pages, that means I don’t feel intrigued enough to see more of this work.

That’s the function of such a note. Okay, now I’m saying this next part as not only an agent but as a writer: A rejection letter’s purpose doesn’t also involve making a writer feel better and inspired. That’s not to say it is meant to tear a writer down, BUT this is a business, and agents that you query are not there to hold hands and whisper encouraging words and inspire you to continue to scale great heights and pursue your dreams.

You need to get that inspiration elsewhere. From your writing, from you own community of supporters. Most of all, from yourself. That’s the stuff that will keep you going.

I’m saying this because sometimes (more than you might think) writers respond to my form rejection asking me for more. Much more. Can I give them an example of what would spark my interest? Can I point out what, specifically, made me pass? If they changed such and such, would that work? Do they have what it takes? Should they keep going? Are they wasting their time?

Responding to these questions? Not my job. If I did that sort of hand holding and career counseling and soul searching for every one of the hundreds of queries I receive, I would never have sold a single book for any one of my clients. Instead I would be too busy trying to help every writer who has ever pressed SEND toward my inbox. Something to think about…

So I’m hoping this post is a bit of a reality check for folks who are querying. A form rejection letter isn’t the end of your career. It isn’t a statement about every effort you’ve ever made to become a better writer. It is simply a response to your query, sent in as timely a way as possible. And it lets you know that you need to seek a different agent, because I’m not the one for you.

Yes, I’ve rejected queries for books I’ve later seen as sold projects on Publishers Marketplace. And I’m happy for those authors. They didn’t give up. The query I’d received presented a book that wasn’t my cup of tea, and perhaps never would have been right for my taste. Or perhaps they polished their query and opening pages after too many form rejections, and therefore did spark the right agent’s interest.

Remember, this IS a subjective business. A project that isn’t right for me, could be just the right thing for another agent.

Like I said, it’s been a VERY busy season for me here, with tons of hours spent every day working with my clients and with editors at publishing houses. Yet I’m currently up to March 1st in my query responses (trust me, that’s pretty good). And I’ve also been able to respond to other more recent queries too, if I see immediately that they aren’t right for me. (Please look at my guidelines here, so you’ll know what I am looking for and what I definitely don’t want…)

Thanks to the form rejection letter, those writers aren’t left hanging longer than needed. See? Glass half full!

*Marie is an Associate Agent at The Jennifer De Chiara Literary Agency in New York City. To keep up with all her Agent Monday posts, subscribe to her site by clicking on the Follow link located on her page on the upper left margin.

Lifelong Dream Realized – Book Give-Away

Originally posted on Writing and Illustrating:

traceybaptisteHeadshot 1-smallLifelong Dream Realized

I loved fairy tales as a kid. And I listened to a lot of jumbie stories. Jumbies are very tricky, very bad creatures in Trinidadian lore that will just as soon eat you as look at you. These were the stories parents told kids at bedtime. If you woke up in the morning with mosquito bites, you were told it might have been a soucouyant, a vampire-like creature who sheds her skin at night and flies around as a ball of flame to suck the blood of children. If you heard your name called at night, it might be a douen, a child-sized creature with backward feet and no face that would grab you and take you into the forest most likely to eat you. The lady that your uncle was dating might be a La Diablesse. You just had to get a good look at her…

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Agent Monday: April Showers Bring…Client News

Happy Agent Monday, everyone!  April is BUSY, and lots of things have been happening. For me, this month is packed with travel and book pitching and the Writer’s Digest Sell Your Children’s Book Webinar (starting today), in addition to the day-to-day goings on of being an agent. My clients have been very busy too! For today’s post, I thought I’d share some of their recent good news here…

Jumbies cover smallHappy Book Birthday!

Tracey Baptiste’s middle grade novel THE JUMBIES (Algonquin Books FYR) will celebrate its book birthday on April 28th! Caribbean island lore melds with adventure and touches of horror in this tale about Corinne La Mer, a girl who on All Hallow’s Eve accidentally draws a monstrous jumbie out of the forest, sparking a very personal war that only she can stop. Also, Tracey’s book is featured in this month’s ESSENCE magazine, which called THE JUMBIES “an endlessly addictive and hypnotic new read.”

 

Award Winner!Eliza Bing jkt

Congratulations to Carmella Van Vleet, whose debut middle grade ELIZA BING IS (NOT) A BIG FAT QUITTER (Holiday House) has just been awarded The Christopher Award. The award recognizes writers, producers, directors, authors and illustrators whose work “affirms the highest values of the human spirit.” Carmella’s novel is about Eliza, who has ADHD, and a history of not following up on things. Eliza needs to muster up all the determination and inner strength she has to prove to herself and her parents that she can finish a martial arts class. Carmella will accept her award this May in NYC, along with this year’s other recipients. Among this year’s award winners are the creators of the movie Selma, producers of 48 Hours, and authors Henry Winkler (AKA the “Fonz”) and Lin Oliver for their children’s novel Here’s Hank: Bookmarks Are People Too! (Grosset and Dunlap).

 

mh cover final054A Top Title!

M.P. Barker’s historical YA novel MENDING HORSES (Holiday House) was just named a 2015 Booklist Top 10 Historical Fiction for Youth. Booklist called MENDING HORSES “A skillful evocation of race, class, and gender in nineteenth-century New England.“ The novel is about three outcasts – an Irish orphan, a roving peddler, and a child fleeing an abusive father – who mend each other’s broken lives as they heal a circus’s mistreated horses. Barker’s novel is also 2015 Banks Street College of Education “Best Children’s Book,” a 2014 Kirkus Prize nominee, and a 2014 VOYA “Top Shelf” title.

 

Gregory Frost 1In Asimov’s Magazine!

Gregory Frost’s short story ““Lock Up Your Chickens and Daughters — H’ard and Andy Are Come to Town!” co-authored with Michael Swanwick, is in the April/May issue of Asimov’s Science Fiction Magazine. Greg recently appeared with Swanwick and other authors from that issue at a packed Q&A session at Barnes & Noble in Philadelphia, an event I was excited to attend! Greg’s novelette “No Others are Genuine,” which appeared in an earlier issue of Asimov’s was recently honored as a 2014 finalist for the prestigious Bram Stoker Award.

Congratulations to them all!

 

*Marie is an Associate Agent at The Jennifer De Chiara Literary Agency in New York City. To keep up with all her Agent Monday posts, subscribe to her site by clicking on the Follow link located on her page on the upper left margin.