Creative Writing | Marie Lamba, author

Marie’s note that inspired her new picture book A DAY SO GRAY

Happy Agent Monday, everyone! These are tough times, and everyone reacts differently. For some writers, it’s a period of isolation that leads to deep thinking and bursts of incredible creativity. But if you are feeling stuck, rest assured, you aren’t alone. As a writer myself, I’m finding it hard to string together big ideas, even though I may be pondering plenty. Are you feeling the same?

While this can be distressing to an author who is used to having words a-flowing, do take heart. Your subconcious is surely hard at work. And take notes, because books do indeed grow from those seemingly small ideas that pop into your head.

Witness the note above that I wrote to myself after journaling early one morning. It was a simple idea, but it had some true power behind it – at least to me. So I stuck it on my desk and let it sink in. It grew and became a picture book manuscript, which then became A DAY SO GRAY, illustrated by Alea Marley, and published by Clarion Books.

Starting pages from Marie’s picture book A DAY SO GRAY

The book features two friends, one who complains, saying, “This day is so gray,” and another who says, “No it isn’t!” and then points out all the colors in the landscape. It’s an optimistic book that reflects a side of me that is always looking for beauty and positivity everywhere. And it all came from a very simple but honest idea quickly jotted down.

So even while you may be feeling scattered and stressed, listen to the ideas that bubble up. For me, these quick thoughts are often unguarded and honest, so they truly express something important to me. Something with deep possibilities and meaning. Some jotted down notes come back to me as I think of them again and again – that’s one way I know that THIS idea demands attention. That it just might become a book. But some of the best ideas are those I’ve quickly forgotten until I looked back at some scribblings.

So journal. Keep a notebook and pen by your bedside to capture your early morning dreamy ideas. Go for a walk and immediately record with your phone an idea right as it comes to you, before it flutters away.

Gray cover Ideas do indeed flutter away unless they are caught and looked at. There’s something there. Some piece of you that is honest and true. Collect these thoughts and review them from time to time to see where the inspiration will take you.

It’s a small but important way to be creative, even when you are very stressed. Even when you find it hard to be productive as a writer.

And, it just might just become your next book.

*Marie is an author of YA novels and of picture books, and she’s a Literary Agent at The Jennifer De Chiara Literary Agency in New York City. To keep up with all her posts, subscribe to her site.

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Happy Agent Monday, everyone! Recently I’ve received a number of novel submissions with multiple viewpoint characters. Today I’m happy to welcome the following guest post by one of my interns – Colin Gironda. As a first reader for me, Colin has his own point of view on why multi POV’s sometimes work really well, but at other times can actually lead to a rejection.

So here’s HIS view of things. Take it away Colin…

A book written from one perspective can sometimes become limited in its scope, but using multiple perspectives in a manuscript can be a great tool because it allows for other characters to have a voice.

The way one character views themselves or others can be different from the way another character does. With two sets of eyes on a person instead of one, you can create better developed characters by revealing different aspects.

Also, perspectives can foil one another. Using this technique, you can place in the reader mistrust or curiosity about another character’s actual intentions. This allows a reader to be drawn deeper into the plot and to become more compelled to discover the truth. This can also help the reader identify more closely with a character – we are choosing sides and deciding who we like and believe in.

But there can be pitfalls and dangers for writers using multiple points of view as well. Each perspective needs a distinct voice. Without that distinct voice, the plot can feel convoluted; the reader can lose track of who’s doing or saying what.

Each point of view character must also be well developed. If the character isn’t 3-dimensional, or they don’t have a large voice, you may want to refrain from using their perspective. The reader will likely become bored with them or confused at the presence of someone so minor.

When not used properly, multiple view points can spell trouble for your plot, too. Bouncing from character to character too quickly and too often can slow your story down, especially if the storyline itself doesn’t advance enough. Readers can lose track of what’s going on, and when they don’t feel invested in what happens next, or truly know why it matters, they might just stop reading altogether.

Multiple view points really can have multiple benefits in a story. But as powerful as this tool can be, it’s just that – a tool. Don’t let it become a distraction to readers or drag down the pace. Instead make sure it’s enhancing your story, adding depth. Get that right, and the end result will be complex and rich storytelling.

Colin Gironda is earning his Bachelors degree in Creative Writing at Franklin and Marshall College, and is an intern for The Jennifer De Chiara Literary Agency in New York City .

*Marie is an Associate Agent at The Jennifer De Chiara Literary Agency in New York City. To keep up with all her Agent Monday posts, subscribe to her site by clicking on the Follow link located on her page on the upper left margin.