Agent Monday: Halloween Treat – Behind the Scenes with Illustrator Lee Harper

TTTCoverHappy Agent Monday – Halloween style! For a special treat, I’m excited to have a guest post from our talented client, author/illustrator Lee Harper. He’s going to take you into his studio for a behind the scenes look at how he created the images for Wendi Silvano’s too-funny TURKEY TRICK OR TREAT (Two Lions). Lee’s currently hard at work illustrating the sequel to Leslie Helakoski’s wonderful WOOLBUR picture book, titled WOOLBUR GETS READY FOR SCHOOL (Harper Collins). To see his portfolio, and get info on his books,  visit his website here.

****LAST MINUTE UPDATE! I just found out that TURKEY TRICK OR TREAT is read aloud by Scandal’s actor Guillermo Diaz on the show BOOK-A-BOO. The reading has fun animations and is available for streaming here.  Perfect treat for kiddos of all ages.😉

Okay, take it away, Lee!

Tricks Behind Illustrating Turkey Trick or Treat
by Lee Harper

After I received the manuscript for Wendi Silvano’s Turkey Trick or Treat, I started by filling up sketchbooks with drawings. In the beginning, I let the story and my imagination take me wherever they wanted to take me without worrying about how it would all come together. A lot of the character development happened during the sketchbook drawing stage. There were a lot of animal characters to develop.

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There were also a lot of human characters to develop, each with their own costume.

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All the characters needed to look like they belonged to the same reality.

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Only a small percentage of my early stage drawings made it into the book.  As a result, I have a vast collection of storyless characters as this illustration shows.

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I mixed in some experimental painting during the drawing process to make sure the drawings would work in color. This sheriff turkey didn’t make it into the book but gave Wendi an idea for another turkey story!

When I had a general idea of the characters and an overall visual theme in mind, I started the dummy by creating a storyboard with thumbnail sketches on Post-its. At this time I also gave myself a drawing schedule that kept me moving along. I like to do this part fast, in one fell swoop. Details can wait for later.

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The great thing about storyboarding with Post-its is you can quickly mix and match images —like putting together a puzzle — and because each drawing is small, it’s impossible to delve prematurely into too many details.

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When the storyboard was done, I began a more detailed dummy by drawing each individual element of each page, scanning it, and placing it in Photoshop.

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I then arranged all the elements of each page, including the text. Since each element of the drawings was an individual layer in Photoshop, I could easily re-arrange things and make revisions.

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Once I had all the drawings completed, I saved each two-page spread as a JPEG file and created a PDF dummy to email to my editor and art director at Two Lions. After revising the sketches according to their notes, I printed out the pages 10% larger than actual size and traced them onto watercolor paper using a light table.

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After the lightly drawn drawing was complete, I soaked the watercolor paper with water and stretched it on a board to keep the paper flat during painting.

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While painting I referred to photo-reference material I collected during the drawing stage. I needed to show the farmer’s feet in one of the illustrations so I photographed my son Dan’s pants and boots. (There’s nobody in there.)

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This is the illustration with the boots and pants.

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Because Turkey Trick or Treat was the third in a series of books about the same character, I regularly referred to the first two books to make sure I kept things somewhat consistent.

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Here’s my watercolor palette while I was working. This is actually the first book in which I use a black pigment. Usually I make darks by mixing other colors, but for Turkey Trick or Treat I wanted a very pitch-black sky.

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I have an unusual painting process that involves spraying a mist of water in the air and swinging the painting through the mist. It eliminates hard edges.

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Here’s a painting under construction.

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And finally, an illustration comes to life.

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Thanks so much, Lee, for giving us such a great behind the scenes look into your studio and fun creative world!

Happy Halloween, everyone. And keep your eyes peeled tonight for Turkey trying to steal some of your treats!

*Marie is a Literary Agent at The Jennifer De Chiara Literary Agency in New York City. To keep up with all her Agent Monday posts, subscribe to her site.

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Agent Monday: Summer Edition

Edinburgh - Writer's museum

Writer’s Museum, Edinburgh

Happy Agent Monday, everyone!  It’s STILL summer, so I thought today I’d share some of my favorite writerly destinations. Since I’m a literary agent AND a writer, there’s nothing I love to do more than visit places that truly inspire me. So here, in no particular order, are a few…

 

Rosenbach Museum, Philadelphia, PA – Want to see James Joyce’s ULYSSES manuscript? It’s here along with hoards of other rare books. Tours, exhibits, and original Maurice Sendak art. Fee.

Free Library of Philadelphia, Main Branch, Philadelphia, PA – Rare books tour. See Poe’s raven – stuffed!  Dickens’ writing desk with his name carved into it. Plus so much more. Free tour, 11 a.m. daily.

Morgan Museum and Library, NY, NY – rare manuscripts, lots of great exhibits (past ones have included Poe and Lewis Carroll), a gorgeous library, and bookish gift shop. Museum fee.

Bath - Pump Rome tea

Pump Room, Bath, England

New York Public Library adjacent to Bryant Park, NY, NY – I always keep an eye peeled for book-related exhibits and enjoy their bookish gift shop. Past exhibits have included Shelley, and an extensive show about children’s classic books. Exhibits free.

Treasures of the British Library, British Library, London, England – mind-blowing original manuscripts from illuminated ones through to Canterbury Tales, Lewis Carol, Dickens, Austen …even hand-written Beatles lyrics. Free.

The Pump Room, Bath, England – Love Jane Austen? Then tea at the Pump Room, featured in her novels, is a must. You’ll be “most astonished.”

Louisa May Alcott’s House, Concord, MA –  The author wrote LITTLE WOMEN there, and even set it there.  It’s like walking into the story – amazing!  Fee

Edinburgh - Gray Friar'sEdinburgh, Scotland – There’s a ton of writerly stuff here to enjoy including the Writer’s Museum, and serious Harry Potter nerd moments at: The Elephant House (where J.K. Rowling wrote), Grayfriar’s Kirkyard Cemetery (where she gathered character names), and an area that was the inspiration for Diagon Alley.

OOOOO!  All my idea of a good time.

So what writerly spots do you feel are absolutely worth a visit?  Add ’em here in the comments… I’m always looking for the next great read AND the next great place to visit for some serious nerding out.

 

 

*Marie is a Literary Agent at The Jennifer De Chiara Literary Agency in New York City. To keep up with all her Agent Monday posts, subscribe to her site.

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Agent Monday: Inside Query Land

Office Worker with Mountain of PaperworkHappy Agent Monday, everyone!  If you don’t see me posting for a few Mondays, it’s simply because I’m THAT BUSY. This past Sunday, for example, I spent 6 straight hours delving through queries in my inbox, and I barely made a dent. Still, I did request 3 manuscripts – and that IS how I’ve found a number of my wonderful clients in the past. So what’s it really look like inside of Query Land? Here are some quick thoughts before I get right back to work here…

First of all, folks who don’t follow my guidelines get instantly deleted. And including your query as an attachment…anything as an attachment… I’m not gonna open those – would you?

Folks who can’t even bother to find out who I am or what I do? Deleted – Dear Sir. I know you are looking for Non-Fiction (I’m NOT! I don’t even rep it…and not a sir, thank you very much).  Addressed to no one, sent to EVERYONE. Saying please publish my book (I’m not a publisher…).

Writing your query as if you are your character NEVER WORKS. First it confuses me, then it once I figure out that you are not you, it comes off as really gimmicky and ridiculous.

When I send you a rejection, please don’t write back to ask me for advice or tips. I don’t have time and that is really not my job. Remember, an agent lives off a percentage of what her authors make once they sell…and that I spend HOURS reading queries just to find a person that has a manuscript that MIGHT interest me. Think of the 6 hours I’ve spent on a Sunday morning, in addition to a full week of extra long hours working for my own clients, and ask yourself, where would you spend your precious time if you were me?

When someone tells me their book is a young adult picture book romance thriller, I know they don’t know anything about the business. A book must fit onto a shelf and appeal to a certain audience.

An author’s writing is their product. When they can’t compose a simple query letter, I won’t be interested. Terrible grammar, multiple spelling errors, and long rambling prose? Not interested.

Please don’t tell me your book is the next bestseller, or that your neighbor read your book and loved it. A query should be composed so that I will love the book.

Conclusion? Yes, this is a business. Be a professional in your dealings, and I will feel confident I can deal with you and put you in front of an editor. The queries that prompted me to request a full manuscript? Well, they addressed ME, their queries were professional and intriguing, and the writers followed my guidelines.

That’s Agent Marie reporting from the query trenches. Over and out!

 

*Marie is a Literary Agent at The Jennifer De Chiara Literary Agency in New York City. To keep up with all her Agent Monday posts, subscribe to her site.

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Agent Monday: I Need a Hero!

happinessHappy summery Agent Monday, everyone! Just when things should feel especially lovely and relaxed season-wise, suddenly the world feels uncertain and topsy-turvy. Cough cough *Brexit* cough cough. We are also mourning terrible violence and ignorant hatred. It can make you feel truly helpless. So this is a call to action from a literary agent. Are you listening, writers? It’s time to use your super power: Power of the Pen. (Cue music: “I Need a Hero.”)

A writer’s super power truly is the ability to enter the minds and hearts of readers and influence them in a positive way. So, now more than ever, I’m looking to represent manuscripts that will do just that. Give us a hero we can really root for, show us the world how it should be, the person we can aspire to emulate, or scare the crap out of us with how it might be if we are careless with our choices.

Inspire us to act, and inspire us to hope. But be artful about it, too.  The story’s the thing (sorry for the paraphrasing, Shakespeare…). A novel is not a lesson, but it could convey one.

So think about the books that have inspired you. Think of the change you’d like to see. Realize your own power of the pen. And create as if the world’s future depends upon it, because it just might… We all need a hero, and it could be your main character, and by extension, it could be YOU.  BTW, my submission guidelines for queries can be found here .

 

*Marie is a Literary Agent at The Jennifer De Chiara Literary Agency in New York City. To keep up with all her Agent Monday posts, subscribe to her site.

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Webinar for Young Adult Writers

Young Boy at School Raising His Hand to Answer in ClassHi fellow writers! Just a heads up that there’s still time to register for the online webinar I’m teaching next week through Writer’s Digest titled Focus on Young Adult Fiction: Writing a Strong Young Adult Novel and Crafting the Query Letter. This may be a good fit if you are currently working on a YA novel and/or trying to get an agent for it.

The 90 minute webinar covers a lot of stuff, including trends in YA, plus what is and is NOT YA material in terms of age, point of view, length, story arc, etc. (as a Literary Agent at Jennifer De Chiara Literary Agency I see submitting writers trip up on these things all the time). I’ll also cover how to write your best query letter, some insider tips on querying do’s and don’ts, plus I’ll critique your YA query letter afterwards. The webinar also includes a Q&A.
 
It runs live next Thursday, June 23rd (but can be viewed later, if you can’t catch it live), and the cost is $89.99. For more info and to register, you can go here.

As both an agent of YA fiction, and an author of a few young adult novels myself, I’m especially looking forward to helping aspiring YA writers through this webinar. Hope to *see* some of you there next week!

Marie

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Agent Monday: Two New Agents at JD Lit!

YHappy Agent Monday, everyone!  The sun has peeped out for a few hours here AT LAST, so I thought this would be a good time for some sunny news….two new agents have recently joined the ranks of The Jennifer De Chiara Literary Agency. So help me extend a warm welcome to Associate Agents Damian McNicholl and Alexandra Weiss!

Damian is a former attorney, and author of the critically acclaimed novel A Son Called Gabriel (CDS Books/Perseus Books Group).  As an agent, he’s looking for great nonfiction and fiction that appeals to a wide audience and makes people think, laugh and sob. In fiction, his interests are accessible literary, upmarket commercial, historical, legal thrillers, LGBT, and some offbeat/quirky. Nonfiction interests are memoir, biography, history, investigative journalism and current events especially cultural, legal as well as LGBT issues that can help lead to meaningful change in society. For more information about Damian, and his submission guidelines, click here.

Alexandra is a Books Writer for Bustle.com, the PR Manager for a local Chicago circus, and an all-around literary bookworm. She holds a degree in Creative Writing and Publishing from Columbia College Chicago, has interned as a publicist, and was an acquisitions editor for the award-winning anthology Hair Trigger. As an agent, Alexandra is looking for young adult, especially in the areas of realism, science fiction and fantasy, and she loves stories that include diverse and risk-taking subjects, including culture, race, sexuality, and identity. She’s also looking  for adventurous, silly, and out-of-the-box children’s and middle-grade books.  And for general fiction, she’s not looking for romance, but she is seeking strong literary voices that take the notion that every story is a love story to new levels. She’s also drawn to books that include uncommon formats, incorporating things like letters, photos, or poetry. For more information about Alexandra, including her submission guidelines, click here.

*Marie is a Literary Agent at The Jennifer De Chiara Literary Agency in New York City. To keep up with all her Agent Monday posts, subscribe to her site.

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Agent Monday: Focus on YA

Chihuahua Wearing EyeglassesHappy Agent Monday, everyone! A few weeks ago, I wrote about how focused writing can help land an agent.  Today, I’d like to zero in on young adult novels, since I find a lot of folks losing their focus when writing for the YA crowd. And that can get in the way of a writer landing an agent.

Yes, YA lit covers a broad span of topics. Unlike middle grade novels, which are geared toward the 8-12 year old crowd,  with YA you can deal with a wide range of controversial issues, and sexuality, and you can even drop an F-bomb. But there ARE limits. For example, this still isn’t the place for erotica. And there are certain expectations that must be met within the YA realm, expectations that are often missed by writers.

Things as simple as the actual age of the hero, and as complex as the point of view or the way any possible “lesson” behind the story is discovered by the reader.

Also, there are certain expectations within the sub-genres of YA. Do you know what readers (and agents and editors) expect from a YA romance? Or a YA thriller, for example? Well you really MUST know these things as a writer.

As a YA author myself, as well as a literary agent, I get really excited when I find a manuscript with the makings of an incredible YA novel. But more often than not, that manuscript falls apart. The writer is all over the place, writing themselves right out of the YA market…and ending up with a book that doesn’t fit anywhere. Too old a theme with too young a voice is just one of the mistakes I see.

So study up, writers, and really figure out what makes a YA novel.  Dig deep into current YA novels out there and dissect how these differ from middle grade and adult novels. What makes them stand out?  Check out craft books on the subject, too. Also, you might consider signing up for the live webinar I’ll be presenting online through Writer’s Digest titled Focus on Young Adult Fiction: Writing a Strong Young Adult Novel and Crafting the Query Letter.

This webinar runs June 23rd (note even if you can’t attend live on that date, you’ll still be able to access the full recording after), and the registration includes my webinar, which will help you sharpen your YA knowledge and skills, followed by a Q&A with me, plus each participant will then submit a query letter for their YA for me to personally critique…I’ll respond directly to you with comments and tips on how to make that query even stronger.  Registration for this webinar is now open…for more info, and to register, you can click here.

If you write YA, be sure you are getting it right. Take that time to focus on your genre, to really learn its parameters in whatever way you can, and to hone your YA voice and point of view. Then, once your story is on target, you’ll be truly ready to send it out into the world to land just where it should…in the hands of readers!

 

*Marie is a Literary Agent at The Jennifer De Chiara Literary Agency in New York City. To keep up with all her Agent Monday posts, subscribe to her site.

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