Agent Monday: New JDLA Agent Tara Gilbert

28424320-1340289906116529-7144543962448628714-oHappy Agent Monday, everyone. I hope you are all keeping healthy and safe. And, hopefully, you writers out there are creating lots of wonderful material to brighten the world. I’m so happy to introduce you to one of our newest agents at The Jennifer De Chiara Literary Agency: Tara Gilbert. Let’s get to know her with a Q&A right now!

Thanks so much for talking with us today, Tara! How did you get into agenting? 

TG: I was fortunate enough to find a wonderful writing group on Twitter that had several interns in the industry. When Entangled Publishing was looking for more interns, my friend Andrea Walker (now an agent at Olswanger Literary) suggested I apply! That’s when I received my first internship in publishing. The following summer, I received my first agency internship with Corvisiero Literary Agency and felling love with agenting.

Can you share some details about yourself, and how these have shaped who you are as an agent and as someone working with authors? 

TG: I worked as a Staffing Manager for over a decade before I decided to make a career change. A lot of the skills working as a headhunter are very similar to those of a Literary Agent. I have great intuition, I can negotiate with the best of them, and I’m very outgoing despite being an introvert. Before that, I held many roles in business administration like Buyer, Planning Assistant, Assistant Accountant, Payroll Specialist, and many more. I like to say I’m a jack of all trades, which gives me a strong sense of business and professionalism that agents need.

What types of projects are you representing? Anything you are especially hoping to find in your inbox? 

TG: Adult, YA, and MG in most genres. I have the best clients, and I’m so excited for their books to be out in the world. However, they all like dark and tragic stories, so I’d love to sign an author who writes romance or happy books. Someone hilarious, but can make me cry (like TJ Klune’s books do). I’d also love to see more works from authors in underrepresented communities.

Can you give us an example of one of your favorite books in each category that you represent, and why it’s your favorite? 

TG: It’s soooo hard to pick one.

Adult – VICIOUS by V.E. Schwab, I love a villain story, but what I love even more is the complicated relationship between Eli and Victor. I love how it’s a story about “superheros/villains,” but it doesn’t feel like a typical sci-fi, and it focuses more on the relationship aspects.

YA – THE RAVEN BOYS by Maggie Stiefvater, I love how her fantasies feel real in the sense that it could happen in real life. She has a literary style to her voice as well, which I love in commercial fiction. Her worldbuilding is smooth and flawless. The friendship of the group is also one of my favorites in fiction.

MG – Anything by Rick Riordan. I think his Percy Jackson series was the first time I ever read a MG book with a gay character in it. I love how diverse his books are and how thoughtful he is with the representation. The voice is perfect for MG and always hilarious. Also, I’m a fan of any mythology.

To help folks understand your point of view, what are some of your favorite TV shows and Movies? 

TG: I tend to watch TV shows more than movies, but I will do my best!

TV – Schitts Creek, Gilmore Girls, The Dragon Prince, Killing Eve, Haunting of Hill House, Anne with an E, and so many more.

Movies – Howls Moving Castle ( I love the book too), Stardust (I haven’t read the book, I need to), Booksmart, Dead Poets Society, Little Women (most versions), Anne of Green Gables (1985), 10 Things I Hate About You, and so many more.

Note: I love sci-fi and high fantasy in film, but rarely as books, so I didn’t include a lot of my favorites. 🙂

What’s in your reading pile? 

TG: About 500 books (I love buying ebooks). Top of my list is CINDERELLA IS DEAD, FELIX EVER AFTER, THIS IS HOW YOU LOSE A TIME WARE, SILVER IN THE WOOD, MEXICAN GOTHIC, HOUSE OF THE CERULEAN SEA, and CEMETERY BOYS.

I’m currently reading THE NEWSPAPER CLUB and AND I DRAKEN.

What makes a successful query to you? 

TG: Short and sweet. I love queries that open with a strong hook/logline. If you can summarize your query into one to two paragraphs, that tells me you have a high concept pitch. Although, sometimes, that can mean a very generic query/plot, so be sure to make it precise and include unique elements.

What are some common query mistakes that will result in an immediate rejection? 

TG: I wouldn’t call them mistakes. The most common reason I pass is because I wasn’t connecting with the premise/concept of the book. I also pass because I wasn’t connecting with the writing style (not because the writing was bad, but just because it wasn’t pulling me in).

I will pass if the writing needs more work, but I will usually note that in my pass email. Sometimes the worldbuilding isn’t there, or the author is telling vs. showing the character’s actions and emotions, or the author infodumps and uses too many expository details.

Are you a very editorial agent? What does that mean to you? 

TG: I would say I am, but not so much that I become a copy editor. I focus more on plot, character/relationship arcs, and refining voice.

What is your idea of an ideal client? 

TG: I love my clients. Each one of them is collaborative and easy to work with, so I would say that’s my ideal client. They each take feedback very well, especially since I am a very blunt agent and don’t always sugar coat everything.

Where can folks go to follow you online? 

TG: Facebook: @taragilbertlitagent

Twitter: @literary_tara

Instagram: @literary.tara

Your link for submission guidelines?

https://www.jdlit.com/tara-gilbert

Anything else you’d like people to know about you or what you are looking for?

TG: I love character-driven stories. I love all kinds of voices and writing styles, but I love it when they are especially unique.

Thanks so much for sharing more about yourself here, Tara!  Wishing you lots of great submissions from lots of great writers. 🙂

*Marie is an author of YA novels and of picture books, and she’s a Literary Agent at The Jennifer De Chiara Literary Agency in New York City. To keep up with all her posts, subscribe to her site.

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Agent Monday: 3 Things I’m Searching for in Fiction

Businesswoman standing on a ladder looking through binocularsHappy Agent Monday, everyone!  With last week’s blizzard a distant icy memory, it’s time to dig into my submission inbox – hoping for some hot fiction I can represent. Often, though, submissions look so promising on one front, but don’t deliver on another. So I thought I’d share what I’m looking for in that “total package,” in case it’ll help you amp up your own fiction into that coveted must read for agents and readers alike. So here are the 3 things I’m searching for in submissions…

1. An Intriguing Idea

I know, duh, right? But this is essential. When I read what the book is about, I want to think: Oooo, that’s interesting! Not: Oh, THAT again? Or: And? I care because? If your idea is ho-hum, this presents a huge challenge for you the writer. Also, your idea should be handled in a fresh way that only you will show me.

2. Skill

Double duh. BUT, so very often I find that intriguing idea and think, “Yes!  This is something I’d love to read. So excited!” Then I start to read the manuscript and find the writer’s craft is lacking. They have a great idea, but can’t carry it off.

3. Follow Through

Writer’s that have an intriguing idea, and demonstrate skillful craft, must still be able to take that idea, and, with skill, develop it into a satisfying read to the very end. Too often, manuscripts start off well, and then plateau and disappoint. A great manuscript must promise something great to the reader, show skill, and then, and here’s the real key, deliver even more than what the reader had anticipated.

So a great manuscript grows that intriguing idea. The writer’s style and personality works perfectly with that idea to truly create a world and show us something even more insightful, moving, and or unique than we’d ever anticipated. That writer has truly taken us on a journey. We end the read more than satisfied. We are amazed.

What I’m often seeing are manuscripts that give me #1, but not #2. Or #2 but not #1. And when #1 and #2 are in place, #3 is missing. As an agent and a reader, I need all three elements in place. And when I find them, it’s reading magic.

Need some examples of projects that snagged my attention on all three fronts? Here are just a few from our client list:

Adult fiction:
DAUGHTER OF AUSTRALIA by Harmony Verna (releasing through Kensington this March)

Young adult fiction:
MENDING HORSES by M.P. Barker (Holiday House)

Middle grade fiction:
ELIZA BING IS (NOT) A BIG FAT QUITTER by Carmella Van Vleet (Holiday House)
THE JUMBIES by Tracey Baptiste (Algonquin Books for Young Readers)
THE FRIENDSHIP EXPERIMENT by Erin Teagan (releasing through Houghton Mifflin Harcourt Fall 2016)

Picture book:
TO THE STARS! by Carmella Van Vleet and Dr. Kathy Sullivan (Charlesbridge)

As a writer myself, I strive for those 3 elements in my own fiction, and work hard to hold myself to those standards whenever I dive into my own fictional worlds. If you want to check out my YA novels, here are the links:

DRAWN by Marie Lamba
OVER MY HEAD by Marie Lamba
WHAT I MEANT… by Marie Lamba (Random House)

And coming in 2017, is my picture book:

GREEN GREEN (Farrar Straus Giroux) by Marie Lamba and Baldev Lamba, illustrated by Sonia Sanchez

 

*Marie is an Associate Agent at The Jennifer De Chiara Literary Agency in New York City. To keep up with all her Agent Monday posts, subscribe to her site by clicking on the Follow link located on her page on the upper left margin.