DRAWN HAUNT – Not All Bad

MC910215955

I’m wrapping up the DRAWN Haunt party today with a post about writing those dark characters – the villains in our stories. Seems appropriate for Mischief Night!

If you’ve missed it, the DRAWN Haunt has been a month-long celebration for my award-winning novel DRAWN‘s 5th anniversary. You can explore through this past month’s posts to find lots of book-related stuff about writing, romance, ghosts, time travel and more. You can also subscribe to this site (see bottom of this post for how).  And for more about my novel DRAWN, click here. 

So, about those bad guys. Is it true that they’re…

NOT ALL BAD

Bad guys can be seriously tough characters for an author to write.  But every story needs them. What would Star Wars be without Darth Vadar? Or Harry Potter without He-Who-Must-Not-Be-Named?  But writing these characters in a way that makes them believable is tricky.

You want to create huge problems for your hero, and that requires a villain and some true evil. But write about a person who is all bad and you have a cardboard character.  Like those villains in the silent flicks who twirled their mustaches while tying the damsel to the train tracks.

Pageflex Persona [document: PRS0000032_00050]

Literary Classics International Book Awards SILVER AWARD Winner; A Long and Short Reviews “Best Book”; A Night Owl Reviews “Top Pick”

In my novel Drawn I had to create several baddies. The book is about teen artist Michelle De Freccio, who moves to England hoping for a more normal life. Almost immediately she starts drawing a guy from the 1400’s. When she meets him (Christopher) at the town’s castle, things really get strange…and when she follows Christopher into the Middle Ages, well, stranger still. The novel needed villains in the present AND in the past, so I had my bad-guy work cut out for me.

The secret, I found, is to show another side to your villain. Even if it’s just for a moment, you want a glimpse of someone who means well at times, or who is wounded in some way, or who truly believes they are doing the right thing. If I can get the reader for just a moment to see this side of the bad person, then I know they’ll have a different view of things. That they may even understand how the bad person went so wrong.

Here’s a moment from Drawn when I try to do just that… In the following scene Michelle discovers that her visits into the past have seriously begun to alter history and to wound Christopher’s fate. At this point, she’s started to really fall for him, so seeing history books that accuse him of terrible things is frightening indeed. Michelle has pulled book after book off the Academy’s shelf, searching for answers. Her modern-day nemesis Constance takes this opportunity to get Michelle into trouble with Constance’s mother who is the Academy’s Headmistress:

I blink and see Headmistress Hunter looming over me. Constance peers smugly from behind her.

“Such disorder,” the Headmistress says between tight lips, taking in the jumble of books at my feet. She’s almost trembling with anger. “Horrific. We do not treat reading material so shabbily, Miss De Freccio.”

“Yes, ma’am. Sorry.”

“The Academy expects appropriate behavior both in school and out. We pride ourselves on being the best.” She sniffs as if I clearly don’t qualify.

Constance grins.

“Clean this at once,” the Headmistress is saying. “Understand, this will go on your record. And on your father’s. This doesn’t bode well for his future here.”

Constance’s grin fades.

“But this isn’t his fault,” I say and hate the pleading tone in my voice. “Please don’t let it affect my dad, Headmistress.”

Constance whispers, “Mother, I don’t think—”

“Are you criticizing me?”

“No, of course not.” Constance looks at the floor.

In that brief scene the reader knows that Constance didn’t mean to endanger Michelle’s father’s position at the Academy. We see Constance has some sort of a soul and some limits, and that she is terrified of her own mother.

As for the villains in the medieval part of the book? This was a tough one because there is a mystery intertwined in the plot. Who is the traitor? Who murders the Earl? And who is killing off all the courtiers? What if all signs point to Christopher, the young man (er, ghost?) Michelle has now come to love? I had to spread doubts and clues in a way that gave info but also made the reader (and Michelle) wonder who can really be trusted. I can’t tell you who the real villains are without spoiling the book for you, but when all is revealed, you can bet the reader understands why the bad ’uns are doing what they do.

Balancing good and bad in a way that’s convincing can be a real challenge for any writer. Put in too much good, and the villain is not a real threat. Put in too much bad, and you’ve created someone that’s ridiculous and unbelievable. I tried very hard to balance my villains for just the right feel… I hope readers will find it all works.

Actually, a review about Drawn that popped up on the site Author Chronicles says: “not a single character is one-dimensional—each one has flaws, strengths, and depths to them. Even the snotty ‘Queen Bee’ girl, Constance, who could easily have been a stereotype, has flashes of a soul at war with the front she puts up.”

Not all bad! 😉

*Marie is a Literary Agent at The Jennifer De Chiara Literary Agency in New York City. To keep up with all her posts, subscribe to her site.

Enter your email address to follow this blog and receive notifications of new posts by email.

 

Advertisements

DRAWN Haunt – Do Over!

pumpkinsOn today’s DRAWN Haunt party post, I get a bit personal. I share a time I struggled with my confidence, and talk about having a Do Over. If you ever needed a Do Over, I think you might relate…

The DRAWN Haunt is a month-long celebration for my award-winning novel DRAWN‘s 5th anniversary. All October I’m featuring book-related posts about writing, romance, ghosts, time travel and more. Catch all the spooky DRAWN Haunt posts by exploring the blog, and you can subscribe to this site (see bottom of this post for how).  And for more about my novel DRAWN, click here. 

So now it’s time for your…

DO OVER

How many times in your life do you get to reinvent yourself? To leave behind your past and become the person you really want to be?

For some of us, it can happen when we move to a new place or switch schools.  Or maybe you simply decide that this is the moment when you will make a change in your life.

Pageflex Persona [document: PRS0000032_00050]

I fell in love with the main character… And, she has the good sense to fall for a worthwhile guy, a 3-D character, instead of the cardboard cutouts that are common in so many books…Time travel. Drawings that come to life. Ghosts…The writing and, most important to me—the characterizations—are so well done.
— Whatcha Reading Now?

In my novel Drawn, Michelle longs to escape her past and have a fresh start. As she says in this early scene from the book:

The two of us have only been in England for a few days, yet I’m already convinced it’s the best place in the universe. Not because of the quaint little shops or everyone’s adorable English accent, or even because of this supposedly grand castle on the edge of town. No. This place is perfect because here no one knows that back in New Jersey my family, the De Freccio’s, are called the De Freak-o’s.

Back in New Jersey, Michelle’s mother was an eccentric psychic who suddenly up and left the family without a trace. And her brother was a diagnosed schizophrenic. And Michelle had been friendless, an outcast. But in England, she hopes for a new life. A normal one.

Honestly, while writing Drawn I could really identify with Michelle’s do-over moment. In elementary school a bunch of snotty girls used to push me around during recess, and it crushed my spirit.  So in middle school, where lots of new kids filled the classrooms, it looked like a clear do-over moment to me.

But reputations tend to cling to a person, so it was pretty rocky for me at first.  Those nasty kids still were in my school, even though their power was now diluted. Still I was too self-conscious and too worried about what I said and wore and how people looked at me.

Now looking back I can see the real problem wasn’t those girls, it was what I carried inside myself: the loser image I wanted to ditch, but that on some level I’d bought into.  What if they were right about me?

In the novel, Michelle may have left her past behind, but her insecurities have come along for the ride:

I get that familiar hot burn of humiliation. I always felt it whenever someone back in New Jersey would pull a trick on me, convincing me that I really was invited to a party, or that science class was actually meeting out near the woods on the edge of school grounds. I discovered I was an easy mark. Too trusting, too eager for friends.

I’d promised myself that those days were over. But here, an ocean away from New Jersey, it’s starting all over again. It’s like I’ve got a permanent “KICK ME” note stuck on my back.

Luckily for me, by the end of middle school I did have friends. I was liked. I remember wondering, why? It mystified me. Wasn’t I the same person who was so looked down on earlier?

In the novel, when things start looking up for Michelle, it mystifies her too:

I sigh, realizing I’ve disappointed my friends. I blink a few times, as this all sinks in. I’ve just turned down an “in” with the popular kids. And I actually have friends. It seems that by simply moving to a new place, I’ve somehow climbed out of my social wasteland. I think of all the high school kids in the world who are teased and shunned. They should all have the chance to move and start over—kind of like a witness protection program, but for outcasts.

Actually, I believe there is a sort of relocation program for anyone who needs it. And you don’t need an airline ticket to England to get there. It’s not a place, but a state of mind deep within ourselves. Michelle started to have friends not because she moved but because she had already begun to change inside. To trust others and have more faith in herself. She truly wasn’t that same person anymore.  And that’s what happened to me, too, in a way.  I’d started to genuinely feel good about myself and to open up to people more and that made all the difference.

Of course nothing is simple, and real change doesn’t happen overnight. You don’t just wake up one morning and DING! Everything is all butterflies and happy songs.  It takes time to gain inner strength and for those better choices in what you do and who you hang out with to all gel and reshape your days into the life you truly want.  For me, it was a process of feeling better about myself and discovering what was most important to me. It did take time, but by the end of high school I felt like really strong, really happy.

In the book, not all Michelle’s new friends are good ones. And her life is NOT easy, especially after the appearance of Christopher who is either a delusion or a ghost.  This definitely spells trouble for a girl trying very hard to blend in. And it forces her to wonder about who she really wants to be. And what she should truly believe in.

She comes to learn she can’t control how others feel, only how she feels. And in the end she must choose whether or not to believe in Christopher, a spirit who may or may not be a murderer. Who may or may not love her back. His life, their love, and Michelle’s hope all hang in the balance.

Michelle does a lot of incredibly brave things in the book, but to me, she is most courageous when she owns up to this:

Maybe I am a fool. Maybe Christopher doesn’t love me. But that doesn’t mean I’m not in love with him…

It’s a huge risk, trusting that this is enough. And it propels Michelle into a life threatening struggle where she puts everything on the line. But in the end, trusting her own feelings opens Michelle up to true friendship and to true love.

Taking risks and believing in yourself.  It’s the bravest thing you can ever do, and what do overs are all about. So believe!

*Marie is a Literary Agent at The Jennifer De Chiara Literary Agency in New York City. To keep up with all her posts, subscribe to her site.

Enter your email address to follow this blog and receive notifications of new posts by email.

 

DRAWN Haunt – DRAWN from My Art Background

MP900309567The October DRAWN Haunt party, full of ghosts and drafty castles, rocks on today with a special post about how my experience as a fine artist influenced my writing, and about how vivid imagery can enhance any scene you write. The DRAWN Haunt is my way of sharing the celebration of DRAWNs 5th year anniversary. FYI, DRAWN features a young artist who falls in love with a ghost from the 1400s. 😉 To catch all the spooky DRAWN Haunt posts, check back often or subscribe to this blog (see bottom of this post for how).  And for more about DRAWN, click here. 

Now, about that drawing thing…

DRAWN FROM MY ART BACKGROUND

Pageflex Persona [document: PRS0000032_00050]

A fun, historical time travel full of creativity, beautiful scenes, and an engrossing mystery…I fell in love with the entire story…The castle that Michelle meets Christopher in is spectacular.  And going back in time during that setting? Brilliant…Their romance was very beautiful and endearing. I didn’t want to see it end. 5 STARS
The Cozy Reader

In some way or other, aspects of my own life seep into my novels. And in my novel DRAWN you will find it’s the artist in me. Like in these lines from the novel:

“I sit on a wooden pew in the back row, flip open my pad and lose myself in my sketch.

Things make sense when I draw. Everything is angles and texture and relationships.”

Like Michelle in this novel, I’m a very visual person. I notice the slant of an eyebrow, the curl of someone’s hair along their neck, the slightest twist at the corner of a mouth. In college I double-majored in English and in Literary Art, which was a major I created that blended creative writing and fine art.  My plan was to become a writer/illustrator, but since then I’ve been all writer.  The artist side of me has always been within me, though, lurking.

As an artist, I tend to unconsciously sketch the lines of things I see. You might find the pointer finger of my left hand (southpaw, here) tracing the lines of what I see onto my lap or on a tabletop. And as a writer, this “mental sketching” naturally filters into my writing. I’m always making connections about what things look like. It filters into my scenery, like in this part of my novel when Michelle is describing a graveyard she’s walking through:

I like St. Paul’s because you enter its yard through a little wooden gateway with a peaked roof. The roof leans to the left and the gate makes a horror-movie squeak when you open it. Best of all, the graveyard is filled with stones in varying stages of decay. Tall ones lean forward or backward like giant levers that have been pushed or pulled. And full-sized carved stone images of knights in armor on top of marble slabs look like they’d laid down for a nap and froze into place for a few hundred years. Closest to the tiny church are the oldest graves. Words washed away by time. Stones cracked and crumbling. My favorite stones are the ones that look like giant gingerbread noblemen resting on the ground. Their arms and legs are separated from their bodies as if they’d been soaked in milk for too long.

And it shapes my character descriptions, too:

He rubs his chin. “Yet there is something, indeed. And you wield some power over me. I feel it.”

I shake my head but I think there is something about him. Christopher has this rugged appeal that makes even William Wallingford ordinary in comparison. I can’t seem to look away. It’s as if I’m studying him for a portrait. I notice he tends to raise his chin. The very corners of his mouth curve up, making him seem slightly arrogant. And his eyes. Their light color gives them endless depth. Yet they seem so full of…of what?

Longing.

I glance away, surprised.

Of course the fun here is that Michelle actually is an artist too. This means I can use her powers of observation to shape what the reader sees, and her drawing skills are integral to the plot.  Through her drawings she starts to channel what is either a ghost or a delusion. And her ability to notice details ultimately helps her to put together the pieces in an ancient mystery. It also presents a great opportunity for me as the writer to create some beautiful images, especially of the guy Michelle is so drawn to:

I take a deep breath and open the door. The flickering fire in the small stone hearth casts a shadowy light. Christopher is in his bed asleep. I close the door and press my back against it. My eyes fill with grateful tears. I’m not too late.

He is bare-chested, a sheet covering him just below his arms. His one arm is flung over his head and his chin is turned toward the fire. The coin he took from me hangs on a chain around his neck, a silvery orb resting in the hollow of his throat. I quietly set my bag beside the door, peel off my sweater and crouch beside the bed, wincing from my sore knees. But what do sore knees matter? He’s here and he’s real and he’s safe and he’s even more beautiful than I’d remembered. I’m glad he’s asleep so I can look closely at him without embarrassment. The pout of his lips. The curl of his dark lashes. His flexed bicep. I long to touch him but can’t bear to wake him.

I’ll draw him.

IMG_0230

My drawing of Christopher, which was used for the book’s original cover.

I’ll draw him…  With DRAWN, it’s as close as I’ve come to being the writer/illustrator I’d once envisioned I’d become. I did draw the book’s original cover myself, which is a pencil sketch painted with India ink. I guess in a way I am a writer/illustrator and always have been. Just painting images with words.

And hoping you, as the reader, are seeing what I see.

Happy reads,

Marie

*Marie is a Literary Agent at The Jennifer De Chiara Literary Agency in New York City. To keep up with all her posts, subscribe to her site.

Enter your email address to follow this blog and receive notifications of new posts by email.

 

DRAWN Haunt – Just Because You Can

Edinburgh - Writer's museumThe DRAWN Haunt party continues today with a post about how to tame all those big ideas into one tightly written book.

The DRAWN Haunt is a month-long celebration for my award-winning novel DRAWN‘s 5th anniversary. All October you’ll find here book-related posts about writing, romance, ghosts, time travel and more. To catch all the spooky DRAWN Haunt posts, explore the blog, and check back often or subscribe to this site (see bottom of this post for how).  And for more about my novel DRAWN, click here. 

DRAWN was a complicated novel for me to write, but it definitely taught me a lot. So here’s the most important thing I learned…

JUST BECAUSE YOU CAN

Fiction writers can create a story out of anything, and every character they put down on paper can have their own conflict, their own story line. This is both a blessing and a curse.

Pageflex Persona [document: PRS0000032_00050]

In DRAWN, Marie Lamba deftly entwines romance and mystery, past and present, into a page-turning adventure. Buy it today and I promise you’ll be finished reading far too quickly! — Joy Nash, USA Today bestselling author

When writing my ghostly time-travel novel DRAWN, I knew I was creating what, for me, was a “big book.” Up to that point I’d been writing novels that took place within a tight one month time frame. My plots revolved around my town and were populated by people very familiar to me. “Write what you know,” they say, and I knew the worlds of my first two young adult novels WHAT I MEANT… and OVER MY HEAD very well. But DRAWN was a different sort of story.

Time is slippery in this time-travel book, involving a month-long time frame in the present, but also an eight-month long time frame in the past. The setting is present day AND 1460 England. I’m a bit familiar with modern England, having lived there for a semester and visited numerous times, but the past? Not so much. Intensive research was required. My characters in this new novel range from Italian-Americans, to British citizens, medieval lords and courtiers and servants. Add into this mix a plot line where the past and the future continues to be altered as our heroine travels back and forth in time and, well, you have a big book indeed.

And I struggled a bit to make sure it didn’t turn into one big mess. Which gets us to the heart of this post: Just because you can, doesn’t mean you should. I can’t tell you how many characters I spun out into entire story lines with their own scenes and character arcs…and some of these characters don’t even appear in the book anymore. You might think the solution is an outline, but even when using an outline it can be hard to tell just how far to go with a character’s story or to know which scenes might be important.

Sometimes the only solution is to write it through and then cut cut cut! Sure, you are doing a ton of character research by writing those extra scenes. But when the character ends up being barely a minor one, it becomes a case of TMI. You don’t need all, or sometimes any of that stuff. And by heading off here and there on wild plot chases, you are wasting time, wasting your energy, and muddying your own clear view of things.

In DRAWN, I’d created this character Guncha, who quickly became one of Michelle’s friends after Michelle moved to England. Guncha was gossipy and romantic-minded, so she was the perfect person to give Michelle the scoop on things, and to nudge her in matters of romance when Michelle finds herself stalked by an unknown guy who also, by the way, mysteriously appears in Michelle’s sketches. But when it came to Guncha, I didn’t stop there. Before I knew it, Michelle was visiting Guncha’s house, sleeping over, meeting her family, learning of Guncha’s conflicts with her traditional family. And Guncha was planning an escape with a secret and unsuitable boyfriend, etc. etc. etc. Nearly one hundred pages later, I realized that my story had naturally strayed far from its central focus: Michelle and her encounters with Christopher Newman, the hot medieval ghost with a sketchy past.

So, refocus and cut cut cut! In the final book we only see Guncha at school and at a carnival. There is no secret boyfriend. No family to speak of. And Michelle wishes she felt closer to her, but realizes that she just can’t share her own secrets with Guncha. How would Guncha ever understand that Michelle’s budding new relationship just might be with a ghost? As Guncha implores Michelle to tell, but secrets continue to build, the reader is in on the gossip instead of Guncha, which is fun. So in this case, I would have saved a ton of time if I could have decided up front not only that Guncha was going to be a minor character, but also what her true function in the plot would be. This is a biggie, because if I knew this I could have smacked my own hand every time I deviated from this mission.

Sounds good, right? But what if your extra character’s story parallels and weaves into the main plot, adding intrigue and mystery? Why wouldn’t you stray into that storyline?  DRAWN involves an ancient murder, and a chilling curse that still lingers in the town’s castle. In the book, the Wallingford Papers (based on the real Paston Letters…look ‘em up if you’re curious) are a series of preserved family letters dating back to the 1400s. They detail the history of the murder, and the heroism of the Wallingford ancestors. But are all the letters actually in the public record? And are they to be believed? This plot is essential to the book, involving the fate of the ghost and pretty much everyone in the story.

Okay, so doesn’t it seem obvious that a scholar could be at the heart of rooting out this mystery? Since the Wallingford family reputation (and much of their success) hinges on their heroic background, wouldn’t you expect that family to do anything to keep their family name clean? So, is it that crazy that I created a scholar who in the ‘50s uncovered their secrets and was about to go public with it, before an untimely death? Flash forward to the present, and I also created Mr. Llywelyn, a history teacher at Wallingford Academy (Michelle’s new school) who was related to this very scholar and who is also fighting to uncover the truth of the murder, the papers and the death of the scholar, and…

Cut cut CUT!!! Jeesh. Do you see how the fiction writer’s mind can spin and weave and deviate from the main story path, even while she is following that very same path? Yikes, it’s like entrapment I tell you. In the end I had to give a long hard look at the story elements that were most essential. Yes, I wanted a scholar who was silenced, but I decided that this scholar would have absolutely nothing to do with the history teacher. The scholar now has merely a mention, just enough to add to the danger and the gravity of the treacherous ancient secrets being kept. As for Mr. Llywelyn? Well, he’s Michelle’s history teacher, instructing the class about the very era Christopher the ghost inhabits. The teacher’s role is now limited to occasionally adding in a fact about the Wallingford Papers, about the dangers of living at that time, etc., thereby ramping up the tension for Michelle when she realizes what these facts mean to a ghost she’s starting to have spooky good feelings for. I had to focus on Michelle as the hero, as the person who solves the mystery and makes things happen. No way should this be relegated to another character.

So again, a supposed major-player was reduced to a few lines. Lines that were necessary and served the plot. And beyond that? Well, this just wasn’t his story.

Sometimes writing a book is a process, sometimes it’s an ordeal, but it’s only successful if we give our draft a hard look and decide if scenes are moving us forward, and if our deviations are truly creating the book we’d set out to write.

As I get further along in my writing career, I’m training myself to create a clearer story line and to force myself to stick to that path. If the story is complex enough, like DRAWN is, there is no need to deviate and take elaborate side trips into other character paths. It’s enough, while plotting, to stick to the main issues and simply ask myself: And then what? And then? And then?

The answers, surprisingly, can equal a rich and complex novel.

 

*Marie is a Literary Agent at The Jennifer De Chiara Literary Agency in New York City. To keep up with all her posts, subscribe to her site.

Enter your email address to follow this blog and receive notifications of new posts by email.

 

DRAWN Haunt: Anytime but the Present

Signpost of TimeHappy Friday, DRAWN Haunt party style! The celebration of my award-winning novel DRAWN‘s 5-year-anniversary continues today with a post that’s all about time travel. If you could go anywhere…er, rather, anywhen, when would you choose? But first, a sale alert! ***Today is the last day to get the Kindle version of my romantic time travel novel DRAWN for just $1.99 by clicking here!   This special $1.99 celebration sale ends today, Friday 10/13 at 9 p.m.***

To catch all the spooky DRAWN Haunt posts this month, check back often or subscribe to this blog (see bottom of this post for how).  And for more about DRAWN, click here. 

So, if you could travel into the past (hello OUTLANDER fans!), would you go to…

ANYTIME BUT THE PRESENT

I’ve always been a sucker for a good time travel tale. A Connecticut Yankee in King Arthur’s Court, The Time Traveler’s Wife, and A Knight in Shining Armor are all favorite books of mine.  And then there are the flicks: 13 Going on 30, 17 Again, Kate and Leopold, and the ultimate time travel movie Back to the Future.

Pageflex Persona [document: PRS0000032_00050]

What I enjoyed the most was: the ease of the time traveling jumps and the imagery. Marie Lamba has taken the daunting task of creating two different worlds with different rules and done a breathtaking job…Drawn has a great concept and an even bigger message of hope and everlasting love.
— Moonlight Book Reviews

I think what I love most about time travel is the way it allows me to toy with what it’d be like to visit another time. Not to be someone who lived in that time long ago or far away, but to be myself encroaching on another world.  Whenever I visit an old building, a castle, or a ruin, I can’t help but wonder what the people were like back then. Were they very different? Would I connect with them somehow?

If you could go anywhere, or rather, anywhen, when would you go?

I’d end up smack-dab in the Middle Ages.  I’d love to see a fully functioning castle, and women whisking about in those elaborate gowns and pointy headpieces, and knights clanking in their armor, and foppish troubadours strumming lutes.

Honestly, that’s one of the fun things about being a writer — being able to bring your own imaginings to life.  In my novel Drawn, Michelle De Freccio is a practical person. She’s an artist, but still is someone firmly grounded in reality and the normal.  When she moves to England, she keeps drawing pictures of some guy. Then she starts bumping into him at the town’s castle. That’s when things start to get really strange.   Michelle refuses to believe he’s actually from another time, or that she’s no longer in the present. She’s convinced he’s just some nut, until this moment in the novel:

“Try taking your meds,” I tell him, stuffing these things back into my bag. “Try not wearing that cape and boots all the time. While you’re at it, why don’t you take up a hobby, like going to Star Wars conventions as a Jedi knight?” I hang the bag over my shoulder and grab my drawing pad. “I’m leaving and if you follow me, I swear to God I’ll scream and you’ll be in prison faster than you can say Society of Creative Anachronism. Got that?”

He flashes a half smile. He’s so attractive. He’s so cocky. I grit my teeth and back away. I’m near the steps. I turn, about to run down, when I see over the wall something far below. My heart seizes up.

No tourists. No tents. No cars. No parking lot. Just grass, a water-filled moat and a deep forest in the distance.

MP910218789From this point on, Michelle is forced to believe in things she never thought possible. Like the ability to connect with another time. Or how two people from such different times can feel so close. Of course Michelle and Christopher have serious differences in their beliefs and outlooks on life. Like in this scene:

He drinks a few handfuls of water, then sits back. “First you must tell me, do you support the House of York and the true and rightful king? Or are you with the so-called King Henry, that addlepated idiot who is not sane enough to know his own name?”

“You shouldn’t call him an idiot. He’s sick. Like your father was sick.”

“He is nothing like my father,” he says, indignant.

“I mean King Henry is mentally ill. It’s a sickness. It’s pretty sad.”

Christopher snorts, which seriously annoys me.

“Lots of people are mentally ill, Christopher. Lots of good people.” The tremble in my voice makes him look up. “If there was a cure, maybe he would get better and have this really great life.”

“Michelle, I happen to know for a fact that physicians have bled the king and attempted to drive out the demons that possess him, and to no avail.”

“That’s not science. It doesn’t fix anything. You know, some day in the future they’ll come up with all sorts of medicines and treatments that will—”

“You think too much.” He stacks his armor in a neat pile.

“And you don’t think enough. You are so, so…”

I’m about to say “medieval” when Christopher says, “So concerned about getting through every day alive.” He holds up the dented piece of armor to punctuate his point, then throws it clattering to the ground.

One of the most fun things about writing a time travel is tossing in modern stuff and contemporary comments into the mix.  Like when Michelle, after watching Back to the Future in her own time, goes to Christopher’s time with a book outlining all the battle outcomes of the 1400s. She tells him:

“This book holds all this information about what will happen. In the wrong hands, it could be disastrous. At least according to Hollywood.”

And Christopher responds, “I do not know of this Hollywood person…”

And what does happen with this book? If Christopher uses it, people will live who shouldn’t have, and others will die who shouldn’t have.  Quite a mess. Then there’s a scene when Christopher is unconscious from a battle wound, and Michelle tries to save his life with one of those impossibly tiny first aid kits people keep in their purses:

“Okay, modern science to the rescue.” I open the kit and inside are three Band-Aids, a Midol pill, a small foil tube of antibacterial cream and one alcohol wipe. That’s it. I sink onto the chair.

Throughout the novel, the couple faces a ton of challenges as they fall in love. How can they have any sort of life together when every time Michelle sees him, she’s changing destiny in dangerous way?  Plus Christopher is “no prince.” His life is intertwined with treachery and murder. And adding to their couple issues is this biggie: every time they kiss, she’s thrown back into her own time.

Can love overcome all of these problems? Should it? Drawn is my way of exploring these questions…and of getting completely lost in past.

 

***Remember, the $1.99 sale of DRAWN ends today, 10/13 at 9 p.m. To take advance of this special DRAWN Haunt celebration price, Click here!

*Marie is a Literary Agent at The Jennifer De Chiara Literary Agency in New York City. To keep up with all her posts, subscribe to her site.

Enter your email address to follow this blog and receive notifications of new posts by email.

DRAWN Haunt – Definitely Not Normal

Pageflex Persona [document: PRS0000032_00050]

…a wonderfully spooky tale of romance and discovery. It’s a magical exploration of the unconquerable power of love. Highly recommended!
— Jonathan Maberry, New York Times bestseller

DRAWN Haunt month continues today with a post about some truly ghostly occurrences, but first – here’s a special limited-time deal! ***Get the Kindle version of my award-winning time-travel novel DRAWN for just 99 cents by clicking here!  Note: Sale is ONLY today 10/9 through this Wednesday 10/11 at 8 p.m. The regular price is $3.99, so grab this 99-cent-deal fast before it disappears into the dark and spooky night.***

The DRAWN Haunt is the month-long celebration I’m having here in honor of DRAWN‘s 5th anniversary. To catch all the spooky posts check back often or subscribe to this blog (see bottom of this post for how).  And for more about DRAWN, click here.

Now for today’s DRAWN Haunt post…

DEFINITELY NOT NORMAL

…my eyes again stray to the drawing of that guy. In the sketch I can now see the very edge of his cheek. It’s as if he’s just turned ever so slightly toward me.

But that’s crazy.

In my novel Drawn, young teen artist Michelle De Freccio moves with her dad to England hoping for a more normal life. In England, no one will know that back in New Jersey everyone calls her family the De Freakos. They won’t know about her supposedly psychic mother (A.K.A. Madame Florabunda) or her mentally ill brother.  But when Michelle starts drawing a medieval ghost, and then she meets him and falls for him, well clearly nothing is going to be normal again.

The thing is, while Michelle is looking so hard for normal, I find I’m actually doing the opposite.  I can’t say I’m a believer in ghosts or the paranormal, but I’d really REALLY like to be. Show me, I think. Prove it.

IMG_0230

Christopher from DRAWN. Illustration by Marie Lamba (copyrighted material)

Like Michelle in my novel, I’m an artist too. Maybe that’s why a particular guest speaker I heard way back in high school made such an impression on me.  It was a woman who created colorful oil paintings of the Hermitage, a Colonial-era mansion in Hohokus, NJ.  She pointed to the shadows in one painting, the stairway in another, the roof tiles in still another.  “See?” she’d said.  “See the figures?”

I drew in my breath. I did see. In one painting dappled shadows revealed a Colonial soldier in military regalia. In another, a bride seemed to materialize on the stairway, her image woven into the wall texture.  In an exterior painting, a few roof tiles were shaped into a face, the expression leering, malevolent.  The artist claimed she never intended to paint any of this, that she didn’t see these figures until the painting was completed. That she was clearly channeling spirits through her art.

My first thought was: Cool!  I want to do that.  I want to go there and pull out my charcoal and find these spirits materializing in the shadows of my own sketches. But of course my next instinct was to narrow my eyes and scrutinize the painter. She seemed sweet, grandmotherly, but was she nutty?  Well of course she was, I thought.

Hey, even Elijah Rosencrantz, a resident of the Hermitage in the early 1800s, thought ghosts were a lot of phooey. According to the website thehermitage.org, he wrote a statement titled “If the Hangings Flutter,” saying supernatural beliefs were “absurdities,” something to only be believed by “persons of the lower classes and from poor early education.”  Hm, then again, what if Elijah became a ghost himself?  I bet he’d be beyond pissed.  Maybe that explains that angry spirit leering from the roof tile…

I guess the question I want to ask everyone is: Is it normal to hope, yet disbelieve?

tombphotoIs it normal to travel the world exploring graveyards? Because I’ve done that. I’ve sketched tombs throughout England and visited crypts in Italy and wandered through ancient cenotaphs in India, fascinated by the culture of death, the promise of the supernatural. The cold breeze on my neck could have been a ghostly breath, right? The orbs in photos might have been dust, but what if they weren’t?  A few years ago my daughter visited Greece and sent me this picture.  Take a good close look. You see the orbs, right?  And the FACES IN THE ORBS?  I pointed this out to my daughter who wrote back freaked out saying, “THIS IS A TOMB!”

But is this proof? I’m still not completely convinced myself.

Wouldn’t you give anything to have some undeniable proof? Do you dream of going on a ghost tour in a castle? Do you watch ghost-hunting shows hoping that it won’t be silly? Do you get lost in novels laced with the supernatural?  The Woman in White, Dracula, The Picture of Dorian Gray, even The Graveyard Book by Neil Gaiman?

Well, I do. But of course artists are a little out there, anyway.  Writers too.  Especially writers. We spend all day hearing voices that aren’t there. Writing things that haven’t happened as if they did.

So, yeah, maybe that’s partly why I wrote Drawn.  Why I have my main character meet a ghost and step into his world. Why the final scenes are in a castle dungeon during a ghost tour.  Because I’m a little out there.  And because, unlike my main character Michelle, I’m not looking for normal. I’m hoping for the weird, the strange, the haunting.

Aren’t you?

***Remember, the 99 cent sale of DRAWN only runs today through this Wednesday, 10/11 at 8 p.m. Click here!

*Marie is a Literary Agent at The Jennifer De Chiara Literary Agency in New York City. To keep up with all her posts, subscribe to her site.

Enter your email address to follow this blog and receive notifications of new posts by email.

 

DRAWN Haunt – Writing Magic

October is DRAWN MP900414028Haunt Month here, in celebration of the 5th anniversary of my award-winning ghostly time-travel novel DRAWN. To catch every haunted bit, check back often, or follow my blog (see bottom of this post). And for more about DRAWN and how to order your own copy, click here.

Now, the haunting continues! Today I talk about…

WRITING MAGIC

We writers have the best job in the world.  We get to perform magic, to make things mysteriously appear out of nowhere.  All writers do this when they write fiction, but when we are writing actual fantasy scenes, well, that’s more magical than ever.

The trick, as with all magic, is making the audience believe. In my novel Drawn, the main character Michelle De Freccio is an artist that draws and then meets Christopher, a hot medieval ghost with a sketchy past.  Okay, so you have to suspend some disbelief when

Pageflex Persona [document: PRS0000032_00050]

The characters are all wonderful, filling in two worlds with real people and making you feel like you’re there. The main romance is heartrendingly sweet and will curl your toes.
Clean Romance Reviews

you read books like this, but my job is to make everything as credible as possible.  I didn’t want to create something goofy, but a novel that is gripping and that feels very real. A story that truly draws you in. To do this, I grounded as much as I could in a gritty reality, and only put in a few spare touches of magic.

On the reality front, it helps to have a character like Michelle who is a born skeptic, and a cynical Jersey-girl to boot. She’s hoping to start over in England and have a more normal life (back in New Jersey everyone called the De Freccio’s the De Freakos…her family has an odd background and she was labeled a freak).

Even Christopher, who is technically a ghost to Michelle, is a realist living in his own world in the 1400s. Convincing both of them that they are linked in a time traveling relationship isn’t easy. People who are skeptics need some undeniable proof…and a touch of magic, like in this scene from the book, narrated by Michelle, when she realizes she’s truly in another time and invisible, among other things:

But Thomas Haston’s vision remains barely focused on Christopher. “Yes, master.” He bows his head. “I shall grab the reins.”

He hurries toward us. Straight toward me. He must be completely blind, because he’s going to walk right into me.

“Watch it,” I say.

He doesn’t walk into me. He walks through me. Like I’m a stream to be waded through. My skin feels itchy and a nasty saltiness fills my mouth. Christopher releases me and looks at me with horror. I look at my hands, expecting them to be see-through, but they’re solid. “What the hell?” I say.

“What in hell,” he says, his voice barely a whisper.

So who is the ghost here, and what, exactly is going on?  Here’s the end to that scene:

Christopher takes both my hands, gingerly, as if he’s afraid they’ll burst into flames. “What are you? A sprite? A spirit? A phantom?”

“I’m a freak,” I say. And burst into tears.

MP900444287While much of Drawn is based in realistic scenes, whether in the present or in the distant past, there are a few times when I really get to flex my magic muscles. One of my favorite moments happens when Michelle brings a book with her into the past, a book that reveals all the battle outcomes in the 1400s.  While Christopher would be able to use this information to his advantage, this will clearly mess with destiny.  Some things are just not meant to happen, so:

I run my finger over the text to where I left off. “The Duke, misreading his opponent, brought his forces for the Christmastime to the castle of…” Suddenly the page looks different. More white space. Less words.

“The castle of?” Christopher prompts.

I try to focus on the words. “…for the Christmastime to the castle of Sandall, but…” Something seems to move across the paper. My skin crawls, as I slide my eyes downward. I watch with horror as the letters at the bottom of the page disappear one by one.

I flip the page. Letters disappear from the bottom here, too. The white of the paper grows, eating away at the words. Frantic, I flip back to the page I was just reading. Completely blank. “Oh God.”

“What is wrong?” Christopher tries to sit up.

I flip ahead a few pages. Two paragraphs are left. I quickly read, “Henry’s forces had been gathering throughout the area for some time and the land was heavily for—” The rest of that word is gone, as is the rest of the writing on that page.

“Why did you stop?” Christopher says and peers at the book. He draws in his breath as the words I’d just read vanish like a fabric unwound by a pulled thread.

 

Every novel with a fantasy element must have its own set of rules.  In Drawn, messing with destiny can be killer, literally. The history book with its unraveling writing sends up a warning to Michelle, but she disturbs destiny anyway, and winds up putting Christopher’s fate in horrific danger…  Okay, I can’t say anything more about that without spilling too much about the story.

But I can say one other thing about writing magic: If you put a very real moment right up against a magical one, the contrasts can create a seriously strong scene. In this scene from Drawn, Michelle is in her own time being attacked by a bunch of thugs from “the wrong side of Castle Road”:

Drawn-ebook cover final border

Original cover for DRAWN (cover illustration by Marie Lamba)

As rough hands drag me off the sidewalk, I shriek “Christopher!”

They laugh. “Calling your posh boyfriend?” Bobby says. “Guess he can have you when we’re through.”

I close my eyes and hear a scream. It’s not me.

My eyes fly open. Bobby cradles his arm. Blood seeps through his fingers. “Who did that?” He looks around wildly.

I back away and another guy tries to grab at me. He shrieks as his thumb is sliced off, seemingly by nothing. It lands bloody beside me. I catch a glimpse of a rusty truck in the street before I close my eyes and curl up in a ball. Tears streak my face.

There’s more terrified screaming, then I hear them run away.

“Michelle. Michelle?” someone says and touches me. I whimper. “It is okay. I came. They will not hurt you now.” I feel the hand rub my arm and he says, “Shh now. Shh.”

I dare to open my eyes and there is Christopher kneeling beside me, a blood-smeared sword in his right hand. He drops the sword and gathers me into his arms.

 

For some reason, this scene always gives me the shivers.  I guess I’ve always been a sucker for a brave hero in tall boots.  Now that’s magic!

*Marie is a Literary Agent at The Jennifer De Chiara Literary Agency in New York City. To keep up with all her posts, subscribe to her site.

Enter your email address to follow this blog and receive notifications of new posts by email.