Agent Monday: Meet New Agent Cari Lamba!

Cari LambaHappy Agent Monday, everyone! Today I’m so excited to have an interview with Cari Lamba, the new Associate Literary Agent at The Jennifer De Chiara Literary Agency in New York City. She’s actively building her client list, so if you are looking for an agent, you’ll find this especially useful. Cari is awesome, and I should know —  since she’s my daughter.

Welcome, Cari! And thanks so much for stopping by and answering questions for us. Can you give us an example of one of your favorite books in each category that you represent, and why it’s your favorite?

For middle-grade fiction I love any Roald Dahl books, A Series of Unfortunate Events, and the Artemis Fowl series, all for the same reason – they’re clever books. I really appreciate novels that have childlike wonder, while also having well thought out plots and witty characters that will make you think and feel for them. In fiction, and specifically mystery, I’m hooked on the classic mystery novels of Agatha Christie. The plotting and twists keep me guessing, and I want to find something that will draw me into the characters like Christie does. I’m also a fan of the bloodless murder mysteries that focus more on plot than on the crime. I also love the humor that Janet Evanovich brings to her Stephanie Plum novels, which kept me with the characters for so many books.

To help folks understand your point of view, what are some of your favorite TV shows and Movies?

One of my favorite TV shows is Parks and Rec; I’ve watched it through so many times. Leslie Knope is one of my all-time favorite characters and I would love to see a book that reflects her strong and caring spirit. I also absolutely love Sherlock. As for movies, I’m all about the chick flicks. Easy A and Crazy Stupid Love are two of my favorites. I also really enjoy a movie that will make me think, like The Imitation Game.

What’s in your reading pile?

Right now I’m reading the Eyre Affair, which combines two things I love: a good mystery and Victorian novels.

You have a long history with books – as a reader, as a book promoter and event organizer, as an intern, and as a journal editor, and you’ve had an unusual view of the writing and agenting world. Can you share some details about this, and how it’s shaped who you are now as an agent and as someone working with authors?

So I’ve been fortunate enough to have always been around books and to have worked with many authors. I studied literature at Franklin and Marshall College and at the abroad program, Advanced Studies in England. I also have a lot of practical knowledge doing things like setting up and running events for authors, doing social media promotion, and reviewing the marketability of books. I think that it helps me to see both sides of the publishing world: the business and the craft part. Both sides are needed in order to make a book successful.

How did you get into agenting?

I became a reader for Jennifer De Chiara when I was in high school, and at the time it was more about just reading than about having an interest in the business. As time when on I found that I really loved being involved in the process of making a book successful. I knew that this was what I wanted to do.

What types of projects are you representing? Anything you are especially hoping to find in your inbox?

I’m looking to represent middle grade fiction, and adult commercial fiction. I’m really hoping for something that ties the culinary world into a mystery. I’m obsessed with Food Network and I’d be very excited about finding something that involves elements of that world . I would also love to see middle-grade and adult fiction that have really sharp and witty female main characters. For more specifics about what I do and don’t want, folks can visit my submission guidelines here.

You’ve interned with the agency for 8 years. Over that time, you’ve seen a wide range of query letters and requested manuscripts, so…

What makes a successful query to you?

Simply following the submission guidelines. I also like to see that the author has done their homework and shows that they are querying me because they really do think we’d be a good fit together. Also, using the first person. It’s a query, not a biography.

What are some common query mistakes that will result in an immediate rejection?

Well, I’ve already had a few queries come in for genres that I just don’t represent yet. It’s so easy to check if an agent represents your genre. Following that, if the author clearly hasn’t read the guidelines and does something like attaches the whole manuscript, or doesn’t even paste sample pages in the email (as my guidelines allow), it’s going to be a no from me. Also if there are any typos anywhere in the email or in the following pages, it shows me the author isn’t ready, and I can safely assume the manuscript isn’t going to be in good shape.

When you were an intern, what made you recommend a manuscript for representation?

If I thought that the manuscript was able to combine a well-written story with an intriguing plot and characters that I really cared about, then that manuscript was recommended. It didn’t always have to have an element of humor or wit, but it did have to make me care about what was going to happen, and be original in plot.

How did requested manuscripts make it past the query stage, and first 20 pages read, but then wind up rejected when you saw the full?

There are actually a lot of ways that a manuscript can end up being rejected after being requested for the full manuscript. There is only so much you can tell from the first 20 pages. So if the plot then falls apart, or becomes too predictable, or I end up not liking the characters enough, that manuscript is a no go. The manuscript needs to live up to what it promised in the first 20 pages.

Do you think you’ll be a very editorial agent? What does that mean to you?

If I think a manuscript is worth the time and effort, I will help the author get it to where we both think it needs to be to sell. But it has to be a novel that really draws me in before I get to that point. Being an editorial agent means that you want to help the author, which is what I will be doing, but not with line edits or grammar mistakes that should have already been cleaned up.

What is your idea of an ideal client?

I think my ideal client is an author who is passionate about their work, while also understanding that it is a business. We would be able to talk through both the craft and business side of things with ease.

Where can folks go to follow you online?

I have a twitter account that is open for anyone to follow that I’ll be keeping up to date on all things literary with a side of sass every now and then: @CariLamba

Your link for submission guidelines?

https://www.jdlit.com/cari-lamba

Anything else you’d like people to know about you?

Just that I’m very excited to see the projects that come my way!

Thanks for taking the time to chat with us, Cari!

*Marie is a Literary Agent at The Jennifer De Chiara Literary Agency in New York City. To keep up with all her Agent Monday posts, subscribe to her site.

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Agent Monday: 6 “To Do’s” if You Write

Mixed Race girl on floor with a computerHappy Agent Monday, everyone! I know, I know — it’s been a while since I’ve posted here. But I have been SO busy in a really good way with doing agenty stuff. Okay, so I’m STILL really busy, but I do think it’s time to get our Agent Monday show back on the road, don’t you? So here is my “6 To Do’s if You Write” post. Are you doing these 6 things? And if not, shouldn’t you?

Last week, I was honored to be the featured speaker at Franklin & Marshall College’s Philadelphia Alumni Writers House. As I prepped for my talk, I began to think about what would have helped me when I was in college. Back then, becoming a published author still felt like a distant dream. As an aspiring author, what I really needed were guideposts that would help me truly get where I wanted to be.

Now looking back, I realize there were 6 things I did that definitely helped me achieve my dream of being a published author, plus these ensured that writing would be my life-long career. I hope this list will help you, whether you are just starting out, or are in the thick of things, yet feeling stuck.:

  • IDENTIFY YOURSELF AS A WRITER – Even if it doesn’t seem to make sense, believe that you ARE a writer. Tell yourself that, and tell that to everyone you know.
  • DON’T BE DETERRED – Plenty of things will get in your way…lack of support…writing that isn’t quite ready for prime time…tons of rejections. Just remember that the only thing that can really stop you from writing is you.
  • BE STUBBORN — BUT NOT TOO STUBBORN – Yes, believe in your voice and vision, and persist in getting your work out there. BUT also be open to revision and constructive criticism. And move on to write the next book, and the next.
  • EXPECT MAJOR SETBACKS – AND TAKE A LONG VIEW OF THINGS – Bad things will happen in your writing life and in your personal life. REALLY bad things. But see what you can take from them and look ahead. You can get beyond it (see Don’t Be Deterred above).
  • MAKE IT WORK IN THE REAL WORLD – Realize that there is nothing romantic about a starving writer. Fit writing in, live within reasonable means, AND find a way to make money. Most published authors do this.
  • KNOW THAT WRITING IS AN ART, BUT PUBLISHING IS A BUSINESS – While your writing is very personal to you, for publishers it’s a way to make money. If they pass on acquiring your work, it’s not personal, it’s business. Learn how to act professionally (lots of posts on this blog will help you with that), and it’ll help you share your art with the world. And don’t forget to be appreciative to those on your team. Publishing is made up of humans – a lovely thank you goes a long way!

*Marie is a Literary Agent at The Jennifer De Chiara Literary Agency in New York City. To keep up with all her Agent Monday posts, subscribe to her site.

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Agent Monday: Novel Editing…and News!

MP900446418Agent Monday time…sending out a collective hug to everyone!

Here are some updates…I’m putting my final touches on my Writer’s Digest Webinar How to Revise Your Novel for Submission: Self-Editing Techniques that Work, which will be held live, this Thursday (11/17/16) at 2 p.m. (though you don’t have to attend it live to get the Webinar). In this class, I’ll draw on my experiences as both a novelist and a literary agent, and share with participants a solid system for making their manuscripts the best they can be. Here’s what the Webinar includes: 90 minute online class with me; all questions sent to me by participants during the Webinar answered; afterwards, send the first 5 pages of your novel, and I’ll read your pages and give you written comments about them. The price is just $89.99 (significantly less than most writer’s conferences) and registration is still open. So do you have a novel you’re working on, or one that needs revision? Definitely check this out by clicking here.

green-green-front-coverIn other news… I’m happy to report that my first picture book, GREEN GREEN (Farrar Straus Giroux), is now up for pre-orders online everywhere (its publication date is May 9th). It’s co-authored with my husband, Landscape Architect Baldev Lamba, and we are both in love with the gorgeous illustrations by accomplished artist Sonia Sanchez. This picture book is a fun celebration of community gardening. If you’d like more info, or want to pre-order, just click here.

AND I’m happy to report one more bit of joyous news… the deal for my newest picture book, A DAY SO GRAY, was announced. It will be published by Clarion Books (date yet to be set), and it’s all about finding color, and joy, within a gray winter landscape.

Have a great week, everyone. I hope you each find joy in even the bleakest of winter days. And perhaps I’ll get to chat with you on Thursday during the Webinar!

*Marie is a Literary Agent at The Jennifer De Chiara Literary Agency in New York City. To keep up with all her Agent Monday posts, subscribe to her site.

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Agent Monday: Halloween Treat – Behind the Scenes with Illustrator Lee Harper

TTTCoverHappy Agent Monday – Halloween style! For a special treat, I’m excited to have a guest post from our talented client, author/illustrator Lee Harper. He’s going to take you into his studio for a behind the scenes look at how he created the images for Wendi Silvano’s too-funny TURKEY TRICK OR TREAT (Two Lions). Lee’s currently hard at work illustrating the sequel to Leslie Helakoski’s wonderful WOOLBUR picture book, titled WOOLBUR GETS READY FOR SCHOOL (Harper Collins). To see his portfolio, and get info on his books,  visit his website here.

****LAST MINUTE UPDATE! I just found out that TURKEY TRICK OR TREAT is read aloud by Scandal’s actor Guillermo Diaz on the show BOOK-A-BOO. The reading has fun animations and is available for streaming here.  Perfect treat for kiddos of all ages. 😉

Okay, take it away, Lee!

Tricks Behind Illustrating Turkey Trick or Treat
by Lee Harper

After I received the manuscript for Wendi Silvano’s Turkey Trick or Treat, I started by filling up sketchbooks with drawings. In the beginning, I let the story and my imagination take me wherever they wanted to take me without worrying about how it would all come together. A lot of the character development happened during the sketchbook drawing stage. There were a lot of animal characters to develop.

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There were also a lot of human characters to develop, each with their own costume.

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All the characters needed to look like they belonged to the same reality.

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Only a small percentage of my early stage drawings made it into the book.  As a result, I have a vast collection of storyless characters as this illustration shows.

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I mixed in some experimental painting during the drawing process to make sure the drawings would work in color. This sheriff turkey didn’t make it into the book but gave Wendi an idea for another turkey story!

When I had a general idea of the characters and an overall visual theme in mind, I started the dummy by creating a storyboard with thumbnail sketches on Post-its. At this time I also gave myself a drawing schedule that kept me moving along. I like to do this part fast, in one fell swoop. Details can wait for later.

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The great thing about storyboarding with Post-its is you can quickly mix and match images —like putting together a puzzle — and because each drawing is small, it’s impossible to delve prematurely into too many details.

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When the storyboard was done, I began a more detailed dummy by drawing each individual element of each page, scanning it, and placing it in Photoshop.

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I then arranged all the elements of each page, including the text. Since each element of the drawings was an individual layer in Photoshop, I could easily re-arrange things and make revisions.

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Once I had all the drawings completed, I saved each two-page spread as a JPEG file and created a PDF dummy to email to my editor and art director at Two Lions. After revising the sketches according to their notes, I printed out the pages 10% larger than actual size and traced them onto watercolor paper using a light table.

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After the lightly drawn drawing was complete, I soaked the watercolor paper with water and stretched it on a board to keep the paper flat during painting.

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While painting I referred to photo-reference material I collected during the drawing stage. I needed to show the farmer’s feet in one of the illustrations so I photographed my son Dan’s pants and boots. (There’s nobody in there.)

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This is the illustration with the boots and pants.

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Because Turkey Trick or Treat was the third in a series of books about the same character, I regularly referred to the first two books to make sure I kept things somewhat consistent.

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Here’s my watercolor palette while I was working. This is actually the first book in which I use a black pigment. Usually I make darks by mixing other colors, but for Turkey Trick or Treat I wanted a very pitch-black sky.

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I have an unusual painting process that involves spraying a mist of water in the air and swinging the painting through the mist. It eliminates hard edges.

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Here’s a painting under construction.

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And finally, an illustration comes to life.

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Thanks so much, Lee, for giving us such a great behind the scenes look into your studio and fun creative world!

Happy Halloween, everyone. And keep your eyes peeled tonight for Turkey trying to steal some of your treats!

*Marie is a Literary Agent at The Jennifer De Chiara Literary Agency in New York City. To keep up with all her Agent Monday posts, subscribe to her site.

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Agent Monday: I Need a Hero!

happinessHappy summery Agent Monday, everyone! Just when things should feel especially lovely and relaxed season-wise, suddenly the world feels uncertain and topsy-turvy. Cough cough *Brexit* cough cough. We are also mourning terrible violence and ignorant hatred. It can make you feel truly helpless. So this is a call to action from a literary agent. Are you listening, writers? It’s time to use your super power: Power of the Pen. (Cue music: “I Need a Hero.”)

A writer’s super power truly is the ability to enter the minds and hearts of readers and influence them in a positive way. So, now more than ever, I’m looking to represent manuscripts that will do just that. Give us a hero we can really root for, show us the world how it should be, the person we can aspire to emulate, or scare the crap out of us with how it might be if we are careless with our choices.

Inspire us to act, and inspire us to hope. But be artful about it, too.  The story’s the thing (sorry for the paraphrasing, Shakespeare…). A novel is not a lesson, but it could convey one.

So think about the books that have inspired you. Think of the change you’d like to see. Realize your own power of the pen. And create as if the world’s future depends upon it, because it just might… We all need a hero, and it could be your main character, and by extension, it could be YOU.  BTW, my submission guidelines for queries can be found here .

 

*Marie is a Literary Agent at The Jennifer De Chiara Literary Agency in New York City. To keep up with all her Agent Monday posts, subscribe to her site.

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Webinar for Young Adult Writers

Young Boy at School Raising His Hand to Answer in ClassHi fellow writers! Just a heads up that there’s still time to register for the online webinar I’m teaching next week through Writer’s Digest titled Focus on Young Adult Fiction: Writing a Strong Young Adult Novel and Crafting the Query Letter. This may be a good fit if you are currently working on a YA novel and/or trying to get an agent for it.

The 90 minute webinar covers a lot of stuff, including trends in YA, plus what is and is NOT YA material in terms of age, point of view, length, story arc, etc. (as a Literary Agent at Jennifer De Chiara Literary Agency I see submitting writers trip up on these things all the time). I’ll also cover how to write your best query letter, some insider tips on querying do’s and don’ts, plus I’ll critique your YA query letter afterwards. The webinar also includes a Q&A.
 
It runs live next Thursday, June 23rd (but can be viewed later, if you can’t catch it live), and the cost is $89.99. For more info and to register, you can go here.

As both an agent of YA fiction, and an author of a few young adult novels myself, I’m especially looking forward to helping aspiring YA writers through this webinar. Hope to *see* some of you there next week!

Marie

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Agent Monday: Two New Agents at JD Lit!

YHappy Agent Monday, everyone!  The sun has peeped out for a few hours here AT LAST, so I thought this would be a good time for some sunny news….two new agents have recently joined the ranks of The Jennifer De Chiara Literary Agency. So help me extend a warm welcome to Associate Agents Damian McNicholl and Alexandra Weiss!

Damian is a former attorney, and author of the critically acclaimed novel A Son Called Gabriel (CDS Books/Perseus Books Group).  As an agent, he’s looking for great nonfiction and fiction that appeals to a wide audience and makes people think, laugh and sob. In fiction, his interests are accessible literary, upmarket commercial, historical, legal thrillers, LGBT, and some offbeat/quirky. Nonfiction interests are memoir, biography, history, investigative journalism and current events especially cultural, legal as well as LGBT issues that can help lead to meaningful change in society. For more information about Damian, and his submission guidelines, click here.

Alexandra is a Books Writer for Bustle.com, the PR Manager for a local Chicago circus, and an all-around literary bookworm. She holds a degree in Creative Writing and Publishing from Columbia College Chicago, has interned as a publicist, and was an acquisitions editor for the award-winning anthology Hair Trigger. As an agent, Alexandra is looking for young adult, especially in the areas of realism, science fiction and fantasy, and she loves stories that include diverse and risk-taking subjects, including culture, race, sexuality, and identity. She’s also looking  for adventurous, silly, and out-of-the-box children’s and middle-grade books.  And for general fiction, she’s not looking for romance, but she is seeking strong literary voices that take the notion that every story is a love story to new levels. She’s also drawn to books that include uncommon formats, incorporating things like letters, photos, or poetry. For more information about Alexandra, including her submission guidelines, click here.

*Marie is a Literary Agent at The Jennifer De Chiara Literary Agency in New York City. To keep up with all her Agent Monday posts, subscribe to her site.

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