Agent Monday: Querying? #MSWL a Must!

Businesswoman standing on a ladder looking through binocularsHappy Agent Monday, everyone!  Some Monday mornings are harder than others – and today requires extra java somehow…  But not everything is difficult. One thing that is really easy and helpful? Using #MSWL. What’s that, you ask? Well, if you are a writer querying literary agents, it’s time to find out!

#MSWL is a twitter tag that stands for Manuscript Wish List. Head on over to twitter, and search for the tag.  Go ahead, I’ll wait… Taps foot…  What you should find there are entries made by editors and agents about what they are looking for RIGHT NOW. It’s pretty awesome. And simple to use, which is really key.

It’s simple for me as a Literary Agent, because, even BEFORE that second cup of coffee, you’ll see that this morning I tweeted a whole bunch of things I’m really looking for in queries. Things like diverse meaningful fiction, spooky ghost-like tales, heartfelt and funny middle grade with a STEM tie in, riveting memoirs – especially with a foody slant, hilarious and fresh women’s fiction, smart and edgy contemporary YA with a romantic touch. Got one of those? Definitely send me a query! But please follow my submission guidelines, which can be found by clicking here.

And it’s simple for querying writers to make use of #MSWL too. You can search for the tag on twitter, but this isn’t limited to twitter. This info also gets compiled into a searchable website. Cool, right? Go to www.manuscriptwishlist.com and search away. While you are there – look me up!

This will add an up-to-date twist to your agent hunt that just might give you and your manuscript the edge you need.

Happy querying!

 

*Marie is a Literary Agent at The Jennifer De Chiara Literary Agency in New York City. To keep up with all her Agent Monday posts, subscribe to her site.

 

 

Agent Monday: The Time Traveling Agent/Author

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I’ve always been a sucker for a good time travel tale. A Connecticut Yankee in King Arthur’s Court, The Time Traveler’s Wife, and A Knight in Shining Armor are all favorite books of mine. And then there are the flicks: 13 Going on 30, 17 Again, Kate and Leopold, and the ultimate time travel movie Back to the Future. So it should be no surprise that I’m always hoping to find a smart time travel novel to represent as a literary agent.

And, also not a surprise, as an author I had the most fun writing my OUTLANDER-like time travel novel DRAWN, which I’ve just re-released this week with a new cover! So, cuz of the new cover release and all, I thought I’d dwell today a bit on the past, and my kind-of obsession with it…

I think what I love most about time travel is the way it allows me to toy with what it’d be like to visit another time. Not to be someone who lived in that time long ago or far away, but to be myself encroaching on another world. Whenever I visit an old building, a castle, or a ruin, I can’t help but wonder what the people were like back then. Were they very different? Would I connect with them somehow?

If you could go anywhere, or rather, anywhen, when would you go? What sort of tales would you weave around that?

Me? I’d end up smack-dab in the Middle Ages. I’d love to see a fully functioning castle, and women whisking about in those elaborate gowns and pointy headpieces, and knights clanking in their armor, and foppish troubadours strumming lutes.

Honestly, that’s one of the fun things about being a writer — being able to bring your own imaginings to life. In my novel DRAWN, Michelle De Freccio is a practical teen. She’s an artist, but still is someone firmly grounded in reality and the normal. When she moves to England, she keeps drawing pictures of some guy. Then she starts bumping into him at the town’s castle. That’s when things start to get really strange. Michelle refuses to believe he’s actually from another time, or that she’s no longer in the present. She’s convinced he’s just some nut, until this moment in the novel:

“Try taking your meds,” I tell him, stuffing these things back into my bag. “Try not wearing that cape and boots all the time. While you’re at it, why don’t you take up a hobby, like going to Star Wars conventions as a Jedi knight?” I hang the bag over my shoulder and grab my drawing pad. “I’m leaving and if you follow me, I swear to God I’ll scream and you’ll be in prison faster than you can say Society of Creative Anachronism. Got that?”

He flashes a half smile. He’s so attractive. He’s so cocky. I grit my teeth and back away. I’m near the steps. I turn, about to run down, when I see over the wall something far below. My heart seizes up.

No tourists. No tents. No cars. No parking lot. Just grass, a water-filled moat and a deep forest in the distance.

***

From this point on, Michelle is forced to believe in things she never thought possible. Like the ability to connect with another time. Or how two people from such different times can feel so close. Of course Michelle and Christopher have serious differences in their beliefs and outlooks on life. Like in this scene:

He drinks a few handfuls of water, then sits back. “First you must tell me, do you support the House of York and the true and rightful king? Or are you with the so-called King Henry, that addlepated idiot who is not sane enough to know his own name?”

“You shouldn’t call him an idiot. He’s sick. Like your father was sick.”

“He is nothing like my father,” he says, indignant.

“I mean King Henry is mentally ill. It’s a sickness. It’s pretty sad.”

Christopher snorts, which seriously annoys me.

“Lots of people are mentally ill, Christopher. Lots of good people.” The tremble in my voice makes him look up. “If there was a cure, maybe he would get better and have this really great life.”

“Michelle, I happen to know for a fact that physicians have bled the king and attempted to drive out the demons that possess him, and to no avail.”

“That’s not science. It doesn’t fix anything. You know, some day in the future they’ll come up with all sorts of medicines and treatments that will—”

“You think too much.” He stacks his armor in a neat pile.

“And you don’t think enough. You are so, so…”

I’m about to say “medieval” when Christopher says, “So concerned about getting through every day alive.” He holds up the dented piece of armor to punctuate his point, then throws it clattering to the ground.

***

One of the most fun things about writing a time travel is tossing in modern stuff and contemporary comments into the mix. Like when Michelle, after watching Back to the Future in her own time, goes to Christopher’s time with a book outlining all the battle outcomes of the 1400s. She tells him, “This book holds all this information about what will happen. In the wrong hands, it could be disastrous. At least according to Hollywood.” And Christopher responds, “I do not know of this Hollywood person…”

And what does happen with this book? If Christopher uses it, people will live who shouldn’t have, and others will die who shouldn’t have. Quite a mess. Then there’s a scene when Christopher is unconscious from a battle wound, and Michelle tries to save his life with one of those impossibly tiny first aid kits people keep in their purses:

“Okay, modern science to the rescue.” I open the kit and inside are three Band-Aids, a Midol pill, a small foil tube of antibacterial cream and one alcohol wipe. That’s it. I sink onto the chair.

***

Throughout the novel, the couple faces a ton of challenges as they fall in love. How can they have any sort of life together when every time Michelle sees him, she’s changing destiny in dangerous way? Plus Christopher is “no prince.” His life is intertwined with treachery and murder. And adding to their couple issues is this biggie: every time they kiss, she’s thrown back into her own time.

Can love overcome all of these problems? Should it? DRAWN is my way of exploring these questions…and of getting completely lost in the past.

If you are interested in exploring DRAWN, you can check out more about it by clicking here. Also, if you are on GOODREADS, you can enter to win one of 5 signed print copies of DRAWN with its new cover by entering the giveaway there starting this Friday.  To enter, click here from Friday. The giveaway runs through the end of May.

 

*Marie is a Literary Agent at The Jennifer De Chiara Literary Agency in New York City. To keep up with all her Agent Monday posts, subscribe to her site.

 

Agent Monday: Focused Writing Can Help Land an Agent

MP900178092Happy Agent Monday, everyone!  Spring is in full bloom here, and as a Literary Agent, I’m here to help writers’ careers blossom and grow. To that end, I’ve been scouring my query inbox hoping for the next great writer to grab my attention and inspire me to offer representation. Too often, though, queries lack focus, or the writing does. So today, I thought I’d spend a few moments pointing out how focus can help you land an agent.

Focus on your genre… What is it? Your book should fit into one genre, and meet (and exceed) the expectations of those readers.

Focus on the agents that represent your genre… If I say I do not rep high fantasy, then don’t send me a high fantasy query (or pretend that your high fantasy is really something different). Spend your time and energy querying a receptive audience.

Focus your query… Make it clear what your book’s genre is, what it is about, why you have picked this particular agent to query (see points 1 and 2 above!).

Focus your writing… Make every word count, every scene vital to the story, and every action important to advancing your plot. Whatever you promise the reader in the beginning pages, be sure that you deliver exactly that!

Scattershot queries, writing that doesn’t fit anywhere in particular on a book store shelf or that crosses disparate genres (like a middle grade novel with a serious romance, or a picture book with adult themes, or a supposed thriller with a slow literary pacing), or books that disappoint because they promise something that they then don’t deliver — will hurt your chances of getting an agent, and finding an audience.

So think it through. What is YOUR focus? Zero in on that, and others will soon be focusing on YOU.

 

*Marie is a Literary Agent at The Jennifer De Chiara Literary Agency in New York City. To keep up with all her Agent Monday posts, subscribe to her site.

 

 

Agent Monday: Introverts Unite! Networking for Writers

Caroline Noonan Head Shot

Caroline Noonan

Happy Agent Monday, everyone!  Writers are often introverts. People who enjoy sitting alone and writing far more than being at the center of attention. Yet these days writers MUST get out into the world for their writing and for their careers. Today I’m pleased to welcome our client Caroline Noonan, who is here to give us all some painless tips on how we writers can connect…and on why it’s vital that we do.

The Importance of Networking for Writers
By Caroline Noonan

Definition: noun net·work·ing: Connecting with other people to exchange information and develop contacts; the cultivation of productive relationships for employment or business.

Hmmm, you say. Doesn’t apply to writers. Writing is about me, my laptop and my awesome manuscript. Well you’re right. To a point. But nowadays we are expected to self-promote, self-market and be our own editors. We are asked to speak, maintain websites and have a presence on social media. And if that’s not bad enough, a great many of us are introverts. Introverts prefer to listen and observe. We are reflective and focused and speak through our art. Networking goes against our very nature and can feel disingenuous.

But consider the potential benefits of a little networking:

• Are you looking for feedback on your manuscript before querying?
• Would you like to find critique partners whose opinion you trust?
• Would you like support and encouragement from like-minded individuals?
• Are you actively seeking an agent or an editor?
• Do you want to make writing your career?

If you answered yes to any of these questions, then you should seriously consider networking. Okay, so maybe I’ve piqued your interest. The next step is How? Here are a four practical ways that have helped me personally:

1. Meetup. Meetup.com is the world’s largest network of local groups, making it easy to organize or find an existing group in your area. I found my local writer’s group and my regular critique partners through Meetup. Yes, I was biting my nails and psyching myself out before that first meeting, but it was smooth sailing after that. Remember, give the same courtesy and consideration in critiquing other’s work that you would like given to yours.

2. Join a Professional Writer’s Organization. There are many organizations who connect you with other writers and organize local events, such as the Society of Children’s Book Writers and Illustrators (SCBWI). These organizations have strong on-line communities, as well as terrific regional and national conferences that are well attended by other writers, agents and editors (some of whom give preferential consideration to organization members).

3. Go to a Writer’s Conference. I suggest starting with a local or regional conference. Get there early and introduce yourself to the folks sitting around you. Ask them what genre they write and what they are working on. Ask them for a business card. Maybe even follow them on Twitter. (Follow Caroline @carolinehnoonan)

4. Social Media. There is a huge on-line community of writers, especially on Twitter. Many literary agents run contests on Twitter, and I know individuals who have found their critique partners there. Social Media is a great place to share ideas, connect with others and give someone a nod of encouragement when they need it. Next time, it might be you needing the nod!

I hope you find these ideas as helpful and practical as I did. Just remember, writers are basically all nice people, and nearly everyone is in the same boat as you!

 

Caroline Noonan’s debut YA novel Till Someday is a riveting contemporary about a girl eager to turn 18 and finally take charge of her life beyond foster care, but life keeps getting in her way. Caroline writes with authority — she grew up in foster care from the ages of 4-18, and got on with her own life, becoming an aerospace engineer for NASA, and a technical writer/editor for the space industry.

 

*Marie is an Associate Agent at The Jennifer De Chiara Literary Agency in New York City. To keep up with all her Agent Monday posts, subscribe to her site by clicking on the Follow link located on her page on the upper left margin.

Agent Monday: Query No-No’s

MP900386224Happy Agent Monday, everyone! Spring has finally taken hold here in the Northeast. Time to make things grow – like your writing career. Chances are if you have found this page, you are looking for an agent to help you do just that. This can be a tough and competitive process for sure, but it can be even tougher if you are making query mistakes that seriously ruin your chances.

We writers (NB: I’m an agent and a writer, so I totally get it…) have wonderful imaginations, which means we can worry about SO MANY things. I didn’t put my title in caps, I double spaced my query, I didn’t use a comma after an “and.” Maybe that’s why I’m not getting any agent offers? Nope. That won’t stop an interested agent from being drawn in, so relax. Here are some No-No’s that WILL turn an agent off, though:

Addressing your query to every single agent at once… I get these all too often. The email address of every known agent is included. I immediately delete these – as does every agent ever known.

Your salutation is general or non existent. Dear Agent. Dear Sir or Madam. Hello. That’s another mass mailer. That’s a goodbye.

You say your book is a YA/adult/historical/paranormal/thriller/horror/romance/Christian/humorous tragedy. There is no such shelf in a bookstore, and this is a sign that you don’t know your genre or market, and that your work will reflect that.

You know your genre, but are sending it to agents that clearly say they are NOT representing that genre. Maybe you think your work will change their mind or, more likely, you haven’t bothered to look at agent guidelines to see what we do and do not want to see. This ain’t gonna help you.

You send your query letter as an attachment. Would you open attachments from someone you don’t know? Neither will we – we will delete it.

You direct the agent to an online link to see your query letter or sample pages. That won’t work either. You need to follow agent submission guidelines and this won’t be a part of those guidelines – I promise.

Your query letter is poorly written and riddled with errors. Now I’m not talking about a misplaced comma or that one typo you found, horrified, after you pressed send. I’m talking about truly terrible writing that is careless and shows that the writer isn’t taking their craft seriously.

Chances are pretty good that if you’ve found this page, you ARE doing your homework. You may be saying, hm, I’m doing none of these awful things. Then take heart! If you are following submission guidelines, writing with care, and targeting your genre well in your writing and in your submissions, you’ve already risen to the top of an agent’s inbox. You won’t be immediately deleted. Your query will be read. You have given your manuscript a fair shot.

And, here’s a tip you may find helpful: If I were in your shoes, I’d be sure to include newer agents at established agencies in my query lists. These are people who have all the support of their agency, who have access to any editor because they are certainly legit agents, and who are eagerly building their client lists.

And, hint hint, I just might be one of those agents.

 

*Marie is an Associate Agent at The Jennifer De Chiara Literary Agency in New York City. To keep up with all her Agent Monday posts, subscribe to her site by clicking on the Follow link located on her page on the upper left margin.

 

 

 

 

 

 

Agent Monday: Dig Deeper for Ideas

Red Lightbulb in Fixture

Happy Agent Monday, everyone! Last day of February – WOOT!  I’m all about springtime and being outdoors and longer days and digging in the garden – and I can’t wait for all of that. I’m also eager to dig through the submissions in my agent inbox to find  the next engrossing read. However, what I’m often finding are manuscripts that, while well written, are just all too familiar. That’s a real shame. The writers have skill, but the idea behind their book is one I’ve seen too many times before. I wish that these writers could dig deeper so that more original plotting can grow.

What do some of those all too familiar plots look like? Here are a few examples:

For middle grade or YA: A child or a teen must spend the summer with a grandparent or other relative they hardly know – and it’s always in the middle of nowhere or on some waterfront setting. There the kid uncovers some sort of mystery they must solve, whether magical or spooky or historical, and an unlikely person ends up helping and becoming a close friend. In the end, the kid learns about themselves, and also sees that unknown relative in a new light.

For women’s fiction: A young woman has tried to make a go of her career and love life, but finds embarrassing failures and is forced to go back to her home town with its small town ways. There, she eats humble pie, sees that simple life as not so simple and even sophisticated and enviable and heartfelt, and that old flame of hers is there to rekindle a different life path.

For women’s fiction or memoir: A person’s life falls completely apart, and they go on a journey to leave it all behind and are challenged in new and surprising ways that change everything.  For a memoir, this can be a trek or a world tour or some other adventurous trip. For fiction, it is often spurred by a death in the woman’s family, or a divorce by a cheating spouse, and the heroine either inherits or buys some rundown home in some isolated place and is challenged to make a go of things – of course the attractive but surly and mysterious handyman is there to help.

There are many other too familiar plots I could site. Just conjure up ideas of dystopian fiction, fantasy middle grade, silly picture books, and you will likely come up with a number of familiar story lines yourself. Call them tropes if you like, and they could be entertaining, and well done. But I say talented writers can go deeper in their ideas and plotting. As an agent, I’m looking for originality and fresh journeys to go on. In a weird way, it’s a lot like trying to find something on NETFLIX to binge watch. You want something engrossing and interesting and wonderful. Something worth investing your time in, and you want to be surprised and delighted in the adventures that enfold. You don’t want to watch a few minutes and have many things figured out, and to feel like you’ve seen something just like this before.

Pile of LightbulbsSo what’s a writer to do? I say dig deeper. Find what you most love about your idea, and then as you plot, don’t go to the first or second idea of what could happen next. One technique that I really like to use when plotting my own novels is from Donald Maass’ Writing the Breakout Novel Workbook (a craft book I highly recommend). Think of what could happen next in your story. Then write, say, 5 more ideas. Then 5 more.  Take that last idea on your list and use THAT. You’ll be using something on a much less obvious train of thought.

And you’ll be creating something that may just surprise and delight you, and please agents and readers too.

 

*Marie is an Associate Agent at The Jennifer De Chiara Literary Agency in New York City. To keep up with all her Agent Monday posts, subscribe to her site by clicking on the Follow link located on her page on the upper left margin.

 

Agent Monday: Know What you Write

DebbieHappy Agent Monday, everyone!  One thing I’m always on the hunt for in submissions is convincing writing. Make me believe that fictional world is real, and you’ll have me hooked. We’ve all heard that saying, “Write what you know.” But that’s limiting. I think the truth is you should “know what you write.” Do your homework, research things, and really put yourself in your character’s shoes. Lots of writers scour the internet, and hit the books to do this, but some writers go quite a bit further. Like our client, author Debbie Dadey. Debbie’s approach to writing might just have you looking at research in a whole new light.

Writer’s DO
by Debbie Dadey

I’ve always heard, write what you know. Perhaps it should be write what you DO. I’ve always wanted to experience what I write about if it is at all possible. So, unless it’s dangerous I do it. Ooops, wait a minute that isn’t true, because some people would say sliding into a shark tank or sky diving is dangerous and I’ve done both to help me write stories.

I guess this ‘doing’ thing all began when I was writing an Adventures of the Bailey School Kids book with my friend Marcia Thornton Jones. When we first started writing the series, we actually sat side by side and worked out the story together. We were stuck on a scene when the kids were in a classroom. We wanted Eddie to do something a bit wild, but what? So we were ‘doers’. We went into a third grade classroom and sat down at a desk. Scraps of paper were spilling out, which we included in our story, but that wasn’t wild. It wasn’t the pencil stubs, but the scissors poking their blunt points out of the mess that gave us the idea. Eddie was sitting behind Liza and her long blond hair was swinging. Can you guess what Eddie was going to do? (Or try to do?)

So when we were writing the story, Hercules Doesn’t Pull Teeth, it made perfect sense for us to go to the dentist to do research. Sure, I’ve been to the dentist more times that I can remember, but I’d never really paid attention. So, going to the dentist and taking a few notes really helped bring the dentist’s office to life. The same was true for bringing karate practice alive in the book, Angels Don’t Know Karate. What better way to write about karate than to actually do it? It was a bit embarrassing though since my son was a higher belt and I had to bow to him. (He loved it!)

I think the key to being a ‘doer’ is to put a limited number of details into the natural flow of the story. I didn’t want Mrs. Jeepers in Outer Space to become a non-fiction book about space camp, but I did want kids to feel like they were really there. So I hustled myself off to Huntsville, Alabama to experience what it was really like. Spinning around to the point of nausea on the multi-axis trainer was worth it because I could write about it with a bit of authority.

For Whistler’s Hollow, I drove eight hours so I could sit on a coal train. I took notes so I could write one paragraph about what it felt like. It must have worked because when that book came out, the publisher of Bloomsbury USA told me, “It felt like I was really on that train.”

I also slid into a shark tank for Danger in the Deep Blue Sea, book number four in my Mermaid Tales series with Simon and Schuster. But probably the craziest thing I have done for writing was to fall out of a plane! I wrote a story, that I’ve never sold, where a grandmother wanted to go sky-diving. So, I figured to be able to write about it I should experience it. Big mistake!! You can see me scream on my website, www.debbiedadey.com.

MT14smSome folks might think being a ‘doer’ is an unnecessary extra step and perhaps it is. Probably researching or watching videos will suffice in most instances. And I’m sure going to see a real live reindeer for Reindeers Don’t Wear Striped Underwear, getting a scooter of my own for Pirates Do Ride Scooters, and creating a mess making cookies for Slime Wars wasn’t totally necessary. But for me, it’s hard to pass up the ch,ance to be a kid again. And if it can help me write better, then I’m all for it.

I recently finished writing Mermaid Tales #14 about a mermaid who is injured and can’t swim. All I can say is good thing I had some crutches in the garage!

 

Debbie Dadey (debbiedadey.com) is the author of 142 books, her titles have sold more than 42 million copies worldwide, and her The Adventures of the Bailey School Kids series has been listed by Forbes.com as one of Scholastic’s top three best-selling series of all time. Dadey’s most recent series, Mermaid Tales (Simon and Schuster), continues to delight readers with its magical blend of ocean ecology and engaging fantasy.

 

*Marie is an Associate Agent at The Jennifer De Chiara Literary Agency in New York City. To keep up with all her Agent Monday posts, subscribe to her site by clicking on the Follow link located on her page on the upper left margin.