Happy Agent Monday, everyone! I just spent 7 hours last weekend raking leaves to my curb. The seasons are changing. Hey, lots of things change. So this week, I thought I’d point out two common questions I get, and how the answers reveal some changes in publishing/agenting.
Do I need an agent? These days, the answer YES is more true than ever for authors who want to have their work published by a top commercial press. The big change that’s occurred over the past 8 years or so is that even more publishers only take submissions from agents. This is especially noticeable in children’s publishing, where many of the top publishers used to have open submissions. But now? Not so much. So having an agent now, more than ever, means access to all publishers.
Because of this change, editors now really REALLY need to hear from agents. That’s how they get most of their new authors. As one editor told me when I pitched a manuscript to her, “Marie, if you like a manuscript, I definitely want to see it.”
Do I need an agent in Manhattan? The answer used to be yes! But now? The answer really is that you want a great agent who goes into the city as needed. My office is in Manhattan, and it’s a great agency with a solid reputation. That reputation travels with me wherever I am. Most agents in my firm live in or close to the city, but personally? I work from my home office two hours away. I do jaunt into Manhattan when needed for meetings and meet ups with editors, but I mostly work remotely on the phone and online. And this is something that is much more common now.
Editors and agents have stronger relationships than ever (partly because of that change mentioned above). I don’t need to wine and dine editors non-stop to get their attention. I don’t need to pound the streets of Manhattan and down zillions of martinis in order to be able to pitch manuscripts to publishers. What I do need is to do my homework and learn what editors want. That always involves research, both online plus me calling and asking the editors, plus building relationships with them through chatting in an efficient yet personable way.
I enjoy meeting editors at conferences, or visiting their offices, or grabbing a lunch with them. But have I sold books to editors I’ve never met face-to-face? Yup. Happens all the time. Editors (and agents) are really busy these days. Editors have less staff helping them, and have to spend more time in meetings than ever handling administrative stuff. Because of this, they appreciate the efficiency of emails and phone calls. Working relationships these days have moved way beyond the requisite martini lunches of yore.
So what does this all mean for you writers? Wherever your agent is based is cool, but you want them to travel into NY as needed, and to reach out to editors in a variety of ways (on the phone, at various conferences, and face-to-face in the city when they can). Because agents and editors rely on each other more than ever, don’t be afraid of approaching newer agents at established firms (like me!). They really do have editor’s ears, plus they are actively building their client lists.
*Marie is an Associate Agent at The Jennifer De Chiara Literary Agency in New York City. To keep up with all her Agent Monday posts, subscribe to her site by clicking on the Follow link located on her page on the upper left margin.