DRAWN Haunt – DRAWN from My Art Background

MP900309567The October DRAWN Haunt party, full of ghosts and drafty castles, rocks on today with a special post about how my experience as a fine artist influenced my writing, and about how vivid imagery can enhance any scene you write. The DRAWN Haunt is my way of sharing the celebration of DRAWNs 5th year anniversary. FYI, DRAWN features a young artist who falls in love with a ghost from the 1400s. 😉 To catch all the spooky DRAWN Haunt posts, check back often or subscribe to this blog (see bottom of this post for how).  And for more about DRAWN, click here. 

Now, about that drawing thing…

DRAWN FROM MY ART BACKGROUND

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A fun, historical time travel full of creativity, beautiful scenes, and an engrossing mystery…I fell in love with the entire story…The castle that Michelle meets Christopher in is spectacular.  And going back in time during that setting? Brilliant…Their romance was very beautiful and endearing. I didn’t want to see it end. 5 STARS
The Cozy Reader

In some way or other, aspects of my own life seep into my novels. And in my novel DRAWN you will find it’s the artist in me. Like in these lines from the novel:

“I sit on a wooden pew in the back row, flip open my pad and lose myself in my sketch.

Things make sense when I draw. Everything is angles and texture and relationships.”

Like Michelle in this novel, I’m a very visual person. I notice the slant of an eyebrow, the curl of someone’s hair along their neck, the slightest twist at the corner of a mouth. In college I double-majored in English and in Literary Art, which was a major I created that blended creative writing and fine art.  My plan was to become a writer/illustrator, but since then I’ve been all writer.  The artist side of me has always been within me, though, lurking.

As an artist, I tend to unconsciously sketch the lines of things I see. You might find the pointer finger of my left hand (southpaw, here) tracing the lines of what I see onto my lap or on a tabletop. And as a writer, this “mental sketching” naturally filters into my writing. I’m always making connections about what things look like. It filters into my scenery, like in this part of my novel when Michelle is describing a graveyard she’s walking through:

I like St. Paul’s because you enter its yard through a little wooden gateway with a peaked roof. The roof leans to the left and the gate makes a horror-movie squeak when you open it. Best of all, the graveyard is filled with stones in varying stages of decay. Tall ones lean forward or backward like giant levers that have been pushed or pulled. And full-sized carved stone images of knights in armor on top of marble slabs look like they’d laid down for a nap and froze into place for a few hundred years. Closest to the tiny church are the oldest graves. Words washed away by time. Stones cracked and crumbling. My favorite stones are the ones that look like giant gingerbread noblemen resting on the ground. Their arms and legs are separated from their bodies as if they’d been soaked in milk for too long.

And it shapes my character descriptions, too:

He rubs his chin. “Yet there is something, indeed. And you wield some power over me. I feel it.”

I shake my head but I think there is something about him. Christopher has this rugged appeal that makes even William Wallingford ordinary in comparison. I can’t seem to look away. It’s as if I’m studying him for a portrait. I notice he tends to raise his chin. The very corners of his mouth curve up, making him seem slightly arrogant. And his eyes. Their light color gives them endless depth. Yet they seem so full of…of what?

Longing.

I glance away, surprised.

Of course the fun here is that Michelle actually is an artist too. This means I can use her powers of observation to shape what the reader sees, and her drawing skills are integral to the plot.  Through her drawings she starts to channel what is either a ghost or a delusion. And her ability to notice details ultimately helps her to put together the pieces in an ancient mystery. It also presents a great opportunity for me as the writer to create some beautiful images, especially of the guy Michelle is so drawn to:

I take a deep breath and open the door. The flickering fire in the small stone hearth casts a shadowy light. Christopher is in his bed asleep. I close the door and press my back against it. My eyes fill with grateful tears. I’m not too late.

He is bare-chested, a sheet covering him just below his arms. His one arm is flung over his head and his chin is turned toward the fire. The coin he took from me hangs on a chain around his neck, a silvery orb resting in the hollow of his throat. I quietly set my bag beside the door, peel off my sweater and crouch beside the bed, wincing from my sore knees. But what do sore knees matter? He’s here and he’s real and he’s safe and he’s even more beautiful than I’d remembered. I’m glad he’s asleep so I can look closely at him without embarrassment. The pout of his lips. The curl of his dark lashes. His flexed bicep. I long to touch him but can’t bear to wake him.

I’ll draw him.

IMG_0230

My drawing of Christopher, which was used for the book’s original cover.

I’ll draw him…  With DRAWN, it’s as close as I’ve come to being the writer/illustrator I’d once envisioned I’d become. I did draw the book’s original cover myself, which is a pencil sketch painted with India ink. I guess in a way I am a writer/illustrator and always have been. Just painting images with words.

And hoping you, as the reader, are seeing what I see.

Happy reads,

Marie

*Marie is a Literary Agent at The Jennifer De Chiara Literary Agency in New York City. To keep up with all her posts, subscribe to her site.

Enter your email address to follow this blog and receive notifications of new posts by email.

 

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DRAWN Haunt – Just Because You Can

Edinburgh - Writer's museumThe DRAWN Haunt party continues today with a post about how to tame all those big ideas into one tightly written book.

The DRAWN Haunt is a month-long celebration for my award-winning novel DRAWN‘s 5th anniversary. All October you’ll find here book-related posts about writing, romance, ghosts, time travel and more. To catch all the spooky DRAWN Haunt posts, explore the blog, and check back often or subscribe to this site (see bottom of this post for how).  And for more about my novel DRAWN, click here. 

DRAWN was a complicated novel for me to write, but it definitely taught me a lot. So here’s the most important thing I learned…

JUST BECAUSE YOU CAN

Fiction writers can create a story out of anything, and every character they put down on paper can have their own conflict, their own story line. This is both a blessing and a curse.

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In DRAWN, Marie Lamba deftly entwines romance and mystery, past and present, into a page-turning adventure. Buy it today and I promise you’ll be finished reading far too quickly! — Joy Nash, USA Today bestselling author

When writing my ghostly time-travel novel DRAWN, I knew I was creating what, for me, was a “big book.” Up to that point I’d been writing novels that took place within a tight one month time frame. My plots revolved around my town and were populated by people very familiar to me. “Write what you know,” they say, and I knew the worlds of my first two young adult novels WHAT I MEANT… and OVER MY HEAD very well. But DRAWN was a different sort of story.

Time is slippery in this time-travel book, involving a month-long time frame in the present, but also an eight-month long time frame in the past. The setting is present day AND 1460 England. I’m a bit familiar with modern England, having lived there for a semester and visited numerous times, but the past? Not so much. Intensive research was required. My characters in this new novel range from Italian-Americans, to British citizens, medieval lords and courtiers and servants. Add into this mix a plot line where the past and the future continues to be altered as our heroine travels back and forth in time and, well, you have a big book indeed.

And I struggled a bit to make sure it didn’t turn into one big mess. Which gets us to the heart of this post: Just because you can, doesn’t mean you should. I can’t tell you how many characters I spun out into entire story lines with their own scenes and character arcs…and some of these characters don’t even appear in the book anymore. You might think the solution is an outline, but even when using an outline it can be hard to tell just how far to go with a character’s story or to know which scenes might be important.

Sometimes the only solution is to write it through and then cut cut cut! Sure, you are doing a ton of character research by writing those extra scenes. But when the character ends up being barely a minor one, it becomes a case of TMI. You don’t need all, or sometimes any of that stuff. And by heading off here and there on wild plot chases, you are wasting time, wasting your energy, and muddying your own clear view of things.

In DRAWN, I’d created this character Guncha, who quickly became one of Michelle’s friends after Michelle moved to England. Guncha was gossipy and romantic-minded, so she was the perfect person to give Michelle the scoop on things, and to nudge her in matters of romance when Michelle finds herself stalked by an unknown guy who also, by the way, mysteriously appears in Michelle’s sketches. But when it came to Guncha, I didn’t stop there. Before I knew it, Michelle was visiting Guncha’s house, sleeping over, meeting her family, learning of Guncha’s conflicts with her traditional family. And Guncha was planning an escape with a secret and unsuitable boyfriend, etc. etc. etc. Nearly one hundred pages later, I realized that my story had naturally strayed far from its central focus: Michelle and her encounters with Christopher Newman, the hot medieval ghost with a sketchy past.

So, refocus and cut cut cut! In the final book we only see Guncha at school and at a carnival. There is no secret boyfriend. No family to speak of. And Michelle wishes she felt closer to her, but realizes that she just can’t share her own secrets with Guncha. How would Guncha ever understand that Michelle’s budding new relationship just might be with a ghost? As Guncha implores Michelle to tell, but secrets continue to build, the reader is in on the gossip instead of Guncha, which is fun. So in this case, I would have saved a ton of time if I could have decided up front not only that Guncha was going to be a minor character, but also what her true function in the plot would be. This is a biggie, because if I knew this I could have smacked my own hand every time I deviated from this mission.

Sounds good, right? But what if your extra character’s story parallels and weaves into the main plot, adding intrigue and mystery? Why wouldn’t you stray into that storyline?  DRAWN involves an ancient murder, and a chilling curse that still lingers in the town’s castle. In the book, the Wallingford Papers (based on the real Paston Letters…look ‘em up if you’re curious) are a series of preserved family letters dating back to the 1400s. They detail the history of the murder, and the heroism of the Wallingford ancestors. But are all the letters actually in the public record? And are they to be believed? This plot is essential to the book, involving the fate of the ghost and pretty much everyone in the story.

Okay, so doesn’t it seem obvious that a scholar could be at the heart of rooting out this mystery? Since the Wallingford family reputation (and much of their success) hinges on their heroic background, wouldn’t you expect that family to do anything to keep their family name clean? So, is it that crazy that I created a scholar who in the ‘50s uncovered their secrets and was about to go public with it, before an untimely death? Flash forward to the present, and I also created Mr. Llywelyn, a history teacher at Wallingford Academy (Michelle’s new school) who was related to this very scholar and who is also fighting to uncover the truth of the murder, the papers and the death of the scholar, and…

Cut cut CUT!!! Jeesh. Do you see how the fiction writer’s mind can spin and weave and deviate from the main story path, even while she is following that very same path? Yikes, it’s like entrapment I tell you. In the end I had to give a long hard look at the story elements that were most essential. Yes, I wanted a scholar who was silenced, but I decided that this scholar would have absolutely nothing to do with the history teacher. The scholar now has merely a mention, just enough to add to the danger and the gravity of the treacherous ancient secrets being kept. As for Mr. Llywelyn? Well, he’s Michelle’s history teacher, instructing the class about the very era Christopher the ghost inhabits. The teacher’s role is now limited to occasionally adding in a fact about the Wallingford Papers, about the dangers of living at that time, etc., thereby ramping up the tension for Michelle when she realizes what these facts mean to a ghost she’s starting to have spooky good feelings for. I had to focus on Michelle as the hero, as the person who solves the mystery and makes things happen. No way should this be relegated to another character.

So again, a supposed major-player was reduced to a few lines. Lines that were necessary and served the plot. And beyond that? Well, this just wasn’t his story.

Sometimes writing a book is a process, sometimes it’s an ordeal, but it’s only successful if we give our draft a hard look and decide if scenes are moving us forward, and if our deviations are truly creating the book we’d set out to write.

As I get further along in my writing career, I’m training myself to create a clearer story line and to force myself to stick to that path. If the story is complex enough, like DRAWN is, there is no need to deviate and take elaborate side trips into other character paths. It’s enough, while plotting, to stick to the main issues and simply ask myself: And then what? And then? And then?

The answers, surprisingly, can equal a rich and complex novel.

 

*Marie is a Literary Agent at The Jennifer De Chiara Literary Agency in New York City. To keep up with all her posts, subscribe to her site.

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DRAWN Haunt: Anytime but the Present

Signpost of TimeHappy Friday, DRAWN Haunt party style! The celebration of my award-winning novel DRAWN‘s 5-year-anniversary continues today with a post that’s all about time travel. If you could go anywhere…er, rather, anywhen, when would you choose? But first, a sale alert! ***Today is the last day to get the Kindle version of my romantic time travel novel DRAWN for just $1.99 by clicking here!   This special $1.99 celebration sale ends today, Friday 10/13 at 9 p.m.***

To catch all the spooky DRAWN Haunt posts this month, check back often or subscribe to this blog (see bottom of this post for how).  And for more about DRAWN, click here. 

So, if you could travel into the past (hello OUTLANDER fans!), would you go to…

ANYTIME BUT THE PRESENT

I’ve always been a sucker for a good time travel tale. A Connecticut Yankee in King Arthur’s Court, The Time Traveler’s Wife, and A Knight in Shining Armor are all favorite books of mine.  And then there are the flicks: 13 Going on 30, 17 Again, Kate and Leopold, and the ultimate time travel movie Back to the Future.

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What I enjoyed the most was: the ease of the time traveling jumps and the imagery. Marie Lamba has taken the daunting task of creating two different worlds with different rules and done a breathtaking job…Drawn has a great concept and an even bigger message of hope and everlasting love.
— Moonlight Book Reviews

I think what I love most about time travel is the way it allows me to toy with what it’d be like to visit another time. Not to be someone who lived in that time long ago or far away, but to be myself encroaching on another world.  Whenever I visit an old building, a castle, or a ruin, I can’t help but wonder what the people were like back then. Were they very different? Would I connect with them somehow?

If you could go anywhere, or rather, anywhen, when would you go?

I’d end up smack-dab in the Middle Ages.  I’d love to see a fully functioning castle, and women whisking about in those elaborate gowns and pointy headpieces, and knights clanking in their armor, and foppish troubadours strumming lutes.

Honestly, that’s one of the fun things about being a writer — being able to bring your own imaginings to life.  In my novel Drawn, Michelle De Freccio is a practical person. She’s an artist, but still is someone firmly grounded in reality and the normal.  When she moves to England, she keeps drawing pictures of some guy. Then she starts bumping into him at the town’s castle. That’s when things start to get really strange.   Michelle refuses to believe he’s actually from another time, or that she’s no longer in the present. She’s convinced he’s just some nut, until this moment in the novel:

“Try taking your meds,” I tell him, stuffing these things back into my bag. “Try not wearing that cape and boots all the time. While you’re at it, why don’t you take up a hobby, like going to Star Wars conventions as a Jedi knight?” I hang the bag over my shoulder and grab my drawing pad. “I’m leaving and if you follow me, I swear to God I’ll scream and you’ll be in prison faster than you can say Society of Creative Anachronism. Got that?”

He flashes a half smile. He’s so attractive. He’s so cocky. I grit my teeth and back away. I’m near the steps. I turn, about to run down, when I see over the wall something far below. My heart seizes up.

No tourists. No tents. No cars. No parking lot. Just grass, a water-filled moat and a deep forest in the distance.

MP910218789From this point on, Michelle is forced to believe in things she never thought possible. Like the ability to connect with another time. Or how two people from such different times can feel so close. Of course Michelle and Christopher have serious differences in their beliefs and outlooks on life. Like in this scene:

He drinks a few handfuls of water, then sits back. “First you must tell me, do you support the House of York and the true and rightful king? Or are you with the so-called King Henry, that addlepated idiot who is not sane enough to know his own name?”

“You shouldn’t call him an idiot. He’s sick. Like your father was sick.”

“He is nothing like my father,” he says, indignant.

“I mean King Henry is mentally ill. It’s a sickness. It’s pretty sad.”

Christopher snorts, which seriously annoys me.

“Lots of people are mentally ill, Christopher. Lots of good people.” The tremble in my voice makes him look up. “If there was a cure, maybe he would get better and have this really great life.”

“Michelle, I happen to know for a fact that physicians have bled the king and attempted to drive out the demons that possess him, and to no avail.”

“That’s not science. It doesn’t fix anything. You know, some day in the future they’ll come up with all sorts of medicines and treatments that will—”

“You think too much.” He stacks his armor in a neat pile.

“And you don’t think enough. You are so, so…”

I’m about to say “medieval” when Christopher says, “So concerned about getting through every day alive.” He holds up the dented piece of armor to punctuate his point, then throws it clattering to the ground.

One of the most fun things about writing a time travel is tossing in modern stuff and contemporary comments into the mix.  Like when Michelle, after watching Back to the Future in her own time, goes to Christopher’s time with a book outlining all the battle outcomes of the 1400s. She tells him:

“This book holds all this information about what will happen. In the wrong hands, it could be disastrous. At least according to Hollywood.”

And Christopher responds, “I do not know of this Hollywood person…”

And what does happen with this book? If Christopher uses it, people will live who shouldn’t have, and others will die who shouldn’t have.  Quite a mess. Then there’s a scene when Christopher is unconscious from a battle wound, and Michelle tries to save his life with one of those impossibly tiny first aid kits people keep in their purses:

“Okay, modern science to the rescue.” I open the kit and inside are three Band-Aids, a Midol pill, a small foil tube of antibacterial cream and one alcohol wipe. That’s it. I sink onto the chair.

Throughout the novel, the couple faces a ton of challenges as they fall in love. How can they have any sort of life together when every time Michelle sees him, she’s changing destiny in dangerous way?  Plus Christopher is “no prince.” His life is intertwined with treachery and murder. And adding to their couple issues is this biggie: every time they kiss, she’s thrown back into her own time.

Can love overcome all of these problems? Should it? Drawn is my way of exploring these questions…and of getting completely lost in past.

 

***Remember, the $1.99 sale of DRAWN ends today, 10/13 at 9 p.m. To take advance of this special DRAWN Haunt celebration price, Click here!

*Marie is a Literary Agent at The Jennifer De Chiara Literary Agency in New York City. To keep up with all her posts, subscribe to her site.

Enter your email address to follow this blog and receive notifications of new posts by email.

Win Signed Copy of My Novel DRAWN

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Hi gang!  To celebrate the re-release of my OUTLANDER-like novel DRAWN with its new cover, I’m doing a giveaway over at Goodreads.com. Starting today through the end of May, you can enter to win one of 5 free signed copies. To enter, just click here.

Here’s what the book’s about:

Michelle De Freccio moves with her dad to England, where she hopes for a more normal life. Instead she discovers a handsome guy appearing in all her sketches. When she actually meets him at the town’s castle, she’s unmistakably drawn to him. But something is definitely not normal.

He wears medieval garb, talks of ancient murders, and tends to disappear with a kiss. Could he be a ghost? Could Michelle be losing her mind? Or has she simply uncovered a love so timeless it’s spanned the centuries…

I’m SO very grateful to DRAWN’s many fans who have praised this novel with 5 star reviews and to the book bloggers who have awarded it top honors and high praise, including “Best Book” (Long and Short Reviews) and “Top Pick” (Night Owl Reviews), and have called it “breathtaking” (Moonlight Book Reviews), “epic and gorgeously written” (InD’Tale Magazine), “Loved it all! …one truly EPIC read!” (Book Love 101), and said, “…this book deserves to be shouted about from the rooftops! The author’s imagination and plotting skills are phenomenal. I think this is the 4th or 5th time I have read Drawn, and each time, the second I start that first paragraph, I am a captive in her perfect, imaginary world, and I never want to leave” (Geekery Book Review).

*Blush*

So enter to win anytime between now and the end of May. And if you haven’t already, please (humbly asking…) do add DRAWN to your “to read” shelf on Goodreads.com so your other friends there who might be interested in it will see this title as well.

I look forward to connecting with many more readers in the future. That for me is the true joy of being a writer! Thanks so much, all.

🙂

 

Drawn by Marie Lamba

Drawn

by Marie Lamba

Giveaway ends May 31, 2016.

See the giveaway details
at Goodreads.

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Agent Monday: The Time Traveling Agent/Author

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I’ve always been a sucker for a good time travel tale. A Connecticut Yankee in King Arthur’s Court, The Time Traveler’s Wife, and A Knight in Shining Armor are all favorite books of mine. And then there are the flicks: 13 Going on 30, 17 Again, Kate and Leopold, and the ultimate time travel movie Back to the Future. So it should be no surprise that I’m always hoping to find a smart time travel novel to represent as a literary agent.

And, also not a surprise, as an author I had the most fun writing my OUTLANDER-like time travel novel DRAWN, which I’ve just re-released this week with a new cover! So, cuz of the new cover release and all, I thought I’d dwell today a bit on the past, and my kind-of obsession with it…

I think what I love most about time travel is the way it allows me to toy with what it’d be like to visit another time. Not to be someone who lived in that time long ago or far away, but to be myself encroaching on another world. Whenever I visit an old building, a castle, or a ruin, I can’t help but wonder what the people were like back then. Were they very different? Would I connect with them somehow?

If you could go anywhere, or rather, anywhen, when would you go? What sort of tales would you weave around that?

Me? I’d end up smack-dab in the Middle Ages. I’d love to see a fully functioning castle, and women whisking about in those elaborate gowns and pointy headpieces, and knights clanking in their armor, and foppish troubadours strumming lutes.

Honestly, that’s one of the fun things about being a writer — being able to bring your own imaginings to life. In my novel DRAWN, Michelle De Freccio is a practical teen. She’s an artist, but still is someone firmly grounded in reality and the normal. When she moves to England, she keeps drawing pictures of some guy. Then she starts bumping into him at the town’s castle. That’s when things start to get really strange. Michelle refuses to believe he’s actually from another time, or that she’s no longer in the present. She’s convinced he’s just some nut, until this moment in the novel:

“Try taking your meds,” I tell him, stuffing these things back into my bag. “Try not wearing that cape and boots all the time. While you’re at it, why don’t you take up a hobby, like going to Star Wars conventions as a Jedi knight?” I hang the bag over my shoulder and grab my drawing pad. “I’m leaving and if you follow me, I swear to God I’ll scream and you’ll be in prison faster than you can say Society of Creative Anachronism. Got that?”

He flashes a half smile. He’s so attractive. He’s so cocky. I grit my teeth and back away. I’m near the steps. I turn, about to run down, when I see over the wall something far below. My heart seizes up.

No tourists. No tents. No cars. No parking lot. Just grass, a water-filled moat and a deep forest in the distance.

***

From this point on, Michelle is forced to believe in things she never thought possible. Like the ability to connect with another time. Or how two people from such different times can feel so close. Of course Michelle and Christopher have serious differences in their beliefs and outlooks on life. Like in this scene:

He drinks a few handfuls of water, then sits back. “First you must tell me, do you support the House of York and the true and rightful king? Or are you with the so-called King Henry, that addlepated idiot who is not sane enough to know his own name?”

“You shouldn’t call him an idiot. He’s sick. Like your father was sick.”

“He is nothing like my father,” he says, indignant.

“I mean King Henry is mentally ill. It’s a sickness. It’s pretty sad.”

Christopher snorts, which seriously annoys me.

“Lots of people are mentally ill, Christopher. Lots of good people.” The tremble in my voice makes him look up. “If there was a cure, maybe he would get better and have this really great life.”

“Michelle, I happen to know for a fact that physicians have bled the king and attempted to drive out the demons that possess him, and to no avail.”

“That’s not science. It doesn’t fix anything. You know, some day in the future they’ll come up with all sorts of medicines and treatments that will—”

“You think too much.” He stacks his armor in a neat pile.

“And you don’t think enough. You are so, so…”

I’m about to say “medieval” when Christopher says, “So concerned about getting through every day alive.” He holds up the dented piece of armor to punctuate his point, then throws it clattering to the ground.

***

One of the most fun things about writing a time travel is tossing in modern stuff and contemporary comments into the mix. Like when Michelle, after watching Back to the Future in her own time, goes to Christopher’s time with a book outlining all the battle outcomes of the 1400s. She tells him, “This book holds all this information about what will happen. In the wrong hands, it could be disastrous. At least according to Hollywood.” And Christopher responds, “I do not know of this Hollywood person…”

And what does happen with this book? If Christopher uses it, people will live who shouldn’t have, and others will die who shouldn’t have. Quite a mess. Then there’s a scene when Christopher is unconscious from a battle wound, and Michelle tries to save his life with one of those impossibly tiny first aid kits people keep in their purses:

“Okay, modern science to the rescue.” I open the kit and inside are three Band-Aids, a Midol pill, a small foil tube of antibacterial cream and one alcohol wipe. That’s it. I sink onto the chair.

***

Throughout the novel, the couple faces a ton of challenges as they fall in love. How can they have any sort of life together when every time Michelle sees him, she’s changing destiny in dangerous way? Plus Christopher is “no prince.” His life is intertwined with treachery and murder. And adding to their couple issues is this biggie: every time they kiss, she’s thrown back into her own time.

Can love overcome all of these problems? Should it? DRAWN is my way of exploring these questions…and of getting completely lost in the past.

If you are interested in exploring DRAWN, you can check out more about it by clicking here. Also, if you are on GOODREADS, you can enter to win one of 5 signed print copies of DRAWN with its new cover by entering the giveaway there starting this Friday.  To enter, click here from Friday. The giveaway runs through the end of May.

 

*Marie is a Literary Agent at The Jennifer De Chiara Literary Agency in New York City. To keep up with all her Agent Monday posts, subscribe to her site.

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