Happy Agent Monday, gang! Storm’s coming, Harry!!! Lots of snow on the way here. So, while I still have electricity and hot coffee in hand, let’s tackle some of your questions — quickly!
Last week, I’d asked readers for questions they’d like to see me answer in future posts. Thanks to everyone who chimed in! Some responses are worthy of their own posts (keep your eyes peeled for these in the near future), while others can be quickly answered in a short and sweet manner. So here goes…
Q.: How important would you say it is for a person to read their manuscript out loud before calling it finished?
A.: I’d say it’s critical. OF COURSE it’s critical for picture books, which are designed to be read aloud. But for any level of writing, the author simply must read their prose aloud. And listen to themselves. As an author myself, I always read my writing aloud as part of my revision process. It helps me to pick out when phrases are overused, or punctuation needs to be changed, or when pacing is off. And it helps to listen to dialogue – is it ringing true?
Q.: Does a historical setting automatically categorize a manuscript as being historical fiction? Is it acceptable to have a historical setting even if that history is not integral to the plot?
A.: Historical setting in a novel DOES make it historical fiction. If the setting doesn’t influence the thought of the characters, their actions and their challenges/life in some way, then why not set it in present day? It doesn’t need to be a moment for the history books, but it does need to belong in its time period. The exception? A time travel piece, which would make it fantasy or science fiction vs. historical. Even then, though your main character isn’t of that time, the time period would influence that character’s adventures, and the people surrounding him would be of that time.
Q. When an agent asks to see more manuscripts (picture book), is it advantageous to send in manuscripts that are consistent style-wise vs. showing a breadth of style?
A. First of all, it’s great that you have so many manuscripts completed that you have choices! Speaking from my own point of view, what I’d most want to see is your very best work – whatever the style. Unless the agent asked for more of a “type” of book from you, that would be your best rule of thumb.
Q. Have you ever rejected a manuscript because you were not “connecting” to the material, narrative arc, and/or the main character? What did that mean to you personally?
A. That happens often. What this means to me is that I’m just not personally excited by what the author is trying to do for some reason, or that I’m not finding myself feeling drawn in. This can be for many reasons, such as I like the idea of the plot, but find I’m not liking the main character. Or I like the character, but I find the plotting too obvious or too hard to believe. Or I don’t “get” why the main character is so upset or reacting the way she is. In short, something is stopping me from relating to things or feeling invested in the story. I have to really want to root for my authors and their writings – and you really want an agent who will do that. So keep querying and writing and polishing until you DO find someone who “gets” you.
So that’s it! Some quick answers to quick questions. Now it’s time for me to quickly use all the electricity I can while I still have it (makes mega-pot of coffee). Stay safe and warm, everyone!
*Marie is an Associate Agent at The Jennifer De Chiara Literary Agency in New York City. To keep up with all her Agent Monday posts, subscribe to her site by clicking on the Follow link located on her page on the upper left margin.