April 20th Webinar for PB, MG and YA authors!

yes - notepad & penHi all!  Just a quick heads up that I and my fellow agents of The Jennifer De Chiara Literary Agency are offering an online webinar through Writer’s Digest. It’s called Sell Your Children’s Book: How to Write Amazing Novels & Picture Books for Kids Boot Camp. This online boot camp starts on next Monday, April 20th, so if you are a picture book, middle grade or YA author and are interested, definitely look into it now and register by clicking here.

This might be just the thing you need before the next writer’s conference or before you submit to agents. Here’s a bit of info from Writer’s Digest on how it’ll work:

On April 20, you will gain access to two special 60-minute online tutorials presented by literary agents from Jennifer De Chiara Literary Agency. Jennifer De Chiara will present a tutorial on writing picture books, and Roseanne Wells will present a tutorial on writing and selling Middle Grade and Young Adult fiction.

After listening to your choice of presentations, attendees will spend the next two days revising materials as necessary. Also following the tutorial, writers will have two days in which to log onto the Writer’s Digest University boot camp message boards and ask your assigned agent critiquers questions related to revising your materials. The agents will be available on the message boards from 1-3 p.m. (ET) on both Tuesday, April 21 and Wednesday, April 22. No later than Thursday, April 23, attendees will submit either their completed picture book text (1,000 words or fewer) or the first 10 double-spaced pages of their middle grade / young adult manuscript. The submissions will receive feedback directly from the boot camp literary agents.

The agents will spend up to 15 days reviewing all assigned critiques and provide feedback to help attendees. No later than May 9, agents will send their feedback to writer attendees.

Only registered students can access the Writer’s Digest University boot camp message boards. You’ll also be able to ask questions of your fellow students. Feel free to share your work and gain support from your peers

Please note that any one of the agents may ask for additional pages if the initial submission shows serious promise.

In addition to feedback from agents, attendees will also receive:

  1. Download of “An Agent’s Tips on Story Structures that Sell,” an on-demand webinar by literary agent Andrea Hurst
  2. 1-year subscription to the WritersMarket.com Children’s Writer’s & Illustrator’s Market database

PLEASE NOTE: Agents Stephen Fraser and Marie Lamba will be critiquing picture book and working together on the discussion boards for picture books. Agents Vicki Selvaggio and Linda Epstein will be critiquing YA and MG, and manning the message boards for those categories.

So that’s the news!  Maybe I’ll see some of you online there.

Three YA Authors Chat about Writing and the Biz

Hi everyone!  I recently had the privilege of speaking on a panel with fellow young adult authors E.C. Myers and Ellen Jensen Abbott. We volunteered our time to speak at Haverford High School as part of the PA Authors Speak Up for Libraries campaign.

Happily, the school taped our talk for their cable station, and I’m giving you all the link here because the panel covers so many interesting points about the writing process, the writing life, and I also answered questions about what I’m looking for as an agent when it comes to young adult submissions. Plus we each read a bit from one of our own novels — in my case, I read an excerpt from my YA novel DRAWN. The bright audience of high school creative writing students asked some very smart questions.  I hope you all enjoy watching this talk. Just click here for the link.

Talk with E.C. Myers and Ellen Jensen Abbott 2014

 

Kid-lit Writers! Sign-up Now for Online Boot Camp with Agents…

yes - notepad & penAttention writers of picture books, middle grade and YA fiction! Writer’s Digest has just opened up an online Boot Camp taught by agents of The Jennifer De Chiara Literary Agency… The Boot Camp includes an online tutorial, a dedicated message board where agents will answer your questions, plus a critique by an agent.

Literary agents participating include Jennifer De Chiara, Roseanne Wells, Linda P. Epstein, Stephen Fraser, and me – Marie Lamba.

The boot camp runs December 5th – 8th, so sign up is NOW. Details can be found by clicking here.

Agent Monday: What this Agent Does and Does Not Want

pumpkinsHappy Agent Monday everyone!  Here in the Northeast it’s a crisp glittering fall morning, the kind of weather that makes you feel you can really take on the world. If you writers are feeling the same, you may feel that extra zing of energy to send out some queries to agents for your latest work. Good for you!  For some help in this department, I thought I’d bring you up to speed on what I do and do not want…

susan-coventry-200But first of all, I want to send out a huge welcome to my newest client, author Susan Coventry!  Susan’s debut was the historical YA The Queen’s Daughter (Holt), which nabbed the 2011 Bank Street Best Children’s Book of the Year honor. She caught my attention with an unusual manuscript that’s a retelling of the little known Arthurian courtly love story about Enide and Erec. It’s vivid, sharp, witty and fresh. Basically, it’s a cross between The Princess Bride and The Once and Future King (which, if you don’t know, is one of my favorite books EVER).  So I lift a mug of mead (okay, it’s coffee) to Susan in welcome. I’m so thrilled to represent her.

So, back to the land of queries… I spent several hours this weekend reading through my inbox. For those of you waiting on responses, I’m up to queries received on August 1st. (Yeah, there are still a lot more after that, but I DO read them all and answer them all.)

*If you sent a query before this date and never got a response, that means you broke a cardinal rule and were therefore deleted without a reply. Deletable offenses include: mass-mailed queries that aren’t addressed to me, titled things like Dear Sir or Madam, or with no greeting at all…Attaching your query (I won’t open query attachments from people I don’t know)… Openly offensive or rude statements in your query…

*Also, if you see on something like Query Tracker that I have a response time for some folk of like a day or a week, and yours has been sitting around for a month or two, don’t despair. I do like to breeze through queries as they spill in for a quick look – and if something is clearly a no – I’ll zap back a form rejection. If something is a zowie-gotta-look-at-that-immediately query, I’ll request the full right away…otherwise it goes into the queue for later.  And, yes, I have acquired clients from that “later” queue…

Okay, then… What I do and do not want.  Please read my guidelines, people.  You can find them here and also on the agency website.

MP900308953Some things I do NOT want:
Genre fiction. I’m not a fan at all, so please do not send me your sci fi, romance, high fantasy, or horror novels.
Extreme violence and gore. HATE that. Please do not send me violent serial killer novels, or slasher books, or blood-soaked stories whether fiction or memoir.
Horsey books. Confession? I’ve always been afraid of horses – I’m pretty sure they were put on this earth to bite my face off. Needless to say, I never “got” the girl obsession with horses, so if your book is about that? You’re neighing at the wrong agent. ;)
Things I’ve seen way too many times before. I’m over paranormal romance, dystopian, I never “got” zombies (bite off my face thing again?), or werewolves or stuff like that.
Things that feel too much like something else. I get a lot of almost fan-fiction-like novels. They aren’t in the same world as the original, but change a few names and it’s the same story.
Memoirs that are mainly a sad retelling of something that happened in your life. Divorce. A cheating husband. A common illness. The death of a loved one. While I can feel compassion for these writers, I’m looking for something a bit different in a memoir.
Memoirs that are mere nostalgia, or a telling of a fairly common experience. I get a lot of memoirs that feel like an older person who has decided to chronicle their life for posterity — this may be a lovely gift to pass on to your family, but it’s not a commercial product in my eyes. I also get a lot of “wow, I went on this trip,” or “wow, I went to college,” or “wow, I worked a lot of strange jobs” memoirs — to me, this is just life, and not remarkable enough for others to buy and read.
What they are now calling “sick-lit,” inspired by The Fault in Our Stars success. I’m not interested in “someone is dying” as the theme driving a YA or women’s novel. It feels a bit too overwrought to me, and there needs to be a lot more to the plot for my taste.

Young Girl ReadingOkay, so what DO I want?
Something fresh and original with a recognizable voice.
Something that moves me to laugh or cry or both without being sappy or stupid.
Something that takes me somewhere I’ve never been before, or shows me something in a brand new light.
Something with a hook, meaning it has an understandable and unique theme and conflict, and a clear audience.
While I don’t DO romance, I’m open to romantic themes in YA and women’s fiction — just please don’t make it predictable or the heroine shallow and all about the guy! Also, what IS it with guys who have green eyes and a crooked smile? Jeesh! Is this every girl’s fantasy or something? (To those guys out there with green eyes and a crooked smile, be on your guard for rampaging women…You have been warned.)
SMART women’s fiction that can become the next great chick flick — and that is NOT just a rehashing of Bridget Jones, Stephanie Plum, Shopaholic, Sex in the City.
A YA that is smart and real ala Sarah Dessen.
Brilliant writing that is accessible. I’m not one for literary fiction with a meandering plot, but I adore gorgeous writing.
Strong characterization. I’m not one for merely plot driven fiction. I need to care.
Hilarious and moving middle grade.
I’m open to elements of fantasy, a fun or moving ghost story, I love the shivers (without blood, please). But DON’T give me genre writing.
Diversity, but only if it is genuine and intrinsic to your story.
Memoirs that bring more to the table. Incredible voice, unusual humor, revelations for readers, a takeaway for readers, real heart, a truly unique inside peek at something…
Books that leave a lasting impression. 

Take a look at my client list here. You’ll see a range of people who are very serious about their craft. You’ll see that their ideas are unique, and that their books stand out on the shelf as something fresh. Read their work and you’ll see their voices jumping off the page.

And if you have these qualities, I definitely want to see your query!

 

*Marie is an Associate Agent at The Jennifer De Chiara Literary Agency in New York City. To keep up with all her Agent Monday posts, subscribe to her site by clicking on the Follow link located on her page on the upper left margin.

Agent Monday: Some Words on Writing Contests

file000331550356Happy Agent Monday, everyone!  Writing contests are a great way to garner attention. Nab a notable award and it’ll be a feather in your writing bonnet. And even if you don’t win, you might gain the attention of important people. Sometimes, in fact, editors and agents are serving as contest judges — win, win!

Today I’m so excited to welcome to the blog wonderful author Stephanie Winkelhake. In her guest post, Steph is sharing some tips she’s gathered about entering writing contests. Listen to this woman — she knows what she’s talking about! Stephanie has finaled not once, but TWICE in the national Golden Hearts competition sponsored by RWA. For the 2014 GH competition (winners announced in July) she’s a finalist for her awesome YA thriller CARMA ALWAYS, which is about a clone who is brought to life to solve her original’s murder before the boy she loves in both incarnations is destroyed. Take it away, Steph!

Some Words on Writing Contests
by Stephanie Winkelhake

Once upon a time, I was terrified to show my writing to anyone. I mean, it’s still a nerve-wracking thing today, but years ago, it was something nightmares were made of. What if my writing was horrible and I only thought it was decent? What if I had no business writing at all? Those doubts prevented me from handing over my manuscript to people I actually knew (you know, besides my mom).

So, baby steps. I entered contests. Since my manuscript at the time had romance in it, I opted for RWA (Romance Writers of America) chapter contests. Imagine my surprise when I actually became a finalist in one! I nearly cried because someone—and not someone related to me—thought my words had merit. And besides that, the judges returned my manuscript with constructive feedback that helped shape me into a better writer.

I entered more contests. I did well in some, and didn’t score high enough in others. In late 2011, I entered the RWA Golden Heart® Awards—the most prestigious RWA contest for unpublished writers. That following January, I signed with my agent (hi, Marie!), and that March, I got another important call—my manuscript was a finalist in the GH! Talk about a nice surprise. Gradually, I gained enough confidence in my writing to find a critique partner and some wonderful readers.

This year, I’m a GH nominee again with my YA thriller CARMA ALWAYS. Getting that phone call a second time was just as exciting as the first. I owe a lot to RWA and those amazing judges I had along the way. (Also, a special shout-out to my agent and my CP/readers!) They all gave me that spark of confidence I needed in my writing to push forward.

Is there a secret formula to wowing the judges? If so, I’d really like to find out what it is. But I do have a list of items I follow before submitting an entry, and in case anyone is curious, I’ve added them below:

1. Always read the formatting directions. Some contests have their own formatting requirements, like what to put in the headers and what font to use. Pay attention, because you don’t want to be penalized right off the bat for not following directions.

2. Decide what happens on page zero, and determine what to include on page one. Okay, so I wish I did have a secret formula for this one. But there are things you can avoid, like spending three pages having a character waking up and describing their breakfast. Dedicating the majority of chapter one to tell the reader about your character’s entire life before now? Also probably a bad idea. Besides, you only have so many pages to show off your characters to the judges, right? So make them count.

3. Determine whether scenes in the entry pages are truly needed. You’ll want to make sure every scene in the entry moves the story along. And here’s something I do: I cut any unnecessary sections. Does this scene only contain stuff the reader only needs to know in pages after the entry ends? If so, CUT. And hey, sometimes I find that this helps pinpoint things I don’t need at all in my manuscript. Sometimes this helps me find a paragraph or scene that takes the reader out of the story. CUT. In this year’s GH entry, I ended up trimming a scene I originally thought I had to have, but turns out, it didn’t add much to the overall story. Say it with me now: CUT!

4. Leave the judges with a nice memory. Contests usually have a word count or page restriction for entries. But I never end an entry mid-sentence or paragraph. In fact, I try to conclude an entry with a finished scene. Sometimes this involves revisiting #2 and cutting more words to squeeze it all in. Sometimes I’ll switch scenes around to leave the entry on something that highlights what I think the judges are looking for. For example, romance is important in RWA contests, so I try to end the entry on a romantic scene between my characters. It can’t hurt to leave the judges with a nice memory before they turn their attention to the score sheet.

5. Proofread, proofread, proofread. Judges won’t give you high marks for your writing mechanics and grammar if your entry is littered with mistakes. I find it helps to go over the entry on an e-reader, which forces me to look at manuscript in a fresh way. I’m always amazed at how many mistakes or misspelled words I discover on my e-reader versus my computer screen.

And…that’s it. Easy, right? Sprinkle in some hard work and a healthy dose of revisions, and you’ll be cooking.

Oh, one last (very important) thing: Don’t get discouraged if you don’t final or win. That doesn’t mean your writing or story isn’t great. Not at all! Remember that writing is a subjective business. (Come to think of it, that’s a pretty good thing to remember outside of contests, too.)

Happy writing!

 

GH_2014_thumbnailStephanie Winkelhake is the author of CARMA ALWAYS, a YA thriller recently nominated for the 2014 RWA Golden Heart® Award. Her young adult paranormal FOLLOWING YOU (previously titled THE MATTER OF SOULS) was a finalist manuscript in the 2012 Golden Heart® contest and the winner of the Best-of-the-Best round in the IRWA 2011 Indiana Golden Opportunity contest. Her story DO NOT MACHINE WASH appears in CHICKEN SOUP FOR THE SOUL: I CAN’T BELIEVE MY DOG DID THAT! (Chicken Soup for the Soul, Sept 2012). When not writing, Stephanie is most likely reading, burning something on the stove, or plotting a return to Comic-Con. Her website can be found here. You can also find her on Twitter and Facebook.

Award Nominations!

Author_Profile_pic_WinkelhakeSo excited to announce that my client, awesome author Stephanie Winkelhake has just again been selected as a finalist in the prestigious RWA Golden Hearts competition! Her manuscript CARMA ALWAYS is a riveting YA thriller with a scifi twist – about a girl who is cloned and brought back to solve her original’s murder and save the life of the boy she loves, no matter what version she is. A futuristic Romeo and Juliet.

Gregory Frost 1In other great awards news, my client, amazing author Gregory Frost has recently been nominated as a finalist for the esteemed HWA’s 2013 Stoker Award for his excellent story “No Others Are Genuine,” which appeared in Asimov’s Science Fiction Magazine.

Congrats to them both!

Agent Monday: Getting Historical

Antique pocket watch - closeup on very old pocket watchHappy Agent Monday, gang!  With this weekend involving turning back clocks, I thought this would be a great time to talk a bit about historical novels (clever, huh?).  So here are some thoughts about getting historical.

I spent last weekend at the wonderful SCBWI Eastern PA Critique Fest, where I sat down with many authors critiquing manuscripts ranging from picture book through YA.  What a great experience! I did have a number of historical manuscripts to crit there, and I’ve also gotten many queries and sample chapters in my agent inbox recently that were historical middle grade, YA or adult.  Some intriguing stories, and fascinating time periods!  But also I found some familiar issues popping up, too. Things that held the story back or got in the way of the plot.

The biggest problem? The author felt challenged about providing historical context and facts – all having to do with world-building, really.  So we ended up with spending a lot of time in those opening pages explaining what was going on in the world at that time – something the characters would never do if they lived way back then.  Imagine you the writer lived 100 years from now and were writing a story about 2013.  Would you have your character thinking, wow, here I am taking off my shoes at an airport because a few years back this horrific act of terrorism happened…and let me just go over all that happened on that horrible day politically and terror-wise so you know why I’m taking off my shoes now?

Yeah, that wouldn’t happen. It would be clunky and unrealistic. Instead, in a story set in a world of hyper-security and scrutiny, the character in our current time would just move forward with the story, and details would present themselves as things progressed, providing context for the reader as relevant. They would notice the cameras trained on them in the parking lot perhaps as they rushed toward the airport, dealing with their own issues, goals, conflicts. The airport PA system would make those “watch out for stuff” announcements, and officers would stand by with bomb sniffing dogs. Our character would remove his shoes, even as he’s thinking about the personal plot challenge that is set in front of him…perhaps he needs to get something from point A to point B without being seen by authorities for something that has nothing to do with terrorism, but everything to do with his family’s well-being.  And voila! The reader will understand the context and the history of that time AS IT RELATES TO THE STORY.

It’s all in the details and how history actually intersects at that moment with the character’s world. Give us what’s relevant. When characters spend paragraphs at the outset detailing for the reader all that research the writer’s done about that time, I check out of the story, honestly. But give me a character I believe in and care about, give me an obstacle with high stakes that they must face, and I’ll follow you for pages and pages as you take them through their world. And I’ll absorb the details of the time and figure out how the era really is and impacts the characters. And yes, here and there as you move along, you could drop in some facts as they become relevant to that character’s world. It’s not about giving the reader a lecture, though. It’s about serving the story and plot. In the end, the reader will have learned a ton about that time and its history. That’s one of the joys of reading historical novels, right?  But it’s all in how you do it.

I’m extremely proud to represent some truly kick-ass historical authors, including Harmony Verna and M.P. Barker. Harmony’s debut manuscript is an adult historical titled FROM ROOTS TO WINGS. She has us immediately worry and care about an orphan abandoned in the Australian desert in the late 1800s, and about a crippled miner who discovers her and saves her. And over the course of this engrossing novel we need to know that somehow they will end up okay. That’s the heart of the story.  But we learn so much as we follow the tale. About harsh living. About the mines. About farming in the Australian wheat belt. About WWI, about Australia’s sacrifices during the war. And about the wealthy Pittsburgh elite. About the Aborigines. Oh, the knowledge we gain feels endless. Yet not once do we feel lectured to.

M.P. Barker’s novels A DIFFICULT BOY (Holiday House 2008) and MENDING HORSES (Holiday House, coming out this spring!) are fabulous examples of historical novels done right for the upper middle grade and YA audiences, and I highly recommend you grab one of these and see how deftly she creates that character, makes us love him, and then throws him into peril so that we simply must know he’ll survive and thrive some day. And the lush details of New England life in the 1800s are simply stunning. Again, she never loads the readers with facts and figures — just has her characters live their lives in this time. And we learn a ton about rural life back then, bigotry against the Irish, the horrors of indentured servitude, the world of both the privileged and the poor.  It truly is an education. But first of all, these are fabulous novels, and the story always holds center stage.

So if you are interested in querying me about your historical novel, I’d love to see it! But be sure that you don’t fall into the trap of historical info dumping and killing the reality you want to build. Take me into another time in a believable way with a character I’ll care about. I’m looking forward to the trip!

 

*Marie is an Associate Agent at the Jennifer De Chiara Literary Agency in New York City.  To keep up with all her posts, subscribe to her site by clicking on the “Subscribe to Marie’s site here” link located on her page on the upper left margin.