GREEN GREEN’s Book Birthday!

green-green-front-cover“They say it’s your BIRTHDAY!” Yup, it’s true. Today is the official publication day of GREEN GREEN: A Community Gardening Story!!!  It’s my debut picture book, co-authored with my husband, Landscape Architect Baldev Lamba, and illustrated by the phenomenal artist Sonia Sanchez. School Library Journal calls it, “An attractive read-aloud for beginning lessons on gardening.” This book is available everywhere books are sold. To purchase it, please contact your wonderful local bookstore — they will be happy to help you! Or, to order online, click here for a number of choices.

In the book, green grass is wide and fresh and clean for a family to play in, and brown dirt is perfect for digging a garden. But when gray buildings start to rise up and a whole city builds, can there be any room for green space? The neighborhood children think so, and they inspire the community to join together and build a garden for everyone to share in the middle of the city.

This is a fun and busy book, full of action, digging, construction stuff, nature, silliness and engrossing pictures. Every time I look through the pages, I discover something new and delightful! Can I just say I’m in awe of Sonia’s illustrations?

And at the end of the story, the book includes easy ways children and families can be more GREEN GREEN, including ways to help threatened honeybees and Monarch butterflies. There’s even a fun craft for kids!

Community gardening is such an important movement throughout the country, bringing together people and transforming the ground into lush gardens that feed and delight. GREEN GREEN is all about sustainability, something so close to my heart. And this book shows how children can make a real difference in our world. I especially love the diverse cast of children throughout the pages.

Just as a community garden needs many busy hands in order to grow, GREEN GREEN required the care and talent of so many wonderful folk. Thank you to my amazing agent, Jennifer De Chiara, to my editor Susan Dobinick, who planted the seeds, to my editor Grace Kendall, who helped this book grow, and to the wonderful team at Farrar Straus Giroux/Macmillan for, oh, just EVERYTHING they have done to bring GREEN GREEN into the hands of children across the world.

DSCN5510And thank you to the many folks in my life who continue to support this wacky writer! My family, my wonderful friends, my network of amazing writer buddies…my community! You’ve all helped me grow. 🙂  And thank you to the fabulous network of bookstore friends, librarians, and schools who are sharing GREEN GREEN!  And to readers out there? Adults who take the time to sit with a child in their lap and make a book come to life for a child? Wow. You are the real heroes of any book.

Yup – I’m a bit gushy here. But, hey, it is a birthday party, after all. 😉  Okay… just wanted to close with a huge THANK YOU to the fabulous indie bookstores Doylestown Bookshop in Doylestown, PA, and Clinton Books in Clinton, NJ for hosting us on our book launch weekend! (Both stores have author-signed copies of GREEN GREEN on their shelves right now for sale. To snag one, call or stop in at these stores.) And for an updated listing of where I’ll be doing future book signings and story times, you can check out my appearances page here.

*Marie is a Literary Agent at The Jennifer De Chiara Literary Agency in New York City. To keep up with all her Agent Monday posts, subscribe to her site.

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Agent Monday: 6 “To Do’s” if You Write

Mixed Race girl on floor with a computerHappy Agent Monday, everyone! I know, I know — it’s been a while since I’ve posted here. But I have been SO busy in a really good way with doing agenty stuff. Okay, so I’m STILL really busy, but I do think it’s time to get our Agent Monday show back on the road, don’t you? So here is my “6 To Do’s if You Write” post. Are you doing these 6 things? And if not, shouldn’t you?

Last week, I was honored to be the featured speaker at Franklin & Marshall College’s Philadelphia Alumni Writers House. As I prepped for my talk, I began to think about what would have helped me when I was in college. Back then, becoming a published author still felt like a distant dream. As an aspiring author, what I really needed were guideposts that would help me truly get where I wanted to be.

Now looking back, I realize there were 6 things I did that definitely helped me achieve my dream of being a published author, plus these ensured that writing would be my life-long career. I hope this list will help you, whether you are just starting out, or are in the thick of things, yet feeling stuck.:

  • IDENTIFY YOURSELF AS A WRITER – Even if it doesn’t seem to make sense, believe that you ARE a writer. Tell yourself that, and tell that to everyone you know.
  • DON’T BE DETERRED – Plenty of things will get in your way…lack of support…writing that isn’t quite ready for prime time…tons of rejections. Just remember that the only thing that can really stop you from writing is you.
  • BE STUBBORN — BUT NOT TOO STUBBORN – Yes, believe in your voice and vision, and persist in getting your work out there. BUT also be open to revision and constructive criticism. And move on to write the next book, and the next.
  • EXPECT MAJOR SETBACKS – AND TAKE A LONG VIEW OF THINGS – Bad things will happen in your writing life and in your personal life. REALLY bad things. But see what you can take from them and look ahead. You can get beyond it (see Don’t Be Deterred above).
  • MAKE IT WORK IN THE REAL WORLD – Realize that there is nothing romantic about a starving writer. Fit writing in, live within reasonable means, AND find a way to make money. Most published authors do this.
  • KNOW THAT WRITING IS AN ART, BUT PUBLISHING IS A BUSINESS – While your writing is very personal to you, for publishers it’s a way to make money. If they pass on acquiring your work, it’s not personal, it’s business. Learn how to act professionally (lots of posts on this blog will help you with that), and it’ll help you share your art with the world. And don’t forget to be appreciative to those on your team. Publishing is made up of humans – a lovely thank you goes a long way!

*Marie is a Literary Agent at The Jennifer De Chiara Literary Agency in New York City. To keep up with all her Agent Monday posts, subscribe to her site.

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Agent Monday: Halloween Treat – Behind the Scenes with Illustrator Lee Harper

TTTCoverHappy Agent Monday – Halloween style! For a special treat, I’m excited to have a guest post from our talented client, author/illustrator Lee Harper. He’s going to take you into his studio for a behind the scenes look at how he created the images for Wendi Silvano’s too-funny TURKEY TRICK OR TREAT (Two Lions). Lee’s currently hard at work illustrating the sequel to Leslie Helakoski’s wonderful WOOLBUR picture book, titled WOOLBUR GETS READY FOR SCHOOL (Harper Collins). To see his portfolio, and get info on his books,  visit his website here.

****LAST MINUTE UPDATE! I just found out that TURKEY TRICK OR TREAT is read aloud by Scandal’s actor Guillermo Diaz on the show BOOK-A-BOO. The reading has fun animations and is available for streaming here.  Perfect treat for kiddos of all ages. 😉

Okay, take it away, Lee!

Tricks Behind Illustrating Turkey Trick or Treat
by Lee Harper

After I received the manuscript for Wendi Silvano’s Turkey Trick or Treat, I started by filling up sketchbooks with drawings. In the beginning, I let the story and my imagination take me wherever they wanted to take me without worrying about how it would all come together. A lot of the character development happened during the sketchbook drawing stage. There were a lot of animal characters to develop.

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There were also a lot of human characters to develop, each with their own costume.

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All the characters needed to look like they belonged to the same reality.

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Only a small percentage of my early stage drawings made it into the book.  As a result, I have a vast collection of storyless characters as this illustration shows.

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I mixed in some experimental painting during the drawing process to make sure the drawings would work in color. This sheriff turkey didn’t make it into the book but gave Wendi an idea for another turkey story!

When I had a general idea of the characters and an overall visual theme in mind, I started the dummy by creating a storyboard with thumbnail sketches on Post-its. At this time I also gave myself a drawing schedule that kept me moving along. I like to do this part fast, in one fell swoop. Details can wait for later.

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The great thing about storyboarding with Post-its is you can quickly mix and match images —like putting together a puzzle — and because each drawing is small, it’s impossible to delve prematurely into too many details.

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When the storyboard was done, I began a more detailed dummy by drawing each individual element of each page, scanning it, and placing it in Photoshop.

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I then arranged all the elements of each page, including the text. Since each element of the drawings was an individual layer in Photoshop, I could easily re-arrange things and make revisions.

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Once I had all the drawings completed, I saved each two-page spread as a JPEG file and created a PDF dummy to email to my editor and art director at Two Lions. After revising the sketches according to their notes, I printed out the pages 10% larger than actual size and traced them onto watercolor paper using a light table.

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After the lightly drawn drawing was complete, I soaked the watercolor paper with water and stretched it on a board to keep the paper flat during painting.

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While painting I referred to photo-reference material I collected during the drawing stage. I needed to show the farmer’s feet in one of the illustrations so I photographed my son Dan’s pants and boots. (There’s nobody in there.)

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This is the illustration with the boots and pants.

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Because Turkey Trick or Treat was the third in a series of books about the same character, I regularly referred to the first two books to make sure I kept things somewhat consistent.

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Here’s my watercolor palette while I was working. This is actually the first book in which I use a black pigment. Usually I make darks by mixing other colors, but for Turkey Trick or Treat I wanted a very pitch-black sky.

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I have an unusual painting process that involves spraying a mist of water in the air and swinging the painting through the mist. It eliminates hard edges.

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Here’s a painting under construction.

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And finally, an illustration comes to life.

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Thanks so much, Lee, for giving us such a great behind the scenes look into your studio and fun creative world!

Happy Halloween, everyone. And keep your eyes peeled tonight for Turkey trying to steal some of your treats!

*Marie is a Literary Agent at The Jennifer De Chiara Literary Agency in New York City. To keep up with all her Agent Monday posts, subscribe to her site.

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Agent Monday: Summer Edition

Edinburgh - Writer's museum

Writer’s Museum, Edinburgh

Happy Agent Monday, everyone!  It’s STILL summer, so I thought today I’d share some of my favorite writerly destinations. Since I’m a literary agent AND a writer, there’s nothing I love to do more than visit places that truly inspire me. So here, in no particular order, are a few…

 

Rosenbach Museum, Philadelphia, PA – Want to see James Joyce’s ULYSSES manuscript? It’s here along with hoards of other rare books. Tours, exhibits, and original Maurice Sendak art. Fee.

Free Library of Philadelphia, Main Branch, Philadelphia, PA – Rare books tour. See Poe’s raven – stuffed!  Dickens’ writing desk with his name carved into it. Plus so much more. Free tour, 11 a.m. daily.

Morgan Museum and Library, NY, NY – rare manuscripts, lots of great exhibits (past ones have included Poe and Lewis Carroll), a gorgeous library, and bookish gift shop. Museum fee.

Bath - Pump Rome tea

Pump Room, Bath, England

New York Public Library adjacent to Bryant Park, NY, NY – I always keep an eye peeled for book-related exhibits and enjoy their bookish gift shop. Past exhibits have included Shelley, and an extensive show about children’s classic books. Exhibits free.

Treasures of the British Library, British Library, London, England – mind-blowing original manuscripts from illuminated ones through to Canterbury Tales, Lewis Carol, Dickens, Austen …even hand-written Beatles lyrics. Free.

The Pump Room, Bath, England – Love Jane Austen? Then tea at the Pump Room, featured in her novels, is a must. You’ll be “most astonished.”

Louisa May Alcott’s House, Concord, MA –  The author wrote LITTLE WOMEN there, and even set it there.  It’s like walking into the story – amazing!  Fee

Edinburgh - Gray Friar'sEdinburgh, Scotland – There’s a ton of writerly stuff here to enjoy including the Writer’s Museum, and serious Harry Potter nerd moments at: The Elephant House (where J.K. Rowling wrote), Grayfriar’s Kirkyard Cemetery (where she gathered character names), and an area that was the inspiration for Diagon Alley.

OOOOO!  All my idea of a good time.

So what writerly spots do you feel are absolutely worth a visit?  Add ’em here in the comments… I’m always looking for the next great read AND the next great place to visit for some serious nerding out.

 

 

*Marie is a Literary Agent at The Jennifer De Chiara Literary Agency in New York City. To keep up with all her Agent Monday posts, subscribe to her site.

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Agent Monday: I Need a Hero!

happinessHappy summery Agent Monday, everyone! Just when things should feel especially lovely and relaxed season-wise, suddenly the world feels uncertain and topsy-turvy. Cough cough *Brexit* cough cough. We are also mourning terrible violence and ignorant hatred. It can make you feel truly helpless. So this is a call to action from a literary agent. Are you listening, writers? It’s time to use your super power: Power of the Pen. (Cue music: “I Need a Hero.”)

A writer’s super power truly is the ability to enter the minds and hearts of readers and influence them in a positive way. So, now more than ever, I’m looking to represent manuscripts that will do just that. Give us a hero we can really root for, show us the world how it should be, the person we can aspire to emulate, or scare the crap out of us with how it might be if we are careless with our choices.

Inspire us to act, and inspire us to hope. But be artful about it, too.  The story’s the thing (sorry for the paraphrasing, Shakespeare…). A novel is not a lesson, but it could convey one.

So think about the books that have inspired you. Think of the change you’d like to see. Realize your own power of the pen. And create as if the world’s future depends upon it, because it just might… We all need a hero, and it could be your main character, and by extension, it could be YOU.  BTW, my submission guidelines for queries can be found here .

 

*Marie is a Literary Agent at The Jennifer De Chiara Literary Agency in New York City. To keep up with all her Agent Monday posts, subscribe to her site.

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Agent Monday: Writers Should Learn from Liars

 

Gregory Frost 1Happy Agent Monday, everyone! Writers are liars! And I mean that in the nicest way possible. Writers are pretenders, and are in the business of making things up for a living. Not coincidentally, I met today’s poster, our client Gregory Frost, through a group we both belong to called The Liars Club. Greg is not only a phenomenal author, but also a top fiction professor at Swarthmore. So he’s obviously one heck of a liar himself.  Now he’s sharing with us what we writers can gain by studying the art of the lie.

 

Good Writers are Consummate Liars

by Gregory Frost

Lately, I’ve been thinking and reading a lot in preparation for leading the upcoming spring semester Fiction Workshop at Swarthmore College. I almost always spend the months leading up to it reading a new crop of short stories across the spectrum, and thinking about how I might approach the Workshop this time that would be different from the last time I led it. Such questions have made me, among other things, a collector of books on writing, which includes everything from Stephen King’s down-to-earth and often-cited On Writing to Samuel R. Delany’s terrific and sometimes head-spinning essays collected in his About Writing.

One thing the plethora of “how to” books reveals is that you can pretty much unpack the act of writing any way you like, teach the elements in whatever order you prefer, and still at the end have delivered a comprehensive overview of writing fiction. Because nobody writes the way fiction writing is broken out for a series of successive lectures or for chapters in most writing texts. We don’t write once through focused solely on Character, and then once focused Narrative Structure, and then once focused on Voice. (Okay, we’re all different in our approaches, so maybe there is someone who does that, but I can’t imagine it working.) What I do find, and believe, is that those “how to” books are most useful to us at the point of revising and editing our work. We do potentially read through our 2nd or 3rd draft just for voice, just for character portrayal, and so on. We read it once out loud to ensure we don’t have any hidden rhyme schemes that have inadvertently turned us into Dr. Seuss. In effect, then, the rules and recommendations laid out in many writing books are helpful to you once you have written a draft, but less so during the first-time-through conjuring.

There’s one out-of-print book by Michael Kardos, called The Art and Craft of Fiction, that I like in particular for his approach to tackling this very issue. Kardos’s emphasis on fiction writing (before you get to all those rules and observations of the modular aspects) is on detail. He says “When we lie, we know instinctively to supply details because the details lend credibility to our story.” Right. Good liars, con artists, and teenagers caught sneaking in late from the party they definitely did not go to, know that detail is everything.

The first day of class, Kardos tells his students that if they are to learn “just one thing” about writing during the semester, it should be “Relevant Detail.” If they learn only two things, the second thing should be “Relevant Detail.” The third thing . . . and down the line.

As he puts it, if he says “animal,” you might think “giraffe” while he meant “dog.” And while “dog is better than “animal,” it’s not half as good as “golden retriever” for lighting an image in the reader’s head, which he pushes further with a “golden retriever with a dry nose and a meek bark like it was asking for a raise it knew it didn’t deserve.” (Yes, you can get carried away with this.)

However, the more specific and solid the details in most instances, the better.

33590_2694Good writers have taught themselves this because they want you to believe their lies. We are after all liars. We lie for a living.

The late John O’Hara is quoted as saying: “Detail has to be handled with care. For instance when you are describing a man’s clothing, you must get everything right, especially the wrong thing.”

If, as can be said, the beginning of every story is in effect that “Things are not as they seem,” then that piece of advice seems to me absolutely critical. The wrong thing can tell you volumes about a character while simultaneously eliminating a full page of cold expository oatmeal.

So if there’s one thing you should learn from this post, it’s . . . yeah, you already know.

***

Gregory Frost’s latest books are TAIN and REMSCELA, comprising a retelling of the Ulster Cycle of Irish Mythology. And his newly completed gothic historical, Dark House, is an engrossing tale about a cursed and haunted White House, and about the brave slaves who risk all to battle a mysterious evil. Frost’s many titles have received starred reviews, and he has been nominated for top prizes including the Stoker, the World Fantasy Award, the International Horror Guild Award, and the Nebula. His duology Shadowbridge and Lord Tophet (Ballantine-Del Rey) was a finalist for the James Tiptree Award, was named one of the four best fantasies of the year by the American Library Association, and received starred reviews from Booklist and Publishers Weekly, the latter dubbing Shadowbridge “… a sparkling gem of mythic invention and wonder.” Currently, Frost is director of the Fiction Writing Workshop at Swarthmore College.

*Marie is an Associate Agent at The Jennifer De Chiara Literary Agency in New York City. To keep up with all her Agent Monday posts, subscribe to her site.

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Agent Monday: Introverts Unite! Networking for Writers

Caroline Noonan Head Shot

Caroline Noonan

Happy Agent Monday, everyone!  Writers are often introverts. People who enjoy sitting alone and writing far more than being at the center of attention. Yet these days writers MUST get out into the world for their writing and for their careers. Today I’m pleased to welcome our client Caroline Noonan, who is here to give us all some painless tips on how we writers can connect…and on why it’s vital that we do.

The Importance of Networking for Writers
By Caroline Noonan

Definition: noun net·work·ing: Connecting with other people to exchange information and develop contacts; the cultivation of productive relationships for employment or business.

Hmmm, you say. Doesn’t apply to writers. Writing is about me, my laptop and my awesome manuscript. Well you’re right. To a point. But nowadays we are expected to self-promote, self-market and be our own editors. We are asked to speak, maintain websites and have a presence on social media. And if that’s not bad enough, a great many of us are introverts. Introverts prefer to listen and observe. We are reflective and focused and speak through our art. Networking goes against our very nature and can feel disingenuous.

But consider the potential benefits of a little networking:

• Are you looking for feedback on your manuscript before querying?
• Would you like to find critique partners whose opinion you trust?
• Would you like support and encouragement from like-minded individuals?
• Are you actively seeking an agent or an editor?
• Do you want to make writing your career?

If you answered yes to any of these questions, then you should seriously consider networking. Okay, so maybe I’ve piqued your interest. The next step is How? Here are a four practical ways that have helped me personally:

1. Meetup. Meetup.com is the world’s largest network of local groups, making it easy to organize or find an existing group in your area. I found my local writer’s group and my regular critique partners through Meetup. Yes, I was biting my nails and psyching myself out before that first meeting, but it was smooth sailing after that. Remember, give the same courtesy and consideration in critiquing other’s work that you would like given to yours.

2. Join a Professional Writer’s Organization. There are many organizations who connect you with other writers and organize local events, such as the Society of Children’s Book Writers and Illustrators (SCBWI). These organizations have strong on-line communities, as well as terrific regional and national conferences that are well attended by other writers, agents and editors (some of whom give preferential consideration to organization members).

3. Go to a Writer’s Conference. I suggest starting with a local or regional conference. Get there early and introduce yourself to the folks sitting around you. Ask them what genre they write and what they are working on. Ask them for a business card. Maybe even follow them on Twitter. (Follow Caroline @carolinehnoonan)

4. Social Media. There is a huge on-line community of writers, especially on Twitter. Many literary agents run contests on Twitter, and I know individuals who have found their critique partners there. Social Media is a great place to share ideas, connect with others and give someone a nod of encouragement when they need it. Next time, it might be you needing the nod!

I hope you find these ideas as helpful and practical as I did. Just remember, writers are basically all nice people, and nearly everyone is in the same boat as you!

 

Caroline Noonan’s debut YA novel Till Someday is a riveting contemporary about a girl eager to turn 18 and finally take charge of her life beyond foster care, but life keeps getting in her way. Caroline writes with authority — she grew up in foster care from the ages of 4-18, and got on with her own life, becoming an aerospace engineer for NASA, and a technical writer/editor for the space industry.

 

*Marie is an Associate Agent at The Jennifer De Chiara Literary Agency in New York City. To keep up with all her Agent Monday posts, subscribe to her site.

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