Happy Agent Monday, everyone! Last day of February – WOOT! I’m all about springtime and being outdoors and longer days and digging in the garden – and I can’t wait for all of that. I’m also eager to dig through the submissions in my agent inbox to find the next engrossing read. However, what I’m often finding are manuscripts that, while well written, are just all too familiar. That’s a real shame. The writers have skill, but the idea behind their book is one I’ve seen too many times before. I wish that these writers could dig deeper so that more original plotting can grow.
What do some of those all too familiar plots look like? Here are a few examples:
For middle grade or YA: A child or a teen must spend the summer with a grandparent or other relative they hardly know – and it’s always in the middle of nowhere or on some waterfront setting. There the kid uncovers some sort of mystery they must solve, whether magical or spooky or historical, and an unlikely person ends up helping and becoming a close friend. In the end, the kid learns about themselves, and also sees that unknown relative in a new light.
For women’s fiction: A young woman has tried to make a go of her career and love life, but finds embarrassing failures and is forced to go back to her home town with its small town ways. There, she eats humble pie, sees that simple life as not so simple and even sophisticated and enviable and heartfelt, and that old flame of hers is there to rekindle a different life path.
For women’s fiction or memoir: A person’s life falls completely apart, and they go on a journey to leave it all behind and are challenged in new and surprising ways that change everything. For a memoir, this can be a trek or a world tour or some other adventurous trip. For fiction, it is often spurred by a death in the woman’s family, or a divorce by a cheating spouse, and the heroine either inherits or buys some rundown home in some isolated place and is challenged to make a go of things – of course the attractive but surly and mysterious handyman is there to help.
There are many other too familiar plots I could site. Just conjure up ideas of dystopian fiction, fantasy middle grade, silly picture books, and you will likely come up with a number of familiar story lines yourself. Call them tropes if you like, and they could be entertaining, and well done. But I say talented writers can go deeper in their ideas and plotting. As an agent, I’m looking for originality and fresh journeys to go on. In a weird way, it’s a lot like trying to find something on NETFLIX to binge watch. You want something engrossing and interesting and wonderful. Something worth investing your time in, and you want to be surprised and delighted in the adventures that enfold. You don’t want to watch a few minutes and have many things figured out, and to feel like you’ve seen something just like this before.
So what’s a writer to do? I say dig deeper. Find what you most love about your idea, and then as you plot, don’t go to the first or second idea of what could happen next. One technique that I really like to use when plotting my own novels is from Donald Maass’ Writing the Breakout Novel Workbook (a craft book I highly recommend). Think of what could happen next in your story. Then write, say, 5 more ideas. Then 5 more. Take that last idea on your list and use THAT. You’ll be using something on a much less obvious train of thought.
And you’ll be creating something that may just surprise and delight you, and please agents and readers too.
*Marie is an Associate Agent at The Jennifer De Chiara Literary Agency in New York City. To keep up with all her Agent Monday posts, subscribe to her site.
Advising us to dig deeper reminds me of the PB “Sam and Dave Dig a Hole.” If only they’d dug just a bit deeper, what treasure they would have found.
Right? I love that notion…
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