Happy hot and steamy Agent Monday, everyone! Ever received the following rejection and wonder what it might mean?: “I have to pass because I found your book too quiet.” Too quiet? What’s that mean? And how do you get it to make some noise? Let’s take a look… (Thanks again to client Caroline Noonan and her writer’s group for this great post idea!)
To me, too quiet means that while the book may be written in a lovely manner and the manuscript clean and the plot interesting, overall the book lacks characteristics that would make it stand out in the commercial marketplace.
Remember, an agent’s job is to sell your book to commercial publishers, and an editor’s job is to purchase books that will become stand outs on the shelf and sell.
So what can you do if your book is consistently rejected as “too quiet?” Well, first of all look hard at the type of book you are writing – what distinguishes that sort of book? Have you elevated those elements in your manuscript?
For example, if you are writing a literary novel, is your language and imagery more than adequate? Does it stand out? Are the observations and revelations unique and transforming?
If you are writing for the YA market, is your book different from what’s already out there? Can you come up with a one-liner about the book that’ll get everyone’s attention because your story has a unique approach? Is there a hook that’ll make it stand out – and if so, have you put that unique part of your story front and center in your plotting?
If you are writing for the thriller audience, is your story truly gripping, your plotting original and does your character command the page?
And if you are writing romance, does your hero truly break your heart and does the passion sizzle?
In the historical realm, are the characters riveting and are we fully caught up not only in the lovely and accurate details of the time but also the true drama and personalities and stakes you present?
What are your strengths as a writer? Characterization? Scenery? Plotting? Imagery? Have you heightened these so they are truly stand out?
Another thing to look at is how you are labeling and targeting your manuscript submissions. If you are calling your book a thriller but it’s really a cerebral mystery, you’ll be missing the mark. If you are directing your submissions to a commercial press, when your book is really a lovely lyrical literary novel, then your piece won’t be judged within the context that you want it to.
So next time you get a “too quiet” comment in a rejection, give your manuscript a hard look. Make sure you’ve really made its most important elements unique and stand out fab, and that you are labeling it correctly. Then send it back out there and go make some noise!
*Marie is an Associate Agent at The Jennifer De Chiara Literary Agency in New York City. To keep up with all her Agent Monday posts, subscribe to her site by clicking on the Follow link located on her page on the upper left margin.
Thanks, Marie! Workin’ hard on raising the drama and the stakes. 😉
Hi Linda! Thanks for checking in. Best of luck with your writing. 🙂
Very interesting, Marie. I’ve heard this feedback myself. Is it possible the “too-quiet” book is simply too literary for the commercial market? I actually prefer a “quiet” book. A high drama book annoys me with overblown drama which seems unreal to me. To me, strong character development makes a story, which is not to say that there shouldn’t be *some* plot. A story is not a story without some plot, but I must care about the characters or I will not keep reading. I hope some other folks will chime in. Thanks for posting!
That’s why it can be important to target your novel well. If it’s highly literary, be sure to approach agents and presses that are looking for just that.