Happy Agent Monday, everyone! Thanksgiving is nearly here. And that means shopping, cooking, and HOUSE CLEANING! I hate housecleaning, but I love a clean house. Whatchagonnado? For today’s post, I thought I’d tidy up by dealing with some miscellaneous nagging questions before they get dusty on the shelf. And some of these deal with boundaries – stuff writers MUST know when dealing with agents.
But first I want to give thanks to the many of you who have been faithful readers of my Agent Monday posts. *If there are any topics you’d like to see me cover in future posts – just add a comment about it to today’s post and I’ll consider it! I also am so grateful for everyone who has made my job as an agent not just a job, but a privilege! The many writers who think of me and query me with their creative work (and who follow my guidelines!). My wonderful team of interns who help me keep my work flowing. My fellow agents at The Jennifer De Chiara Literary Agency – such a supportive group! The many editors I’ve been in touch with, who are not only smart, but also exceptionally lovely to talk to. The many awesome conference coordinators I’ve worked with, and the fun folks I’ve encountered at those conferences. And, of course, my fabulous clients. They are brilliant writers AND very cool people. I do love my job!
Okay, so let’s clear the lingering questions off the shelf, shall we?
Q.: I never got an answer to my query. Are you a no reply = no kind of an agent?
A.: I answer every query I get. I’m currently up to August 1st in my query inbox (yup, you read that right…I get a LOT of queries). If you’ve queried me before that date and never gotten a response, there may be a few reasons for that. 1. It may have gotten lost in cyberspace – filtered into spam. Resend. 2. You didn’t follow my guidelines. Example: putting the query letter in as an attachment – I won’t open that. Would you? 3. You were disrespectful in some way. Believe it or not, sometimes writers are rude and insulting. 4. You mass-mailed your query and didn’t bother to address your query letter to me, or you addressed it wrong. Dear Sir or Madam = delete.
Q.: It seems that you answer queries immediately, but mine was sent 3 weeks ago and hasn’t been answered. What does that mean???
A.: It means that I’m not scientific about stuff. As queries come pinging in, I like to take breaks throughout the day and eyeball them QUICKLY if I get a chance. (I don’t always get that chance.) If I immediately see that they are absolutely wrong for me, I’ll shoot out a quick rejection – that’s fast to do. If I get so pulled in that I find myself eagerly reading the pasted-in opening pages and dying to read more, I’ll quickly request the full. If I see the query might need more time than I have to figure out if I want to read the sample pages, or I just don’t have time to get to it yet, yeah, it’ll take longer to get back to you.
Q.: My full manuscript was requested when I met you at a conference. But two weeks have passed and you haven’t responded yet. Why?
A.: In addition to taking care of all of my clients (first priority, of course), and all of their full manuscripts, if I’ve been to a conference, or a number of conferences, then chances are pretty good that I have a good number of full manuscripts in my inbox at any given moment. So patience is required, thanks! Right now, I’m up to August 1st with submissions.
Q.: I’ve received a form rejection letter. So that means I suck as a writer, true?
A.: FALSE! It just means that if I sat down and wrote every query letter response individually, then I would be more than a year behind in answering you. I think you’d rather have a quicker answer, true?
***And now for some frequent questions that reflect a lack of understanding when it comes to boundaries:
Q.: I’d love to meet and pick your brain about the business, and I’ll even pay for lunch, okay?
A.: Sorry, but no thanks. I get this invite from people who are not my clients and not my close friends more than you can guess. For the price of a lunch, people expect me to take off 2 hours from my business day and offer them what would amount to several hundred dollars worth of information. Would you do that with a doctor? I also won’t be able to meet you for coffee, or chat on the phone, or help you shape your idea or edit your book.
Q.: I’ve self-published my book. Here, take a copy for free! I’ve already signed it to you. Can you read it and turn it into a best-seller?
A.: Stacks and stacks and stacks of books have been handed to me like this at events and conferences and pitch sessions and cocktail parties. I honestly don’t want to take a copy. I don’t want to be rude, but, again, I have to read a TON of stuff. If you want me to consider a project, follow my guidelines and submit the traditional way. There is no spiffy clever shortcut to that. Handing me your book puts me in a very awkward position. I either have to tell you no thanks, or politely lie to you and say thanks, and then recycle the book. *Same goes for any printed material handed to me – flyers, bookmarks, press kits, partial or complete manuscripts, anything beyond a business card. Honestly, if you were to empty the trash after any agent or editor left a hotel room following a conference, you’d find all of that print material plus stacks of signed books. Are we supposed to pack that stuff up and lug it on a plane, and then read it, bypassing all of our clients’ manuscripts, and requested full manuscripts in our inbox, along with all the queries waiting for us that have been honestly sent? Please be fair and thoughtful.
Q.: You’ve just rejected me. Can you tell me why and how to fix things?
A.: No. That’s not my job. I’m not saying this to be mean. It’s really not my job. If you pay a developmental editor, that might be their job. My job is to find the best writers with the best manuscripts and to then manage the careers of those writers. That’s that.
Okay, folks, I’m thankful I got those questions cleaned off the shelf.
Sometimes it’s tough for agents to not sound rude in answering questions like these, ya know? The majority of agents I’ve met over the years are really nice people. But nice people who have a job and who are really busy have to draw lines. You writers can help us out. Understand what an agent really does and does not do, and respect that. If you understand these things, then you won’t back us into a corner where you’ll find us saying things that are kind of blunt and that we do not enjoy having to say. Like, no I won’t meet you for lunch. No thanks, I won’t take your 6-volume set of autographed books home with me on the plane. No, I will not take your call for a little chat about your book idea. No, I will not fix your query/pitch/book.
So please be understanding of us agents. We love books and reading and writers. We work extremely hard to take care of the writers we represent. We are looking for new talent that is ready to hit the commercial market.
Respect that, and I’ll be thankful for you!
I wish you all a Thanksgiving full of blessings.
*Marie is an Associate Agent at The Jennifer De Chiara Literary Agency in New York City. To keep up with all her Agent Monday posts, subscribe to her site by clicking on the Follow link located on her page on the upper left margin.
I decided to work with a developmental editor and I’m glad I did. I strongly recommend that every writer work with one before sending to a publisher or agent. Thank you for a great post and for clarifying questions regarding boundaries.
Hope you have a happy Thanksgiving!
Barbara of the Balloons
Thanks, Barbara. Have a great holiday! 🙂
Hi Marie! In your posts you often talk about how you’d like people to query you for good reasons, maybe something beyond the fact that you happen to represent the genres they write in. So, here is a future post idea to consider — advice on choosing an agent! I am talking about choosing from among the more-than-legitimate, wonderful, shiny, passionate, hardworking ones, agents like you 🙂 Veteran agents vs. agents just starting to build their lists. Large agencies vs. boutique ones. Agents who represent the kinds of books that we wrote (almost to the point of our books being too similar!) vs. agents who represent our favorite stories across genres. This could probably add up to more than one posts, even. Happy Thanksgiving!
Great idea, Katia! Thanks for this, and have a great holiday! 🙂
Funny and true tips. Very useful! Thanks for taking the time to give us the down and dirty. I believe that working with a smart editor is a necessary step before querying a busy agent. How does one writer stand out amidst throngs of other talent? Luck? Right place, right time?
Luck feeds into every writer’s career, but it isn’t enough to be in the right place at the right time if your writing isn’t the best it can be. The way to stand out is, honestly, to work hard at your craft, to be the consummate professional, and to do your homework so that you can put your excellent work in front of the right people and be aware of the right time.
You do, to a great extent, create your own luck, believe it or not. At least much of it. The rest is up to the fates, I suppose. Too many times, the obstacle in the way of a writer and his success is the writer himself. This can happen if they don’t know the market well enough, haven’t taken the time to really develop their work before submitting, don’t conduct themselves like this is a business, and, many times, just don’t finish things in the first place and put their work out there to make a go of things.
So true. Hard work pays off! Thank you, Marie 😀