Agent Monday: Cyberstalking…in a Good Way

half shyHappy Agent Monday everyone!  I hope you are all coming off a very restful 3-day weekend sated with too much barbecue and lots of feet up on the lounge chair time.  Fun summer fact about this literary agent: I love to spend summery hours working on a way-too-hard puzzle, glass of iced tea with mint sprig in hand. I love puzzles in general (but don’t send me puzzles, please…), but here’s something that gets my puzzler sore: why don’t so many submitting writers seem to have a clue of what I do and don’t want? Why don’t they cyberstalk agents…in a good way?

Here’s what I’m talking about…Look me up anywhere online and you’ll see that I do not represent genre sci-fi or genre romance. So what do I get in my inbox? Yup. Queries for science fiction romances. I also do not represent Christian fiction or non-fiction. Lately I’ve been getting a lot of queries for this. So I tweet that I do not represent this…and I get a bunch more.

Folks, this is all sorts of bad. Bad for you the writer because it’s a red-flag to anyone you wrongly submit to that you haven’t bothered to even look up the bare minimum of info on the agents you are subbing to. Also bad for you because instead of focusing with laser-eyes on the right agents and getting yourself closer to representation, you are spinning your wheels and wasting your time. It’s bad for agents because so many writers are clogging up agent submission inboxes with stuff that is wasting their time. That means it’ll take even longer for them to get to the queries that might just be of interest to them…and that query just might be YOURS!

So, writers, spread the word and help yourself…You and your fellow authors should be cyberstalking agents…in a good way!  A week or so ago I was at the NJ SCBWI annual conference with my wonderful client and amazing author Tracey Baptiste presenting workshops about the author-agent relationship. Each time we did the workshop,Tracey mentioned that before she queried me, she cyberstalked me. And each time some writers in the audience took notes as if it were something they hadn’t really thought of before.

Now, what is cyberstalking in a bad way? Messaging an agent on Facebook. Please don’t do that. Commenting on their family pictures and putting odd comments all over their blog about your manuscript. Also not good.

Cyberstalking in a good way is much more behind the scenes. You are gathering info, not putting yourself in front of people you are going to be contacting. So google the agent you are submitting to. Read their submission guidelines and follow these. Now look beyond those guidelines.  Google the agent’s name in quotes followed by: agent (especially if that person has a common name…you don’t want to drown in useless info about people who are not that agent). For example, in the google search line you would type for me: “Marie Lamba” agent.

Now, what turns up is likely more than a static agency website (though that’s a good starting point – you won’t believe how many people clearly don’t even look at that for guidelines). Like with me, you’ll find my twitter feed – with that note about Christian fiction, about other current likes and dislikes. You’ll also find interviews I did that highlight what I’m looking for, my interests, my style. After reading through these, you may discover that I really don’t want to see anymore paranormal romance novels, and you’ll cross me off your list. Or you will see that I’m searching high and low for the next Bridget Jones in woman’s fiction, something smart and funny but ORIGINAL and not a Bridget Jones knock off. And you just happened to have written something that might be a fit… Hey, now you can query me and say something along the lines of “I saw in your interview with xyz that you are searching for the next Bridget Jones…”

Now you’ll have my attention. This is a query from someone who has done their homework and carefully targeted a submission.

You might also see something in your cyberstalking that you like about a particular agent. Their philosophy, the authors she represents, her humor, whatever. You can point to that in your query. Or you might find something you really don’t like. A site with numerous complaints about unethical practices? An agent saying things that seriously rubs you the wrong way? Is this someone you want to go into a business partnership with? If the answer is no, then cross them off the list and move on.

Cyberstalking in a good way can yield the most current agent guidelines and help you narrow your list of agents to the best and most-likely fits for you. Start there in your query process and you’ll find yourself closer to the yes you seek.

I know that I’ll pull up my agent inbox today and find it full of queries from people who don’t have a clue of who I am or what I do or do not want. Sigh. But I know that you won’t be clueless, right? And because of that, you will stand out. Of course, there is no guarantee an agent will offer representation, even if you target them well. But, like chicken soup, it definitely wouldn’t hurt.

 

*Marie is an Associate Agent at the Jennifer De Chiara Literary Agency in New York City.  To keep up with all her posts, subscribe to her site by clicking on the Follow link located on her page on the upper left margin.

Agent Monday: Which Agent?

MP900321197Hi everyone!  Happy summery Agent Monday to you all. One of the biggest challenges of submitting to agents is figuring out which are the right ones to contact.  So for those of you looking to submit to The Jennifer De Chiara Literary Agency, I thought I’d  offer a few insights about two of us to help you out.  Thanks so much to wonder-agent Stephen Fraser for popping by!

First a few caveats. One: never submit to more than one agent at our firm (or at any one firm) at the same time. It’s unprofessional and you don’t want to put two agents in the same firm in the odd position of both offering representation at the same time. Two: always address your submission to the agent.  We often get generic mass-emailed queries addressed to no one (not cool). Every once in a while we get submissions addressed to every agent in our firm at once, or to every agent that exists in every firm (not kidding). Bad. Don’t ever do that.

Now a few notes about how our agency operates.  We are a wonderful collaborative bunch, and we’re all overseen by the wisdom and experience of our founder, the talented Jennifer De Chiara. It’s not unusual for the agents to consult each other and share info about the market or editors or certain situations that pop up. In that way, each agent here shares from a wide pool of experience that benefits all of the authors we represent. We also share our exciting developments with each other. And if we get a query that isn’t right for us, but perfect for another agent in our firm we will pass it along to them. What I’m trying to say is that this is a very positive agency and we make a great team.

So who should you submit to? First do some research. Go to jdlit.com and click on The Agency and Who We Are, then click on Submissions for specific guidelines for each agent. And here are a few more details that might help:

Stephen FraserStephen Fraser

1. What are you most looking for in your query in box right now?
I am always looking for solid, unusual middle grade fiction. And then, of course, anything that is dazzling. I do love poetry, dramatic stories, fascinating nonfiction. For me, it is always about beautiful language.

2. What special interests, hobbies, background distinguish you and your point of view as an agent?
Because I used to be an editor, people know that I have an editorial bent. And so they can expect my input on their manuscripts as well as career guidance. Also, my background in theater and music definitely colors my interest in some topics.

3. What are you seeing too much of in your query in box right now?
There are too many ‘typical’ picture books, e.g. monsters under the bed. The tendency to always teach young readers persists; story is what everyone needs. Still too many paranormal young adult novels.

4. What one thing would you most like writers querying you to know?
To persist in following up if they don’t get a response right away. I answer everyone and sometimes it just takes time. A polite nudge is always fine.

 

MarieMarie Lamba
1. What are you most looking for in your query in box right now?
Something unforgettable that’ll make me laugh, tug at my emotions, haunt me long after I finish it. I want something different from what’s already out there. I love projects which are fun but also have depth, so something that is breezy but without beautiful language or heart is not right for me. I’d love to get women’s fiction that isn’t cliché and that moves me. I’d love a memoir with an unforgettable voice. I’d love a contemporary YA that isn’t overloaded with problems, but that stands out for its voice and its heart-rending truths.

2. What special interests, hobbies, background distinguish you and your point of view as an agent?
I have a fine art background, so I love visual writing, and stories involving artists or the art world. I fenced through college. I love ancient graveyards, ghost stories that are not touched with gore (I hate bloody stories or true crime), mythology. I’m a huge world traveler. My kids are biracial and my husband is from India. I adore smart books and films that make me laugh or move me in unexpected ways. I love smart chick-lit and am a romantic at heart, but I do NOT enjoy genre romance at all. So books that tug at my heart but are in no way formulaic or predictable are more for me. I’m an author myself, and have written a number of young adult novels, tons of magazine articles, and other stuff. I’ve also worked as an editor, a public relations writer, and a book publicist, so I approach each project from many angles.

3. What are you seeing too much of in your query in box right now?
Paranormal novels. Someone thinks their life is okay, but then they discover they have a special power or curse and are at the center of a huge mysterious conflict. No more of these, please.

Light fluffy romances. Whether YA, NA or adult, these are just not right for me. I want more depth than the hot angsty guy with green eyes and the heroine who is attracted to him despite her better judgement.

Sad story memoirs without an added dimension. People who have gone through difficult things in life, but who don’t bring anything further to the experience beyond reporting what happened to them. My heart breaks for these writers, but I’m looking for a special voice or unique point of view that will touch readers beyond the “this is what happened to me” part.

YA’s overloaded with problems. While one or two serious issues are more than enough for a lovely YA contemporary, I’m seeing YAs with up to a dozen serious problems facing down the hero. And every character in the story has tons of huge issues.

4. What one thing would you most like writers querying you to know?
I’m looking for writing that is as good or better than what my current clients produce (and they are amazing). I’m looking for manuscripts that make me think, “Jeez, I wish I could write like that.” I want manuscripts that won’t just sell, but that’ll make a difference to readers, which is why genre writing or anything that is too similar to what’s already out there is not right for me.

*Marie is an Associate Agent at the Jennifer De Chiara Literary Agency in New York City.  To keep up with all her posts, subscribe to her site by clicking on the Follow link located on her page on the upper left margin.

 

Agent Monday: In Good Company…with Character

RetirementHappy Agent Monday, everyone!  No matter what sort of fiction you write, it’ll really soar if you include believable characters…people we care about, people we love, or people we love to hate. Without compelling characters, a story can really feel flat, and a story engine can chug to a full stop. Today I’m excited to welcome to the blog Richard Uhlig, who is a terrific author, and who I’m proud to call my client. Richard definitely knows a thing or two about creating compelling characters. Here’s his take on it…

In Good Company
by Richard Uhlig

“This is hell!” my fiction-writing students say. “How can you do this year after year? It’s drudgery sitting at my desk for hours trying to come up with a story someone will want to read.” One writer I know calls his den The Torture Chamber. Norman Mailer said writing was the Spooky Art, “… where there is no routine of an office to keep you going, only the blank page each morning, and you never know where the words are coming from, those divine words.”

Yes, writing an original book, play or screenplay can feel like you’re shoving Noah’s Ark up Pike’s Peak by hand. Then, over your shoulder you hear Cassandra whispering, “All this work is adding up to nothing.”

You know you shouldn’t, but you can’t help comparing your writing to Vonnegut’s, Fitzgerald’s and Munro’s, always coming up short. What you thought was a solid idea when you sat down to write it can default faster than the Greek banking system.
There is, however, an opium for this kind of creative pain. I know it’s helped me. It’s easy and close at hand: masturbation.

Kidding aside, write about people who you find entertaining.

Unconventional people. People who stand up to seemingly insurmountable problems. People burning with dreams. People who are their own worst enemy. Exceedingly bad people, exceedingly good people, but most of all exceedingly interesting people who shake up your sense of decorum and expectation.

Ideally, these people should want something desperately, even if, in the case of Shrek, that something is just to be left alone.

Beginning writers often waste months ironing out a concept, or trying to figure out the intricacies of a plot, without having given much thought as to who the yarn is about. Writing a story where the characters are secondary to a plot is like dancing without music. It’s okay for cookbooks and instruction manuals, I suppose, but you’ll never come up an Auntie Mame, Humbert Humbert or Willie Loman.

Tip: Put your characters in drastic, hilarious or god-awful situations right away. Follow their reactions. They should lead the way. If they don’t, search for a new character who does.

Keep in mind, this is creative writing we’re talking about. Not journalism, not biography. To write a facsimile of your church-going third grade teacher, Mrs. Carter, can lead to narrative paralysis. The real Mrs. Carter would never allow Miss Barkley, the p.e. teacher, to kiss her. But what if the fictitious Mrs. Carter lets Miss Barkley kiss her? That would buck your reader’s expectations. In other words, allow the Mrs. Carters in your life to inspire you, but free them to do their own thing. Reveal their hidden desires.

And don’t freak out about writing stereotypes. No offense, female p.e. teachers. The fun, like with Mrs. Carter, is to add contradictions to stock characters. Take the hit 1980s situation comedy “The Golden Girls.” Blanche is the slutty southern belle, Dorothy the tough Brooklyn Italian, and Rose the naive farm girl — clichés all. But the writers artfully forced these stereotypes to reconsider what they believe, constantly pushing them out of their comfort zones while maintaining a core consistency. The result? Some of the most memorable characters ever created for TV. Sinclair Lewis, the first American writer to win the Nobel Prize in Literature, wrote chiefly about “types.”

Writing can be a lonely game, for sure, but if your characters consistently surprise you by what they do and say, you’ll soon find them great company. Who knows, you may even find them more interesting than a lot of people in your non-fictional life.

So, the next time your novel stalls like a New York taxi at rush hour, get out of the driver’s seat. Let your characters take the wheel. It’s easier for you, and it’s a hell of a lot more fun for the reader.

 

Rick UhligRichard Uhlig is author of the YA novels LAST DANCE AT THE FROSTY QUEEN and BOY MINUS GIRL (both published by Knopf) as well as the e-book MYSTERY AT SNAKE RIVER BRIDGE.  He’s also penned the feature films DEAD SIMPLE, starring James Caan and winner of the Seattle International Film Festival’s Critic’s Choice Award, and KEPT, starring Ice-T.  Richard wrote and directed the award-winning short films CAN’T DANCE and MY KANSAS.  He lives in New York City with his wife and two children, and is represented by Marie Lamba of The Jennifer De Chiara Literary Agency.

Agent Monday: On Writing and Fear

Yvette from her facebook profileHappy Agent Monday, everyone! Today, I’m excited to feature a guest post by my client, extraordinary author Yvette Ward-Horner. It’s all about writing and fear. Yvette has plenty of experience facing fear both on and off the page. Her stunning debut novel LOOK WELL tackles the realities of climbing; the glory, the fear, the bonds that emerge from suffering. It also examines the choice that some of us make to abandon the mainstream blueprint for success and instead pursue a different type of life. Yvette writes with true authority. In real life, she happens to be a climber herself (that’s a picture of her on that icy mountainside). So, take it away, Yvette!

ON WRITING AND FEAR
guest post by Yvette Ward-Horner

“Doubt and uncertainty, fear and intimidation are at the heart of the novel-writing process.” – John Dufresne

Fear.

It’s there with you when you write those first words; it’s still there later when you type The End and blow your nose and think Is it really over? And all the way through your story or novel, as you coax and smooth the words out (or are charged and trampled by them), fear will twist your thoughts and crumple your hopes.

This sucks.

I’m a hack.

No one will like this story.

And then there’s the flip-side, of course; you know that too. If you write, you’ve surely spent hours or days or weeks with the words rushing out, high on your talent and the sheer raw joy of writing.

This book will be huge.

How could it not sell?

It’s a page-turner.

But it never lasts. Maybe you get a new rejection, maybe your spouse is thoughtless, or maybe you just eat too much hard salami. You re-read your work and it’s suddenly not quite so clever. Your metaphors flop, your plot twist rattles, and why would anyone care about your protagonist?

No one will like this story.

This book is awful.

And there you are again.

As a writer and climber, I know fear well, in all its forms and stages of intensity. It may seem that the fears of the writer and the fears of the climber have very little in common, but under the fraying nerves, there’s a common message. Stop what you’re doing. You won’t make it. Give up now.

And so much of the danger is simply imagined.

I might fall.

I might fail.

That whisper in the back of the mind.

But what can be done? How can you make yourself brave? You’re hoping right now that I’ll teach you some magic; a Zen trick, a swift path to courage. You want to cling tight to that muse-fed bliss when it comes, joyfully streaming your visions onto the page, secure in the knowledge that your talent is strong, your prospects rosy, your novel a thing of beauty.

But there—you feel it already. That rustle of doubt. Sit still for a moment and let it rustle, feel it twisting: yes, it’s deep and ugly. Now turn away and get on with what you were doing.

That’s all you can do.

The stark fact is that fear is just part of writing, like seductive adverbs and wayward commas and plot threads that lead you miles in the wrong direction. And it can’t be escaped. It makes you doubt everything sooner or later – your characters, your scenes, yourself. It sits in your chest and whispers give up and it can make you abandon a book before it’s finished. If you let it.

And that’s the key to this whole thing: If you let it.

Because fear will never kick you free, no matter how much you scold it or wring your hands, no matter the quality of your positive self-talk and the inspirational quotes you post on Pinterest. Getting published won’t get rid of it – if anything, it makes it slightly worse. All you can do, then, is learn to abide with it; let it be part of your writing and your life. On the days that your book is singing to you, write. On the days that fear is darkly muttering, write. Finish that beautiful novel you’re writing; surge on your flows of hope and ebb with dignity. Let fear ride with you, but don’t let it dictate your actions.

And never let it decide the course of your life.

 

Yvette headshot from websiteYvette Ward-Horner is author of the debut novel LOOK WELL. Her short stories have been published in print and online literary journals and several have been reprinted in anthologies. Her short story THE NOMADS won first place in the Literary/Mainstream category of the Writer’s Digest Magazine’s 78th Annual Writing Competition. An avid mountain climber, Yvette lives in the Rocky Mountains, where she climbs as much as possible and is a member of the local Search and Rescue team. You can connect with her on her website here and friend her on Facebook here.

 

Agent Monday: Too Soon?

9781585421466Happy sunny Agent Monday, gang! It’s too soon for shorts and bathing suits here in the Northeast, but the signs are there. Birds singing. Days starting to grow mild. The promise of hot sunny days ahead. But you can’t rush it. Likewise, in my agent inbox, I often see queries of books that are promising, but not there yet. So in today’s post, let’s talk about that important question writers should be asking themselves before submitting: Is it too soon?

To kick off this post, I have to tip my hat to a wonderful book: The Artist’s Way by Julia Cameron. Are you an artist of any sort (musician, fine artist, writer, etc.) who isn’t producing work the way you’d like? Or are you enjoying it less and less? Or feeling angry or stressed in some way that is impairing your true creative spirit? Dude, buy The Artist’s Way, follow the chapters and do every single exercise in there that feels right to you. It will change you and free you. I’ve been using this book myself for the past 8 months, and I am definitely different. I am better for it. It’s a gift you can give to yourself. Take it!

Okay, back to the Too Soon point. In Cameron’s book, she states something so simple and elegantly true: “An act of art needs time to mature. Judged early, it may be judged incorrectly. Never, ever, judge a fledgling piece of work too quickly.” She points out that many hits are sure things only in retrospect. “Until we know better, we call a great many creative swans ugly ducklings….We forget that not all babies are born beautiful…”

Some of these judgements come into our writerly minds before we set a word on paper. We think, eh, that’ll never sell. That’s been done. That is crap. And we never write that idea down, follow it to completion. Some of these judgement we inflict on our work after it is written. We say to ourselves, this sucks. No one will give a damn. We tell ourselves that we will never break in or break out. In all of these cases, we are the block between the idea and the possible future reader of our work.

And sometimes we are caught up in the rush of competition. I’ve written it. I’ve made my agent list. BAM! I’ve sent it out. Done!  But wait…no responses. Form rejections. The answer the writer can take away from this? My writing sucks. I suck. I’m done. I have another idea, but what’s the point?

Okay, so nothing promises success when you take your idea from inception and trot it out into the world. That’s the artist’s life. But, as I’ve said, I often see things that are half-formed. That have a good voice and style, but a half-baked idea. Or I see works that need more focus. Or people who are just starting out in their fiction writing and who have created their very first novel. Obvious ideas, mimicking other writers, stories that are really just their own lives told back. All the things that a new writer must work through before creating something more original and unique. In sum, I often see writers who show promise, but don’t have something they are showing me that is in a state of readiness that’ll make me sit up and think – yes! This is ready.

I’m talking far beyond spell checking and formatting something correctly. I’m talking about a writer not rushing. Taking the time to let a work sit and stew. And to then revisit it with revisions, and have others read and react to it, then let THOSE comments sit and stew, then revise again, tweaking what feels right. Only when you feel your work is fully developed, fully realized, only then should you be sending it out to an agent. And THEN you should move on to create something else. This may be a young novel for you. Maybe your next one will be more developed, maybe the one after that. But you’ll never know if you don’t give yourself the chance to grow.

I’ve said it before in this blog: you must take a long view of your career. That means that you should take the time you need to develop, produce, grow as a writer. — that’s something that never stops for the true artist, no matter how many books you write or even how many get published. You should look at setbacks as something to learn from and move beyond. Thinking that you will write X many books and stories and send out to X many agents and publications and that should definitely lead you to your shiny goal of publishing success is all well and good. BUT you will hit walls and you cannot control what’s on the other side.

Hey, if you as a writer are looking for reasons to stop writing, you will find them. TONS of them. But if you want to write, then don’t look for reasons to stop. Ever. Your ideas are valuable. Your voice is valuable. As Cameron says, “The need to win — now! — is a need to win approval from others. As an antidote, we must learn to approve of ourselves. Showing up for the work is the win that matters.”

So I guess what I’m saying is don’t be in such a hurry. Enjoy your creative process and see it thoroughly to the end. That fulfilling creative world will give you endless joy and rewards. And then send it out into the commercial world. And move on to create something new and well and thoroughly despite the outcome.

Slow and steady can win the race. And if that race is artistic fulfillment vs. success, that is a race you can definitely win. And I would argue that artistic fulfillment will open up all sorts of success.

So what’s the hurry?

 

*Marie is an Associate Agent at the Jennifer De Chiara Literary Agency in New York City.  To keep up with all her posts, subscribe to her site by clicking on the Follow link located on her page on the upper left margin.

 

 

Agent Monday: Updating Your Image

????????Happy Agent Monday, everyone!  I don’t know about you, but I feel renewed after a weekend when there FINALLY was some sunshine and warmth. Just being able to clear debris off the planting beds and pull some weeds and plan what new plants to put in felt so invigorating and forward-moving.  And readers of this blog may notice something fresh and new here as well – a new blog format!  So today’s post is all about how writers need to update themselves!

Got a pokey online image that isn’t you? What about that ancient author photo (are those SHOULDER PADS I see)? And, most importantly, what about the writing you are currently promoting?  Is it, well, current?

As an agent I often see submissions that feel dated. One form of a dated submission is the novel that feels like it would have fit in well in the 1960s or 70s, or in an Early British History Fiction class, or in a study of classic children’s literature. But today? Not so much.

I think this comes from the writer reading and falling in love with books from their childhood, or from when they were forming their passion for writing, and THAT is what they hold up as the model of great fiction. But here’s the truth: really great fiction of our time reflects today’s sensibilities and your experiences as who you are right now. Even if it is a historical novel. So that means that you can’t write Jane Eyre today and expect today’s publishers and readers to respond the way the original audience did. Writing from a place that only takes in what fiction once was like too often just feels pokey.

You need to evolve and update your sensibilities. That’s why, when I advise writers to be familiar with the books in their genre, I tell them they MUST read successful CURRENT books. Not just the classics.

Another sort of dated submission is caused by the writer who hasn’t evolved. I see this with authors who had some success say 20 or 30 years ago with their fiction, and are still trying to write in that exact same style to that exact same audience. But reading styles have changed a bit. Pacing, language, plotting has morphed into something fresher and more of our time. There will always be room for excellent writing and characterization on the shelves, but if the book feels like it’s been done before, whether in style or plot, chances are good that if your audience has left you behind, you need to rethink your approach.

Another thing that I see in submissions that feel dated in a way, is the author who has written that ONE MANUSCRIPT, and they have been trying to sell it for years and years and years. Okay, I know that we writers need to be stubborn, and there are those wonderful tales of success about authors who did stick it out and then were finally rewarded with a publishing deal and rave reviews. Excellent! But, if your one manuscript hasn’t evolved over the years of submissions – meaning you haven’t changed a word even as you’ve improved your skills as a writer, or you haven’t responded to valid criticism about your work with sharp revisions, well, you aren’t evolving.

So, to those writers, I say – be persistent, never give up, but evolve as you move forward. Keep improving your existing work and submitting, but most of all, work on the next book in the meantime. I’ve been this writer myself and made the mistake of perhaps being a bit too determined about my first novel. And guess what? When I finally resolved that it wasn’t giving up (after 10 years of determined slogging to sell it) to move on to another project, I wrote a new novel and within a year landed an agent and a book deal with Random House. That first novel? It’s hiding in the drawer, and, really, it’s not that bad. I could just do better once I gave myself the chance.

So it’s springtime. Evolve and grow. Look at who you are as a writer. Your image. Your voice. Do your words you are sending out reflect the person you are today? Are they the best you can write TODAY? If so, they will reach today’s readers and connect.

Dare to plant new seeds of inspiration and let them grow!

 

*Marie is an Associate Agent at the Jennifer De Chiara Literary Agency in New York City.  To keep up with all her posts, subscribe to her site by clicking on the Follow link located on her page on the upper left margin.

Agent Monday: On Luck

Green CloversTop ‘o the mornin’ to you all!  Happy Agent Monday AND St. Patrick’s Day.  With the luck of the Irish and pots of gold being much talked about, today I thought it’d be a fine time for me to talk about luck and the writer. Getting an agent, getting a book deal, getting a good review, getting great sales, even getting that perfect idea for a book at the perfect moment.  Some people are just lucky, and some people never get any breaks, right? Well…

As someone who is an author and an agent, I’ve had my share of good and bad luck. Looking back, the most significant bad luck I ever had as a writer was completely out of my control.  Debuting as an author (after MANY years of struggling to break in) just as the recession was starting? Beyond my control. Being one of the very first Random House titles to not be automatically picked up by Barnes & Noble and Borders (remember Borders?!!!)? Also out of my hands. And, because of being one of those very first titles, my already written and approved sequel was immediately canceled. This bomb was dropped on me just 3 weeks before my debut title came out.  My editor (and champion) left the business at that moment. Seriously horribly rotten luck, right? Terrible. Tragic. WHY ME AFTER ALL MY HARD WORK rotten luck. And all out of my hands.

I’m sharing this with you so you’ll know I get it. I get that sometimes not only do the stars not align, but the planets crash down on your head and whomp your dreams to pieces. But still, luck is in your control. That’s because it’s what you do from that moment on that makes all the difference.

Do you quit? Do you wallow in self-pity and misery? Or do you make your own luck?

For me, I was determined to make sure that my debut didn’t fail and that my sequel saw the light of day. So I took charge of marketing in every way that I could. I pursued every out-of-the-box idea I could think of and worked non-stop. And because of this, my debut YA novel WHAT I MEANT… didn’t disappear, and neither did I. It was embraced by readers, it went into reprint multiple times, this title earned out its advance, and it is still in print as an ebook to this day. That was all hard won. Also, I took charge of my standalone sequel OVER MY HEAD, which seemed to be doomed. And I put it out myself. It’s earned great reviews and reader praise, and it’s available now in print and in ebook.

And while I would never have chosen this hard route for myself, it shaped me and I’ve taken away so much from these experiences. While I started out with some P.R. and book promo experience in publishing, this twist of luck transformed me into a truly informed book publicity machine (and now I pass this knowledge on to my clients), and it taught me where indie publishing really fits into a writer’s life, and it showed me just how awesome my own agent Jennifer De Chiara is when it comes to supporting a client through thick and thin (something I strive to emulate with my own clients now).

You can take your luck into your own hands, and it’s important to, as a writer, see where the control rests. Sure, you can’t make an agent represent you, but you CAN strive to write the very best most polished manuscript you can and to research to find the right agent, and to follow that agent’s guidelines, and to write the most skilled of query letters.  None of that is luck – but it improves your luck, doesn’t it? It leads you to that pot of gold.

And if that path to the gold is strewn with land mines, it is up to you to chart a new path, a better one. To take control wherever you can and to make your own great luck. To write beautiful stories that will inspire people.

MP900314154The real truth about good luck, I think, is that it is not some passive thing that just happens to people. We have a hand in it. Making sure we say yes to opportunity wherever it rests, and that we work hard to make the most of it. (Haven’t we all seen people, even ourselves, screw up something or run away from something wonderful that has been practically tossed into our laps?) Making sure that when something diverts our good fortune, we learn from that and reroute ourselves back to our own good fortune, making an even better path.

That’s what I think dreams are really made of.

Good luck!

 

*Marie is an Associate Agent at the Jennifer De Chiara Literary Agency in New York City.  To keep up with all her posts, subscribe to her site by clicking on the “Subscribe to Marie’s site here” link located on her page on the upper left margin.

 

 

 

Agent Monday: Finding the Time to Write

MP900302970Happy Agent Monday to you all! Today, as we enjoy an extra hour of sunlight (you did turn your clock forward, right?), it’s a perfect time to talk about, well, time!  Specifically, finding the time to write. I’m thrilled today to have a guest post by my client and wonderful author Erin Teagan. Erin, though busy over the years with work and raising a family, has managed to write a number of manuscripts and to work hard at perfecting her craft. She got my attention and offer of representation with a sharp and touching middle grade novel called STANDARD OPERATING PROCEDURES about Madeline Little, genius scientist in the making, who keeps her life in control by creating SOP’s like “How to Fake a Bubonic Plague to get out of a Party.” But when her life flip-flops at the start of middle school, and the SOPs no longer do the trick, it’s up to Madeline to discover a new cure for her newly messed up life.

Here’s a look into how Erin finds the time…

 

FINDING TIME TO WRITE

Guest post by Erin Teagan

 

Finding the time to write is a universal struggle for writers. Day jobs, kids, pets, snowmageddons, to-do lists, books to read…there are a million things that require our time and attention before we can give anything to writing.

When I was in college I wrote a terrible YA novel. I worked on it during holiday breaks and in the summer. I pictured what writing would look like when I graduated, churning out book after book with all the time I’d have. A 9 to 5 job? No studying? What else did adults do with their time? Ha!

It took that first year of working to realize that if I wanted to be a writer I had to make it a priority. Because even though I chose a career that rarely required take-home work, it sometimes meant working late. And sometimes it meant traveling and giving up my weekends. It also meant going back to school for a graduate degree. I fantasized about my old college days. What did I do with those huge chunks of time between classes? Why hadn’t I worked on my novel more?

I researched how other writers fit it all in (I’m a scientist. I research EVERYTHING). Lots of articles talked about the time suck of the Internet and TV. But I loved those kind of time-sucks! After working nine or ten hours, sometimes it was all I could do to just sit on a couch with my roommate or husband or 90 lb lap dog and stare at the TV like a zombie. And if you didn’t surf the Internet for at least a little bit, imagine how far behind you’d get on surprise attack kitten videos or dogs romping in the snow? Sometimes you just had to be part of society, you know?

Other articles talked about writing in the wee hours of the morning or into the dark of night. Some of the most successful authors wrote while the rest of the world was sleeping. And I thought, I should give it a try. I was a night person. I used to study into the midnights, I should surely be able to churn out a book or two that way. Except I found that I just couldn’t turn off my to-do list. Those unchecked boxes that remained from my day haunted me, my brain chatter too loud. Was I even meant to be a writer if I couldn’t find any time to write?

I pictured myself fifteen years older, with kids, a mortgage, real-life problems and complications. If I was going to get writing into my schedule, it had to be now. So I tallied my excuses. Why I couldn’t write at night. Why I couldn’t give up my time-sucks. Why I couldn’t possibly write in the early morning. And what I found was I had far less excuses (though they were good ones, I tell you) about writing in the morning.

I remember the first time I tried it. I set my alarm fifteen minutes early. I was on a business trip which meant long, tiring hours. But there were no more excuses. I knew my brain would resist this new schedule so I treated myself to some new books. Plot workbooks. Writing exercises. Books on writing. The first day was a struggle, but I made myself do one writing exercise. I was groggy, the hotel coffee was pretty terrible, but once I got the writer juices flowing, it wasn’t as horrific as I had feared.

This was a big change for me so it took me months. Each week I set my alarm fifteen minutes earlier. By the end of it, I was waking up at 4:45 in the morning and my brain was forgetting that I was a night-person. I felt so successful! At the end of that first year I had revised my terrible young adult novel (and then put it in a locked drawer) and managed to write a somewhat decent draft of a new middle grade. I felt so accomplished! I had managed to trick my night-person brain to be something that could function and focus in the wee hours of the day.

Nearly fifteen years later, with real-life complications, kids and a mortgage, I’m so thankful I took the plunge and made writing a priority in my schedule. It took some trial and error and brain training to figure out what worked best for me, but now I can be sure to check off that one ‘writing’ box on my to-do list every day.

Now if I could just apply that to the rest of my life like going through my overstuffed filing cabinet, resolving that toll violation, or exercising. But really, who runs on a snow day? And is that filing cabinet really hurting anyone? So I’ll leave those tasks unchecked on my list for today. At least I got some writing in.

 

Erin TeaganErin Teagan has a master’s degree in science and worked in biochemistry labs for more than ten years where she wrote endless Standard Operating Procedures.  She’s an avid reader and has reviewed middle grade and young adult books for Children’s Literature Database and Washington Independent Review of Books.  She’s active in SCBWI and this will be her eighth year co-chairing the Mid-Atlantic fall conference. STANDARD OPERATING PROCEDURES will be her debut middle grade novel. Erin is represented by Marie Lamba of The Jennifer De Chiara Literary Agency.

Agent Monday: Digging for Buried Treasure

Happy Agent Monday, everyone!  I don’t know about you, but I’m so relieved that it’s March. A definite sense of “phew we made it-ness” has pervaded my mind.  A huge snow storm was predicted for today, so imagine my glee when I flipped up the shades this morning and discovered we’d gotten not 12 inches but barely an inch! HA! Take that winter. So instead of wasting time digging out mounds of white stuff I can devote a little extra time to digging for buried treasure. That’s right! It’s time to hunt through my inbox for that query that’ll tempt me to request a full manuscript. Wanna come along for the adventure? Pack your treasure map and your spy glass and follow me. Arrrrrr….

First query – science fiction. My guidelines say I don’t represent science fiction. Rejection sent.

Second query – non-fiction. My guidelines say I don’t represent non-fiction (aside from memoir). Rejection sent.

(Are you noticing a trend here? If so, here’s the link to my own treasure map, er, I mean submission guidelines.)

Third query – memoir. Something I actually represent. Yeah! Unfortunately, I found this one to not be unique enough, and the sample chapter was stilted. Rejection sent. (For what I think makes a memoir stand out, check out this post.)

Fourth query – YA, something else I actually represent. But this one is not at all ready for prime time. The writer needs to learn a lot more about the market and about writing before being at a professional level and ready to submit to agents. Rejection sent.

Fifth query – Women’s fiction, something I’m looking for. Length of the manuscript is right and the query follows my guidelines, but I’m not drawn in by the premise. I read a little of the sample pages pasted in below the query (something my guidelines allow for) and I’m not crazy about the voice or the writing. Rejection sent.

Sixth query – Category romance. My guidelines state I do not represent category romance. Rejection sent.

Seventh query – Women’s fiction. I found the query letter to be flat and it didn’t evoke anything for me. Rejection sent.

Eighth query – YA. The themes were cliché and the language used didn’t feel like it belonged to a teen. Rejection sent.

Ninth query – Middle grade fiction. Definitely looking for these. But this one didn’t sound unique, and the writing wasn’t up to snuff to me. Rejection sent.

Tenth query – YA. Strong query, except for a cliché tossed in. Opening pages have a nice voice.  I’m still worried about the cliché, though. Hm…  No rejection, but no request for more yet either.  I’m setting this one aside to look at again later, maybe after another cup of coffee.

Eleventh query – YA. I like the query and the plot hangs on an interesting hook. Encouraged, I read the opening pages, but quickly find myself skimming. Lots of back story. Pacing is way off. Rejection sent.

Query twelve – Fantasy. While I like fantasy elements, full-on fantasy is not my thing (as I say in my guidelines). Rejection sent.

Feeling a bit discouraged here.  Will there be any treasure in them-thar hills or not? Shall we shoot for lucky thirteen? Okay pirates, take a swig of rum (or coffee) and let’s journey on to one final spot.

Query thirteen – Horror. Guess what? I’m not at all into genre horror. Plus, I’ve seen this plot before in a very famous novel. Rejection sent.

MP900341872Ah well, fellow treasure hunters. Be not discouraged. The majority of my clients have been found through the query process, so treasure hunting does pay off.  And for you writers, know that crafting an interesting query plus a fascinating manuscript is what it’s all about. And here’s a takeaway that is simple, yet pure gold: read an agent’s guidelines and follow them!

Until next time, me mateys, Arrrr!

*Marie is an Associate Agent at the Jennifer De Chiara Literary Agency in New York City.  To keep up with all her posts, subscribe to her site by clicking on the “Subscribe to Marie’s site here” link located on her page on the upper left margin.

Agent Monday: It’s all about Priorities

conceptHappy Agent Monday, people! This weekend was all about stepping outside while the sun was finally shining and the snow was starting to finally recede. Plus there were all those weekend-ish priorities intruding from vacuuming, to food shopping, to doing taxes, and reading queries (I do like to do that with my first cuppa Joe first thing on weekend mornings). But Monday’s priorities are entirely different. Ah, where to start? It’s all about being organized even as things are being tossed at me left and right. At the end of the day, and especially at the end of the week, I want to have moved forward on goals I’ve set for myself.  So in today’s post, I thought I’d shed a little light on just what this agent might be doing in a typical week. And for this agent, it’s all about priorities.

What are my priorities?  Let’s start with my email inbox. My inbox pings dozens of times. So many emails. How to keep it straight? My eye zooms over the list and if there is an email from a client, I open it immediately. Makes sense, right? And I respond as quickly as possible, even if it’s just to say, hey, I got this and I’ll get back to you later today. In most cases, I follow up on that email as soon as I see it. They are my clients, after all. Next to be opened? Any emails from my fellow agents within our agency, and from editors. They are top priorities, too. This is the core of my business, true?

Okay, then there are dozens of queries. They continue to spill into my box. When I’m taking breaks throughout the day, I may zoom through a bunch of them just to preview them. Preview? Yeah, I’m just seeing if this is a query I need to read immediately, or if it can wait till another day. What’s a need to read immediately query? Something that I’ve been particularly waiting on. Something from an established author. Something that grabs me by the throat and I just have to read RIGHT NOW. But most can wait till I have more time. I do want to take time to consider them, so I set them aside to do that, probably over a weekend.

One kinda surprising thing to note is that if I get a query that I’d requested from a pitch at a conference, or through some other personal connection I’ve had with the writer, it might actually take me a little longer to read and respond. Um, huh? Wouldn’t that person be in the VIP track and get a faster answer? Well, yes and no. This is a query that I know I need to take even more time with. Even if I’m not interested as soon as I start reading it, I’ll need to offer a more personal response. So I slot those reads into when I can spend that sort of time on them. But, mind you, all queries take time. That’s why you might get a form response from me if I’m not interested. Try not to be hating on the form replies from agents. Think about it this way: If I didn’t use this form letter, most writers would never get a response because there simply isn’t enough time to read and personally respond to every single query. As a writer myself, I know how important it is to get any answer. You want to know your status, you want to find your agent. If I’m not the agent for you, then you want to know and move on. That’s your priority, and I try to respect that and be as quick as I can.

Okay, so that’s just my inbox, which, let’s face it, also has a ton of other things popping into it. Like follow-ups for conferences I’ll be participating in. And questions from our film agent that need answers. And interactions with our foreign rights rep. These are all top priorities, too.

What else do I have cooking in a typical week? Well, let’s pull out my client spread sheet and take a look. My clients are productive and they are keeping me BUSY! Let’s see…I have two new manuscripts I’ve never read to look at and respond to. I’ve got six manuscripts that have been revised based on my notes and that I need to read through for final edits. I’ve got two manuscripts that I’ll be pitching this week, which means I need to tweak my pitch and finalize my list of perfect editors, and get on the phone to call those perfect editors…plus, then I’ll have to follow up by sending out the manuscripts to the editors, and updating my files and my clients related to those submissions. Phew, right?

AND, I’ve got a phone appointment later today, a meeting with an author tomorrow. An interview to do for a publication… Oh, and I also have some requested full manuscripts awaiting response. Not such a bad week, actually. It’s tougher when you have to leave the office for a length of time for a conference or a number of meetings.

That’s why I try to be smart about how I use my time. And this is all why you the writer should be careful with time when it comes to agents. If you are subbing queries, don’t waste time sending to agents who don’t rep your sort of work. Don’t waste time sending out queries for work that isn’t polished to perfection. Don’t waste time within your query talking about irrelevant stuff – get to the point and convey your idea quickly, and agents will be appreciative and responsive. If you have an agent, be mindful of his time. You want your agent tending to your career, so don’t waste time chattering on the phone, for example, when you can send him a quick email instead. I’m not telling you all of this just to make an agent’s life easier (but, hey, that’s a nice perk), but to make your writing life more productive and fruitful. It’s your time and your career – important priorities for you!

So, onto my priorities for the week. Agent Monday Post? Done. Desk organized with pens, my reading glasses, notepad, sticky notes and highlighters. Client spreadsheet open. Client files I’m tending to today, stacked to my left. List of my top priorities for the week – front and center.

Ready? Set? And go!

*Marie is an Associate Agent at the Jennifer De Chiara Literary Agency in New York City.  To keep up with all her posts, subscribe to her site by clicking on the “Subscribe to Marie’s site here” link located on her page on the upper left margin.