Happy Agent Monday, and happy July everyone! It is absolutely pouring here right now and my road looks like a gushing river. So I’m sitting here and sipping my first coffee of the day thinking that I wish my agent inbox was flooded with amazing queries right about now…. This past week over at Twitter, there was a #mswl event going on… Manuscript wish lists were posted there by agents and editors, and I jumped on the bandwagon, posting a few of my own wishes. Immediately I started to get some submissions into my inbox referencing #mswl – but a bunch weren’t even close to what I was asking for. So I thought I take the next few agent Mondays to spell my own #mswl a bit more. Here’s what I’m looking for…
#MSWL numero uno: Strong beautiful YA contemporary – character driven w/ 1 main prob, not dozens
Okay, so it’s no secret that I’m a big fan of novels by Sarah Dessen and John Green and that also I might just have written a YA contemporary novel or two of my own. So of course I have a deep abiding interest in contemporary YA.
Contemporary = realistic. No paranormal elements. Based in reality. So if you query me with a contemporary novel that features elves, then you have mislabeled your manuscript. That’s a fantasy. If there are ghosts, that’s a paranormal. So what I mean is real kids in real situations that happen right now. Contemporary. Clear enough.
I find that many people still are confused about what makes a book a young adult novel. You need to have the main character be a teen – and an older teen at that. Too often a 13 year old character is really the star of an upper middle grade novel (kids like to read about characters older than they are). Or the main character is in their mid-twenties or older- that’s adult fiction, not YA. There is also a “new adult” category emerging where the character is in college or in their early 20′s. If the novel has a teen character, but the story is all about the parents in the story, then that is also not YA – that’s adult. Lately I’ve also gotten manuscripts that feature points of view of both a teen and an adult with the focus being on both the stories – but the teen story doesn’t appeal to an adult audience, and the adult story is definitely not for the teen readers – that sort of book is all messed up genre wise and impossible to place. Trust me, no teen wants to read about a character’s parents’ sex life in alternating chapters with the teen’s story. Zowie.
Anyways… Character driven should be pretty self-explanatory: the characters are well developed, grow throughout the book, and they are the focus of the story rather than a high concept hook. Like if it’s a book about a murder investigation that focuses on the whodunnit rather than the who in the story, that’s plot driven, not character driven. If the book’s all about scandal and salacious details instead of the impact that something has on a character, that is also not character driven.
I’m hoping to get into the character’s head and soul and to walk in their shoes as they deal with a conflict that forces them to change in some way.
Which brings us to the last part of my #mswl: 1 main prob, not dozens.
I can’t tell you how many manuscripts I get where the plot starts off promising, but then veers into the ridiculous with the number of problems piled onto the character’s life.
Let’s say the character is stuck in a foster home and doesn’t feel she belongs anywhere…until she starts working at the quirky music shop and discovers a new dysfunctional but loving “family” that she can call home. I’m making this up for this piece, but that, right there is a novel all laid out. One main problem with tons of opportunities for characters and conflict and twists and revelations and in the end, growth.
What I’m getting in my inbox instead is something that runs like this… Take that same one heartfelt problem as above, BUT also…the character’s mother was murdered, the murderer is still out there, the character is sexually abused by a teacher she had begun to trust, she’s also a drug addict, and the job she gets at the music store is run by a heroin addict and staffed by people she gets close to only they are all illegal aliens and get deported, so she develops bulimia, and…
You see what I’m saying? Not one main problem but dozens. Piled on. Where’s the confidence, people? You don’t need sensationalism or tons of issues. Give me one issue with some minor ones if needed added on. Give me heart and elegance and a character I care about. Look at the books by Dessen and Green and other beautiful contemporary writers. Bulimia = one book. Abuse = one book. No family love = one book. Etc. So look at how few issues characters in these great novels are really dealing with at once. I think you’ll be surprised at the simple central premise that rests at the bottom of each one. People/characters are complex enough, right?
Anyways, that’s my #mswl #1. Put that in my agent inbox right now, please. But PLEASE follow my guidelines so you do it the right way. For my guidelines, click here.
And stay tuned for another #mswl next week!
*Marie is an Associate Agent at the Jennifer De Chiara Literary Agency in New York City. To keep up with all her posts, subscribe to her site by clicking on the “Subscribe to Marie’s site here” link located on her page on the upper left margin.